Sunday Evening Art Gallery — Russian Stacking Dolls (Matryoshka Dolls)

Known by many names: nesting dolls, matryoshka dolls, babushka dolls, nested dolls, stacking dolls, Russian Nesting Dolls have captured the attention of children, adults, doll enthusiasts, and art collectors across the globe.From their introduction to the world at the Paris World Exhibition in 1900, to the modern day, the almost deceptively simple concept of a set of smaller dolls nestled within larger dolls has endured not only as a popular children’s toy, or a collectible decoration, but as an icon synonymous with Russian culture.The first Russian nested doll set was made in 1890 by wood turning craftsman and wood carver Vasily Zvyozdochkin from a design by Sergey Malyutin, who was a folk crafts painter at Abramtsevo.Traditionally the outer layer is a woman, dressed in a sarafan, a long and shapeless traditional Russian peasant jumper dress.

The figures inside may be of any gender; the smallest, innermost doll is typically a baby turned from a single piece of wood.Typically painted with subdued earth tones using an opaque form of watercolor paint called gouache, the original dolls from Sergiev Posad (50 miles north-east of Russia’s capital) inspired many of the themes that are still present in the modern nesting dolls.Russian nesting dolls are often seen as symbols of the feminine side of Russian culture. They are associated with family and fertility, and often used as the symbol for the epithet Mother Russia.

These dolls are a traditional representation of the mother carrying a child within her and can be seen as a representation of a chain of mothers carrying on the family legacy through the child in their womb.

Furthermore, matryoshka dolls are used to illustrate the unity of body, soul, mind, heart, and spirit.What a wonderful tradition to pass on to the next generation.

You can learn more about Russian Stacking Dolls at https://www.therussianstore.com/blog/the-history-of-nesting-dolls/.

 

 

 

 

 

 

 

A Glimpse of the Past

As you know, I’ve been weathering some pretty strong storms lately. In taking a moment to look back at my blogging repertoire, I realized I’ve been blah blah blah-ing for quite a long time.

I came across See What You Have Missed written way back in 2012, referring to blogs that I had written way before that. Can You Imagine? So I thought — why not?

Here is the blog from 10 years ago — and their links. Need some humor? Be my guest. Have fun. I know I did. 

Love you all.  

 

See What You Have Missed!

 

I know the winter doldrums are upon us, yet spring is flirting from across the banquet hall filled with diners. We can’t quite see her yet, but I noticed one extra sparkle on the horizon, so she’s on her way.  Before the mad rush of her annual appearance scatters us to the four winds as we open windows, walk a little more, spring clean, play fetch with our dogs, and get more serious about our eating habits, I thought I’d bring a few of my ditties to the forefront (in case you need to apply one to your upcoming Spring Pledge):

To Dream or Not to Dream: That is the Question — Turn your restlessness into meaningful nonsense. Just don’t take yourself too literally.

 

Dancing in a Too Tight Tutu — You are never too old for anything. What are you waiting for?

 

I Didn’t Know I Spoke Chinese — The learning/language gap between generations (this was my kids…now its my grandkids)

 

On Base of Bony Orbit —  Fun Fun Fun words, phrases, and body parts

 

Viva Las Vegas! — Age is a state of mind. And body.

 

 

Sex — What is it and Where Did it Go? — kinda self-explanatory

 

I Can’t Believe I Believed That — disputing a few of life’s mysteries

 

 

Please take a few minutes to see where we’ve been. Let me know if you have any favorites, any ideas.  And hold on, for the future is full of promise — and blogs!

 

 

 

 

Sunday Evening Art Gallery — Claire Scully

Claire Scully is a multi-disciplinary professional Illustrator, author, and educator specializing in drawing.Her creations focus on patterns and lines constructed through minute details.In her own personal research and drawing practice, Scully strives to answer the questions of “what lies beyond the horizon” by looking at the notion of landscape, memory (both individual and collective), and projections of the unknown.

She has a keen interest in traditional drawing methods and classical techniques and their place within modern contemporary illustration and image generation.Scully’s work plays with narratives and scale, moving through strange utopian and dystopian worlds and parallel universes with juxtapositions of the unexpected.Her talent lies in detailed drawings, her creations full of mesmerizing lines, curls, and shadows.Her finesse is highlighted in every drawing and sketch, bringing the creative process into the forefront of all her interpretations.

You can find more of Claire Scully’s work at http://www.clairescully.com/. 

 

 

 

 

 

 

 

 

 

 

Faerie Paths — Over Hill, Over Dale

 

Over hill, over dale,
Through bush, through briar,
Over park, over pale,
Through blood, through fire,
I do wander everywhere,
Swifter than the moone’s sphere;
And I serve the fairy queen,
To dew her orbs upon the green.
The cowslips tall her pensioners be:
In their gold coats spots you see;
Those be rubies, fairy favours,
In those freckles live their savours:
I must go seek some dewdrops here,
And hang a pearl in every cowslip’s ear.
Farewell, thou lob of spirits; I’ll be gone:
Our queen and all her elves come here anon.

 

A Midsummer Night’s Dream
William Shakespeare

 

 

 

Sunday Evening Art Gallery — ​Justyna Wołodkiewicz

 

Justyna Wołodkiewicz is a Contemporary Embroidery Artist from Poland who specializes in three-dimensional embroidery.

Taking inspiration from her surroundings as well as a strong awareness of her own creative process, Wołodkiewicz uses vibrant colors and breadth of contrasting textures and shapes to create finished pieces that are both technically complicated and incredibly whimsical. She specializes in combining tiny abstract sculptures (made of bright colored polymer clay)  with traditional art of stitching by hand.The clay is baked in the oven before implementing.Then everything is composed: threads, sculptures, colors, textures.When Wołodkiewicz designs her art she feels like all these candies are dancing in her circle.Her choices are intuitive and spontaneous, a subconscious translation of bouquets of feelings.Some pieces follow the harmony rules, resembling splashed rainbows; others are footprints of exploration into conflict and ambivalence.“Since the art lives in my heart, it will evolve together with me,” Wołodkiewicz says.“The message will become clearer and clearer. Therefore I love to explore constantly realms of spirituality, energy and self-healing.”More of ​Justyna Wołodkiewicz‘s amazing embroidery can be found at http://nibyniebo.com/.

 

 

Catching the Fog in Your Hands

Writing about pain, about loss, is a tricky thing.

It’s overwhelming, it’s cathartic, its like trying to catch the fog in your hands.

It’s writing everything down in a journal, along with trying to be cryptic. All or nothing. Mind your own business and here’s everything. It’s talking and shouting and whispering at the same time. Finding a comfortable middle ground is nearly impossible.

I don’t really want to go into detail, for I don’t want outpouring of sympathy. There are plenty of blogs out there that specialize in super emoting. This isn’t one.

I’d rather try and catch the fog.

My life at Humoring the Goddess and Sunday Evening Art Gallery will get me through the loss of my son last week. Nothing changes, nothing takes the place, nothing ever fills up the balloon that carries my dreams and future.

But it’s a start.

Keep creating, keep loving. Take the time to say “I Love You” and make it a habit. 

I did. And now am so glad that I did.

 

 

 

Sunday Evening Art Gallery — Loss

 

What we have once enjoyed deeply we can never lose. All that we love deeply becomes a part of us.  ~ Helen Keller

 

Oak Fractured by Lightning, Maxim Vorobiev, 1842

 

Angel of Grief, William Wetmore Story, 1894

 

Death on the Pale Horse, Gustave Doré, 1865

 

Ashes, Edvard Munch, 1895

 

The Self-Seers II (Death and Man), Egon Schiele, 1911

 

The Dying Swan, Vladimir Tretchikoff, 1949

 

La Venadita (Little Deer), Frida Kahlo, 1946

 

Death and Life, Gustav Klimt, 1915

 

Sorrowing Old Man at Eternity’s Gate, Vincent Van Gogh, 1890

 

A Comforting Friend in her Moment of Grief, Arthur Wardle, 1892

 

Monastery Cemetery in the Snow, Caspar David Friedrich, 1819

 

Love and Family Forever
MEA 2/90-2/22

 

 

Taking A Break

 

 

A tragedy has struck that no mother or father should have to go through.

So I will be gone for a while. Keep dreaming, keep creating.

And hold those you love close. Closer. Never let them go.

 

Love you all.

 

 

Faerie Paths — Fairy Song

 

The moonlight fades from flower and rose
And the stars dim one by one;
The tale is told, the song is sung,
And the Fairy feast is done.
The night-wind rocks the sleeping flowers,
And sings to them, soft and low.
The early birds erelong will wake:
‘T is time for the Elves to go.

O’er the sleeping earth we silently pass,
Unseen by mortal eye,
And send sweet dreams, as we lightly float
Through the quiet moonlit sky
For the stars’ soft eyes alone may see,
And the flowers alone may know,
The feasts we hold, the tales we tell;
So’t is time for the Elves to go.

From bird, and blossom, and bee,
We learn the lessons they teach;
And seek, by kindly deeds, to win
A loving friend in each.
And though unseen on earth we dwell,
Sweet voices whisper low,
And gentle hearts most joyously greet
The Elves where’er they go.

When next we meet in the Fairy dell,
May the silver moon’s soft light
Shine then on faces gay as now,
And Elfin hearts as light.
Now spread each wing, for the eastern sky
With sunlight soon shall glow.
The morning star shall light us home:
Farewell! for the Elves must go.

Louisa May Alcott

 

 

 

Sunday Evening Art Gallery — Timothy Nevaquaya

Timothy Nevaquaya is an award winning and celebrated Comanche artist and flutist from Apache, Oklahoma.He is traditionally trained and apprenticed for many years under his father’s tutelage in both southern plains Indian art and Native American courting flute.Since early childhood, Nevaquaya has sought to learn as much as possible about his culture, spending time with his father and other tribal elders who provided the information which has continued to inspire him throughout his career.As a child, Tim Nevaquaya spent many hours at the end of his father’s drafting table, learning the basic principles in Native American art forms, as well as flute making and music composition.By the age of 12, Nevaquaya was composing music on his father’s flutes, and by the age of 14, Nevaquaya was making flutes, thus starting his own career in Native American performing and visual arts.Today, Nevaquaya is one of a few Comanche artists working in traditional and contemporary style of Indian art.“About a decade ago I had a real creative breakthrough, where I found myself literally up all night, exploring a more abstracted point of view,” Nevaquaya shares.“The more I explored, the more came through in regards to colour and design.” He explained. “I felt these were the most interesting and beautiful pieces I’d done.”More of Timothy Nevaquaya‘s authentic American art can be found at True West Gallery.

 

I Want To Do Everything

It’s a sunny, bright, cold morning around my castle. Birds are lovin’ my feeder, the breeze is slight, and the snow is starting to melt along the driveway and paths.

A perfect day to want to do everything.

Ever experience the superman/woman syndrome while sitting safely inside, on your sofa or at the table, in your creative shed or library or corner table that holds every piece of information you ever wanted to save?

You’re in your empowerment spot. Your creative spot. Put on a pot of coffee, turn on some upbeat background music, and you’re ready to do it all.

Write. Paint. Sign up for classes. Send off a deposit to several art fairs. Plan a weekend trip to some artsy city a few hours away. Make plans to clean out your kitchen cabinets. Your closet. Design a vegetable garden this year. Plan to visit museums and new restaurants and to explore new walking paths in local (or not-so-local) parks and forests. Start thinking of losing weight and finding a new job and having the entire family over for a family picnic in July.

And before you know it you have empowered yourself right back to a second cup of coffee and maybe a donut.

It’s so easy to plan your future when you’re sedate. Warm. Comfy. It’s so easy to imagine yourself exercising, walking, setting up booths, moving your painting equipment to the mountains, cooking for 50 people, climbing the Eiffel Tower, visit the waterfalls that are only four hours away.

There’s so much energy available in the future!

Too bad reality keeps both your feet mostly on the ground, safe and sound.

Case in point.

I have only one craft fair under my belt so far. I keep busy during the cold months making more product. Last year I planned two fairs and one was cancelled. The one that survived was fun and new and a great time. It also was a LOT of work.

This year I’m tempted by a third fair, one with the name “Dragon” in it. Right up my alley, baby. A wandering though a big park, only 100 booths, it sounds like a piece of cake.

But it’s one week after my first one up north and two days before I pack and take off camping for a week.

The one I have booked for late summer is a big one. A busy one. One I’ve only walked through as a visitor. Optimistically I need to make sure I have enough product and prep time for make this one a success.

I want to do it all.

But I remember how exhausted I was after my first one. I’m not a spring chicken. Even with help it’s a lot of standing and packing and unpacking and arranging and talking to people I don’t know and a smattering of nerves and brain freeze all mixed together.

It’s easy to put too much on your plate. For some, the answer is just to eat off a platter. For others, trade that big plate in for a saucer.

You need to know your limitations. Dream big, Live sensibly. You can plan a vacation to the mountains or the beach, just know how far you can walk on said beach and plan around that. Invite people over for a reunion but limit the crowd. Think about making tile mosaics but plan one at a time, not ten.

Keep dreaming and planning in your special place. It’s what keeps you alive and dancing in the sunshine and the rain.

Just let your past experiences be your guide. Not your daydreams. Don’t try to be SuperPerson.

Your body and mind will thank you for it.

 

 

A Little Inspiration Goes a Long Way

I can’t believe this is the third week in a row that’s I’m starting out recommending other blogs for your enjoyment. But so it is!

Inspiration can be found everywhere. Children learning something new, birds feeding at the feeder, the occasional bright pink and blue streaked sunset. Everyday people make gestures, strides, and attempts to make the world a little better place. A little lighter place. A little more loving place.

Many of you know my friend at Purplerays. It is always a delight to receive her/his posts — can you tell I’m not sure — always inspirational, always sparkling, often spiritual, with the most gorgeous photos that go along with the love and dreams in of all of us.

Cats. Who doesn’t love cats? Katzenworld in general and Marc-Andre in particular share stories, information, activities, and yarns about our four footed best friends.

Eileen at Koyopa Rising describes herself as an author, mystic, and songstress,  actively listening, unpacking, and integrating the Divine codes within. I get a divine understanding (albeit fleeting) about what’s going on spiritually around me when I read her blogs.

I’ve been following Ann Koplow and her blog The Year(s) of Living Non-Judgmentally for quite some time now, and her photography, daily topics, and therapy are not only fun but good heart times too. She makes you think and feel and laugh.

GoDogGo Cafe is wonderful, fun, and (not so) little blog and gathering place for writers of all sorts. Run by a collective of fun writers, the Café  is a place where all writers are welcome, collaboration and sharing is encouraged, and you can pull up a chair and enjoy what is new  on the menu any day.

I might have mentioned Rachel McAlpine and Write into Life before, but, according to her blogsite, Rachel was one a child, always a writer. Lucky for us. At 81 she is my inspiration. Truly. She keeps it all going with a little depth, a little wisdom, and a lot of charm.

Ray over at Mitigating Chaos is a friend whose heart is lined up with all of us. He talks about his kids, music, cooking, and/or whatever is out his window when he sits down to write. His style is smooth and easy going — a great read any time.

None of us have unlimited reading time. Life is always there, waiting, watching, often whining like a baby for attention. But when you get some reading time, take a look at the authors I’ve recommended and pass some quality time sharing the world with them.

Or pop in and read the blogs you’ve signed up for! There is a plethora of reading material at your very fingertips. Every day, every moment.

You can always tell them the Goddess sent you ….

 

Sunday Evening Art Gallery — Georges Fouquet

The brilliant French master craftsman Georges Fouquet (1862-1957) created  sublime works of jewelry art in both the Art Nouveau and the Art Deco Periods.Hailing from one of the great French jewelry houses, Fouquet is regarded as a master jeweler in the strictest sense.His father Alphonse Fouquet started the jewelry house back in the 1800s, and Georges continued the firm until around the 1930s.Fouquet preferred a more geometric approach than his father and belonged to the school of important designers who directly translated contemporary art in jewelry, building up designs from geometric shapes, making use of lacquer and enamels.The renowned master workman of Art Nouveau jewelry also created some of the finest Art Deco Jewelry in the history of jewelry.With the arrival of the Art Deco movement in the 1920s, Fouquet, always on the cutting edge, took his jewelry to a bolder, more geometric look.Around  1922, sensing the changes in jewelry popularity, he was able to smoothly transition from Art Nouveau through Art Deco, moving beyond his earlier innovative ideas of floral and figurative decoration to produce, brooches, bracelets, belt clasps, pins, and pendants with extremely stylized abstract motifs.Replacing precious gemstones in his gemstone jewelry with  gemstones like onyx, jade, and coral, Fouquet often combined texture and color with the translucency of topazes, aquamarines, crystal, and amethysts.Fouquet varied colors and textures with the use of enamel and lacquer, often drawing on other contemporary artists for fresh ideas.More of Georges Fouquet‘s amazing jewelry can be found at https://www.antique-jewelry-investor.com/georges-fouquet.html and https://en.wikipedia.org/wiki/Georges_Fouquet.

 

Faerie Paths — Photographs

 

 

To take a photograph is to participate in another person’s mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time’s relentless melt.

Susan Sontag

 

 

#PoeticThursday . . . Forest Sprite

To go along with my lovely faerie artist… from a faerie artist ..

purpleraysblog's avatarPurplerays

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    Forest Sprite III

    ‘Twas a night of full moon splendor
    I lay restless in my bed,
    A haunting, magic melody
    Danced rainbows in my head;

    Sleep was not an option,
    My mind now full awake –
    I grabbed my coat and lantern
    Thought a midnight walk I’d take;

    I wandered toward the wooded path,
    The night was full of sound,
    The moon cast eerie shadows
    On the dampened leaf strewn ground;

    Now entering the forest dark
    I thought I saw a light
    Away off in the distance
    In the misty woodland night;

    My ears detected laughter
    And music crystal clear –
    A most enchanting fairy ring
    From nowhere did appear;

    Tiny dancing fairies spun
    In circles round and round –
    Their tiny wings did flutter
    As they hovered o’er the ground;

    Rainbow colored forest sprites
    Did chase each other after,
    Then tumble down upon the ground
    In giggling fits…

    View original post 127 more words

    Sunday Evening Art Gallery — Amy Brown

    Amy Brown is one of my all-time favorite artists. I’ve loved her work since I role-played a faerie woman 20 years ago.

    Brown has always been interested in fairies, but never considered painting them as a career option until one day her boss asked her to paint something to fill an empty frame that had been sitting around the art gallery where she worked.Brown  asked what she should paint and her boss said,  “I don’t know, paint a fairy or something.”  So she did.It was like the faeries were pushing her to paint their portraits.After selling prints and originals at street fairs and in local shops for a few years, Brown  opened a website and began selling her work online worldwide.The business has since take on a life of its own.Using colors, designs, and background, Brown has truly captured the world and the imagination of the faerie world. Each faerie glows with a personality all their own. “My passion to paint is like a living creature inside me,” Brown said.

    “All the ideas in my head churn and beg to get out. I’m driven to get them onto paper and out of my head as soon as possible.” “Once I’ve conjured one creature, another is waiting impatiently for its turn.”

    More of Amy Brown‘s magical art can be found at https://amybrownart.com/.

     

     

     

    Don’t Give Up

    We hear this phrase all the time.

    Especially when we are down, depressed, frustrated, despondent, or confused. Or sometimes a combination of more than one. Or two.

    Do you tell yourself not to give up? What if you do give up? Are you any better or worse for giving up?

    We all walk such a fine line between honesty and guilt trip all the time. We make a choice, thinking we really wanted that choice, only to find out somewhere down the line it’s not what we really wanted after all. Does making a different choice mean you are giving up on your first go around?

    The Free Dictionary defines giving up as: a verbal act of admitting defeat. yielding, surrender. relinquishing, relinquishment – a verbal act of renouncing a claim or right or position etc.

    Does that mean that when you can’t figure out a math problem you are relinquishing whatever hold you had on math? If you can’t get that painting or ceramic piece or quilt to look the way it’s “supposed” to, are you renouncing your right to be an artist? 

    It’s all so confusing, no matter if it’s a serious stopping point or a mere spacing out. There are times when I give up — or think I’ve given up — when I can’t get on the same wavelength as someone else or can’t seem to write what’s in my head. I want to give up when I’m confused about where I’m going or what I’m talking about or how following a recipe from a cookbook could turn out so wrong.

    But I don’t consider my changing course “giving up.” I try and find a way to accept where I am, then work my way through it. I become honest about my limitations and work within those parameters. I look up what I don’t know, stop, and rephrase things I didn’t make clear the first time. I know when to cut my losses, and know when I should push through to the other side.

    I suppose I’m talking about this this evening because I have friends in situations that seem to have no positive ending. In the chill of winter and cloudy skies and sub zero temperatures its so much easier to give up than work it out. Hide under the blanket and don’t bother with growing and feeling and figuring things out.

    In the shortened daylight I sometimes feel that way, too. I know that it’s normal not to have energy to change or grow or explore. Or to just forget and move on. 

    But I also know I’m more than all parts that make me who I am, and that, eventually, this too will pass.

    Find one thing every day that gives you joy and let yourself experience it. Read something. Write something. Watch something. Learn something. Talk to someone. Accept that you’re in a negative way and do something anyway.

    If you really want to work through whatever it is you need to work through, don’t give up. Work at it every day until you’re where you want to be. And if you really can’t make it, don’t give up.

    Just change your target. Change your direction. Find something that you can do and learn to do it well.

    The world is your oyster, as they say. Especially when it contain pearls.

     

     

    Crafts. Again.

    Last week I was going to start off talking about my past week, but found the poetry world more fascinating. This week is starting off with 10 inches of snow, grey skies, and zero temperatures. I’d rather talk about crafts instead.

    I follow a number of really creative people (to say the least). Some I’ve highlighted before, others are new to my world.

    Claudia McGill and her Art World is a fun, creative place with a lot of sketchbook images, along with real ideas that she’s combined in her paintings to make a whole new art world.

     

    Anne Fisher has a delightful blog eat with an artist: fact and fiction, that melds famous artists with delicious looking food.

     

    I’ve boasted about my artist friend Kate and her thoroughly entertaining and informative blog Daily Fiber. She is an adventurous sort, trying sketching, knitting and sashiko (Japanese embroidery), but it’s her quilting that continuously fascinates me. Instructions included.

     

    Darlene Foster at Darlene Foster’s Blog is my inspiration for writing. She has published a number of books about a girl named Amanda and her adventures exploring cities around the world. Her whirlwind visits include Amanda in Arabia: The Perfume Flask, Amanda in Spain: The Girl in the Painting, Amanda in England: The Missing Novel, and  Amanda on the Danube: The Sounds of Music.

     

    And pottery. Who doesn’t love pottery? I love everything over at The Alchemist’s Studio, including their vases, pots, cups, and jewelry. And they show their process, their designs, and their thoughts. What’s not to love?

     

    Be sure to check them all out! And share ones that delight YOU!

    It’s a quiet time of year; I’m sure other artists I follow are busy planning, prepping, and shoveling snow. Share your ideas! Your experiments! Your highlights and your missteps! I love them all.

    Maybe next week I’ll highlight inspirational blogs! My own, of course, being first in line ….

     

    Sunday Evening Art Gallery — Bridges

     

    Bridges are perhaps the most invisible form of public architecture.
    ~ Bruce Jackson

     

    Charles Bridge, Prague, Czech Republic

     

    Royal Gorge Bridge, Colorado

     

    The Wind and Rain Bridge, Sanjian County, China

     

    Gateshead Millennium Bridge, Gateshead, UK

     

    Millau Viaduct, Tran Valley, France

     

    Rialto Bridge, Venice, Italy

     

    Golden Gate Bridge, California

     

    The Confederation Bridge Prince Edward Island, Canada

     

    Khaju Bridge, Isfahan, Iran

     

    Vasco da Gama Bridge Lisbon, Portugal

     

    Stari-Most-Bridge, Mostar, Bosnia

     

     

     

    What About Tomorrow?

    Duality, Daniel Arrhakis

    I am writing this blog on a Friday night for a Saturday morning.

    How do I know what I’ll want to talk about in the morning?

    We all live in such duality. We live in today and tomorrow. Today and yesterday. We live in the moment and in the future.

    How do we keep ourselves straight?

    How do we know if we’re coming or going?

    Most of us are in a jumble day in and day out anyway. The pressures of work, kids, housecleaning, doctor appointments, bill paying — there’s always something to do. To feel. We are hardly in the moment before the moment becomes tomorrow. And yesterday becomes last year.

    As you can tell, it’s been one of those days where reality has blurred and whirled by me before I could catch my breath. Perhaps that’s a side effect of being retired. You have so much you want to accomplish and so much still to accomplish and so much that you have accomplished that it’s hard to compartmentalize. Yesterday really was a few years ago. Tomorrow is really yesterday in a blink of an eye.

    Don’t you just love how the world ying and yangs us through life?

    I really think that’s what makes the world go round. The yings and the yangs. Turning today into tomorrow into yesterday. Once you realize time is fluid you don’t have to worry about making mistakes or getting lost or repeating yourself. 

    You will already have fixed the mistake, found your way, or said something for the first time.

    At least in one of your timelines….

     

    Faerie Paths — Friends

     

    We have both changed
    But I believe that
    in the end
    We’ve really not changed
    at all
    We’re just more Magical….

     

     

     

    Sunday Evening Art Gallery — Kim Tschang-Yeul

     Kim Tschang-Yeul’s most well-known paintings, in which droplets of water appear to protrude from monochromatic canvases, are in fact optical illusions, melding abstraction and figuration. Born in 1929 in the north of the then unified Korea, Tschang-Yeul migrated to the south to escape the communist regime.He subsequently left for New York to pursue his artistic dreams before finally settling in Paris in 1969.There, he began to nurture, over a period of forty years, a unique motif: the drop of water.This motif stems from traditions of Eastern philosophy, acting both as a therapy for the artist’s traumatic memories and a meditation on eternity.“My water drop paintings are accomplished under the encounters of my life experiences and my plasticizing experiences,” Tschang-Yeul explains.“Each clear, impeccable water drop is in its initial state since purification, as if it is a recurrence of absolute nothingness; the water drop is also what it finally returns to.” More of Kim Tschang-Yeul’s  wonderfully unique paintings can be found at Tina Kim Gallery and Artnet. 

     

     

    Faerie Paths — Being Yourself

    Ellen Jewett

     

    By being yourself you put something wonderful in the world that was not there before.

    ~ Edwin Elliott

     

     

     

    Poetry. Again.

    I was going to start off the week talking about my past week, my remodeling disasters and my attempts at crafting.

    But I think I’ll talk about poetry. Again.

    Sunday evening I went through my reader and started some long-overdue reading,  and noticed that this time of year seems to bring out the poet in people. 

    You people are good. Really good.

    You have the right rhythm, pacing, and imagery to bring my mind in line with where you are. Or where you want us to be.

    There is just something, about words. Creative words.

    Since I’m sooooo into Creativity, I could also show off Buddha Busts from the Alchemist’s Studio, or a Things in Motion painting by Tiffany Arp-Daleo, or a photo of a stumpy willow entitled Misty Cotswold Reflections by Candia, or my favorite subject, Chicklets, in a Valentine’s Day float at Rethinking Life’s blog.

    But then I’d have to write a whole new blog. 

    Have time? Check ’em out.

    Keep going, poets. 

     

     

     

    Sunday Evening Art Gallery — Xavi Bou

    Xavi Bou is a photographer from Catalonia, an autonomous community of Spain. Bou graduated with a degree in Geology from the University of Barcelona.In 2004 he went on to complete his studies in photography, and for the next decade, Bou worked in the advertisement and fashion industry combining it with teaching photography.Bou’s love of nature was always present, so in 2012 he embarked on Ornithographies — photography inspired by his curiosity about the invisible patterns traced by birds in flight. These patterns are made up of dozens, or even hundreds, of birds in flight.The intriguing and unconventional wildlife images show us the familiar in a completely new way.“My intention is to capture the beauty of the bird’s flight in a single moment, making the invisible visible.Ornithographies moves away from the purely scientific practice of chronophotography (an antique photographic technique that uses a series of photographs of a moving object for the purpose of displaying successive phases of the motion)  which Bou feels is a balance between art and science.

    “It’s a project of naturalist discovery, and, at the same time, an exercise of visual poetry.”

    More of Xavi Bou‘s amazing photography can be found at http://www.xavibou.com/.

    Faerie Paths — Cuddling

     

     

    Petting, scratching, and cuddling a dog could be as soothing to the mind and heart as deep meditation, and almost as good for the soul as prayer.

    ~ Dean Koontz

     

     

    Sunday Evening Art Gallery — Oscar-Claude Monet

    Oscar-Claude Monet (1840-1926), born in Paris, was raised on the Normandy coast in Le Havre, where his father sold ships’ provisions.Banks of the Seine, Vétheuil

    He gained a local reputation as a caricaturist while still a teenager, and landscape painter Eugène Boudin invited the budding artist to accompany him as he painted scenes at the local beaches.Chrysanthemums

    Monet went to Paris in 1862 to study painting and there befriended fellow students Auguste Renoir, Alfred Sisley, and Frédéric Bazille, who would later form the core group of the original impressionists.The Cliff-at Etretat Sunset

    By the end of the 1860s Monet had largely abandoned ambitious, large-scale figurative painting in favor of smaller, spontaneous landscape works executed en plein air.The Water Lily Pond

    Monet fled to London during the Franco-Prussian War, and in late 1871 settled at Argenteuil, a suburb just west of Paris, which soon became known as the hub of impressionist painting.Boats on the Beach at Etretat

    Financial difficulties forced Monet to relocate to Vétheuil in 1878, and a few years later, in 1883, he settled in Giverny, where he would live for the rest of his life.Water Lilies

    Executed outdoors, he employed seemingly spontaneous brushstrokes to capture the ever-changing effects of light and atmosphere.Woman with a Parasol

    In the 1880s Monet expanded his motifs, turning his attention both to the Mediterranean and to the rugged vistas along the Normandy coast.View of Le Havre

    In the 1890s he undertook a number of paintings produced in series, including pictures of poplars, grainstacks, and Rouen Cathedral; each work captured a specific atmospheric effect and time of day..Haystack

    More of Claude Monet‘s magical paintings can be found at https://www.claudemonetgallery.org/ and https://www.claude-monet.com/.

     

     

    An Ancient Stab at Poetry

    3/27/2007, 7:19 a.m. Date created.

    I don’t know why I don’t write more poetry. It seems everyone is doing it.

    Perhaps I’m afraid of flooding the market with useless ramblings or feeble attempts at rhyme or weak sestinas or epigrams. I suppose I could write poetry all day until I burned out or got bored. Such is overdoing any one craft. 

    Nonetheless, here is an attempt I made way back in 2007 to be poetically creative. 

     

    Mozart’s Catacombs

    In the pre-dawn hours
    I dig through the catacombs
    For something to write
    Who am I?
    What am I?

    Guidelines send me awhirl
    Down the vortex and up again
    The choice of words
    Cutting edge?
    Metered Rhyme?

    Or should I keep familiar
    Witty quips
    Fantasy escapes
    What words fit?
    Which ones work?

    Something white bread soft
    A choice once so easy
    Now so complex
    Who am I?
    What am I?

    I can keep it safe
    Metaphors and clichés
    Bedtime stories and morality plays
    Who is the narrator?
    What is the theme?

    Or I can go over the top
    Madness and mayhem
    Fusion and futility
    Madness approaching
    Genius achieved

    I need to start again
    Dig deeper into the vault
    Turn the box inside out
    Who am I?
    What am I?

    In the end
    I close the drawer
    There never was an answer
    Silent echoes
    Empty paper

    Leaves are falling
    Time is passing
    Allusions and Illusions
    What was the point?
    What does it matter?

    Mozart’s delight has turned
    Sour with the morning light
    It seems I will never know
    Who am I?
    What am I?

     

     

    A Funny Thing Happened on the Way to Cutting Cable

    I am not a big fan of commercials.

    No matter if its for food, car insurance, or an upcoming television show, I cannot stand all that noise and blabber. The mute button and I have become best buds.

    I also find myself watching less and less regular TV.

    It all happened when we cut our satellite dish out of our lives.

    Our Internet bill was getting out of control. Through the roof. Wads of wampum. We found our bills inching near $300 a month. And for what? Out of 100 or 200 or 500 channels, how many did we really watch?

    How many channels did we really need?

    So we took the plunge. We bought an inexpensive outside antenna that picks up 50-ish local channels, cancelled our satellite dish, and hooked up with our telephone provider for the internet. We bought an Amazon FireStick (although friends have bought Roku sticks too), ONE extra monthly service (we bought Disney+, but you could pick up anything from HBO to Showtime to dozens of other services) and saved over $100 a month while still riding the internet.

    So what does that have to do with hating commercials?

    I used to watch a handful of TV programs religiously — if I couldn’t watch it I’d record it, accumulating a big pile of sitcoms and dramas for future perusal. But now that I can’t record said TV programs, I find I don’t miss them as much as I thought I would. That I don’t miss crimes and sitcoms and variety shows and TV relationships as much as I thought I would.

    If I really need a sitcom fix there’s plenty of shows available. I can dip back onto regular TV with my antenna any time I want, and everyone from the Golden Girls to Leverage to NYPD Blue are just waiting for me to binge watch on my streaming service.

    I’ve also found that now that I’ve gone through the “popular” movies on said channels, I’m going back to watching movies on DVDs. We had a decent collection before satellite dishes and cable took over the world, and most of those I’ve collected are worth a second watch. Or tenth watch. Goodwill and five-dollar bins at retail stores fill in the gaps that come from missing first-time releases five years ago.

    I also have found I could care less about the newest series and stupidity and fake laughter tracks that haunt the networks. Instead I am exploring the world of Chinese and Japanese ancient dynasties and the History of Rome and the Universe and what life was like in 1800s England. All on my own time, any time.

    If you’re thinking of “cutting the cable”, do it.

    You might find you have a lot more time to do the things you really want to do in life. Watch just what you want to watch when you want to.

    And you don’t have to listen to blasting, obnoxious commercials.

     

     

     

     

    Sunday Evening Art Gallery — Grayson Perry

    Grayson Perry is a contemporary British artist best known for his ceramic vessels, printed tapestries, and designs.

    Over the Rainbow

    Perry is best known for his ceramics, which draw on both the aesthetics of classical pottery and on contemporary iconography.

    Boring Cool

    Perry’s forms and content are always incongruous: classic Grecian-like urns bearing friezes of car-wrecks, cell-phones, supermodels, as well as more dark and literary scenes, often incorporate auto-biographical references.

    Defender

    Perry’s vases have classical forms and are decorated in bright colors, depicting subjects at odds with their attractive appearance.

    Found Body

    There is a strong autobiographical element in his work which often features his alter ego, Claire, which narrates a troubled childhood.

    Two Children

    “I draw as a collagist, juxtaposing images and styles of mark-making from many sources,” he said of his practice.

    I Want to Be an Artist

    “The world I draw is the interior landscape of my personal obsessions and of cultures I have absorbed and adapted, from Latvian folk art to Japanese screens.”

    Barbaric Splendor

    Some of Perry’s major themes include the roles of gender, class, taste, and religion in contemporary life, particularly in the United Kingdom.

    Saint Claire 37 wanks Across Northern Spain

    More of Grayson Perry‘s pottery and paintings can be found at https://www.saatchigallery.com/artist/grayson_perry and https://www.artsy.net/artist/grayson-perry. 

     

     

    Sunday Evening Art Gallery — Fence Murals

    Without atmosphere a painting is nothing.
    ~ Rembrandt Harmenszoon Van Rijn

     

     

     

     

     

     

     

     

     

     

     

     

     

    Have You Started Being Creative Yet This Year?

    Here it is, only January 6th in this grand new year of 2022, and I’m already bugging you, asking if you’ve started on your “art” projects for the year.

    Here in the Midwest it’s supposed to be only 9°F by the weekend. I’m busy thinking about keeping warm, let alone artsy crafty things.

    But yet this is the time of year most of us start planning and preparing for the coming year. The coming spring and summer. Art fairs, garden projects, painted signs and landscapes and new numbers on our mailboxes.

    Now, I don’t imagine many of us know today what we will want to display in June, but there is always some sort of creativity dancing around our auras, teasing and tempting us with new ideas and directions.

    I don’t have much energy to dance with my aura at the moment.

    But I do have some ideas already.

    I have a little granddaughter I adore, one who loves unicorns and My Little Ponies. I’m thinking of making her — AND me — a fairy garden this spring. I’m still in the dreaming stage — I don’t know if I want a big saucer-like creation, or a little corner of the yard, or even a tiered fiasco. I admit I try not to wander Pinterest and the Internet in general for ideas, for each one brings ten more ideas into focus.

    I also think about making some Buddhist stacking stone monuments around my property (they are gestures of asking or wishing for good fortune to be bestowed on the stacker and his/her family), but I need to find some stones first. Not in this weather, though.

    Every day I try and go down to my library/craft room and make some Angel Tears. They may not have much sparkle in the cloudy winter, but before you know it the breezes will be blowing and the art fairs will be calling and I’ll be in need of stock.

    But that’s just me.

    What about you? Any creative muses knocking at your door these days? I know for some of you it is summertime. What are ya doin’? What new projects are you entertaining?

    Maybe it’s just me having too much wandering mind time. I tend not to wander far from my blanket, music, computer, or hot chocolate this time of year.

    But, as the wise Yogi Berra said, “If you don’t know where you are going, you’ll end up someplace else.”

     

     

    Sunday Evening Art Gallery — Ernesto Neto

    Ernesto Neto is a Brazilian Conceptual artist whose installations offer a chance for the viewer to touch, see, smell, and feel his artworks for a truly sensory experience.Neto was born in Rio de Janeiro, Brazil from a generation of Brazilian artists that witnessed the more liberal approach to art that arose during the 1950s and 1960s.Neto has produced an influential body of work that explores constructions of social space and the natural world by inviting physical interaction and sensory experience.Most of his sculptural environments are site-specific crocheted nets and cocoons, sewed with nylon, and often carrying surprising substances.Aromatic spices, candies, sand and colorful Styrofoam balls are stuffed into these nets creating pendulous sculptures that fall like raindrops from the ceiling.Other times Neto creates human-scale spaces that appear almost surreal.He works with transparent materials and unusual textures, attending to both the inside and outside of the sculptures.The resulting shelters or vessels, unlike conventional architecture, are meant to be experienced as nature: his materials beg to be touched.More of Ernesto Neto‘s amazing work can be found at http://www.artnet.com/artists/ernesto-neto/.

     

     

    Faerie Paths — Twyla

    Twyla Tharp

     

     

    Our ability to grow is directly proportional to an ability to entertain the uncomfortable.

    —Twyla Tharp, The Creative Habit

     

     

    Creativity is the Only Way to Go

    This is the time of year for New Year’s Everythings — New Year’s Resolutions, New Year’s Blogs, New Year’s Toasts, New Year’s Texts.

    I’ve given up on the resolutions part — I make new ones year-round. Keep some, forget some. 

    But in reading my friend Judith at Artistcoveries‘ end-of-the-year blog named Toast, I find the kind of resolution we all can make. It just makes me feel anything is possible.

    A bit of her advice:

    So, how can I apply this to my art? For me the answer is in the idea of celebration. Over the next 12 months, I hope to honor myself as an artist, to welcome myself to the studio each morning, and to celebrate each new thing I learn, each new experience, and each success I have. This all means being more accepting of who I am and the art I create. I will no doubt make a lot of bad art in 2022. I’ve learned that bad art is a necessary part of my personal art process. I’ve found that making bad art has helped me immensely. Through bad art I’ve learned that it’s all right to make mistakes — everyone does — and I’ve found an incredible new sense of freedom. This, in turn, has led me more toward finding my own unique style.

    This is the kind of inspiration we all need. It is a combination of self-healing, acceptance, and change. It’s letting go and holding on. It’s trying and failing and trying and succeeding. 

    Let us all make a commitment to celebrate every day, for every day is an opportunity to learn something new. To teach someone something new. To feel something new. To accept the now and change the now. 

    Here is Judith at Artistcoveries‘ entire blog, Toast. Give it a read if you have time!

     

     

     

     

    https://artistcoveries.wordpress.com/2021/12/31/toast/

     

     

     

     

    Sunday Evening Art Gallery — Anne Scarpa McCauley

    Anne Scarpa McCauley began making honeysuckle baskets as a girl while out tending goats.Born in Windsor, Vermont, she moved with her family at age four to the foothills of the Blue Ridge Mountains in Virginia.Anne often had the job of taking the herd of about twenty-seven goats to better browsing areas on the large unfenced parts of the property where honeysuckle grew abundantly.While the goats were feasting on the leaves, Anne sometimes made little circles or wreaths for her hair with the nearby honeysuckle vines.At age twelve she made a little basket with her own pattern. It is the same pattern she uses for all her baskets.        Soon after making her first basket, Anne saw a majestic and vivid picture in her mind of a beautiful vase which has been her main guide and inspiration since.The amazing part of Anne’s development is that she has never taken lessons, read books, or talked with other basket makers for ideas on making baskets.    The honeysuckle she uses is kept natural. She does not use coloring or any kind of finish on the honeysuckle or the completed baskets.The skinned honeysuckle starts out light green in color and turns a beautiful gold which deepens the more it’s in the sunlight.More of Anne Scarpa McCauley‘s amazing baskets can be found at https://www.honeysucklebaskets.com/.

     

     

     

    Before-The-End-of-the-Year Gallery Tour

     

    Yes Yes Yes. You knew it was coming.

    How could I finish this magnificent year without highlighting Galleries from 2021?

    Where did 2021 go, anyway?

    There’s not much that gives me more joy than discovering and sharing unique, different, and spectacular artists. Every time I come across something new I can’t wait to share it with you.

    I go back and wander through my galleries often — I am always amazed at the individual and different kinds of creativity that wait back there for me — and you — to explore.

    So allow me a few minutes of showing off. Here are some of the highlights from the Gallery of 2021.

     

    Tom Banwell

     

     

     

     

     

     

     

    Nancy Cain

     

     

     

     

     

     

    Hinke Schreuders

     

     

     

     

     

     

     

     

     

    Splashes

     

     

     

     

     

     

     

     

     

    Silver

     

     

     

     

     

     

     

    Andy Warhol

     

     

     

     

     

     

     

     

     

    Emeralds

     

     

     

     

     

     

    Carolynda MacDonald

     

     

     

     

     

     

     

     

    The Mountains

     

     

     

     

     

     

    Doug Adams

     

     

     

     

     

     

     

    William Utermohlen

     

     

     

     

     

     

     

    Aiko Tezuka

     

     

     

     

     

     

    Unusual Flower Arrangements

     

     

     

     

     

     

     

    Léa Roche

     

     

     

     

     

     

     

     

    MAY YOU ALL HAVE A HAPPY, PROSPEROUS, AND VERY CREATIVE NEW YEAR!

     

     

     

    Sunday Evening Art Gallery — Arnau Alemany

    Arnau Alemany was born in Barcelona in 1948, at the foot of a hill in one of those neighborhoods that have grown in an anarchic way, without order or planning.Up the mountain in a range that imprisons the city, buildings were built in unusual places with difficult access, creating an unusual urban complex, close to nonsense.Alemany is Spain’s foremost painter of surrealistic environments and industrialized cities of the past/future, and is recognized worldwide as one of today’s leading surrealists. He conceives his work as an effort to challenge the viewer, not to leave him indifferent, be it for better or for worse.The artist creates imaginary urban landscapes, either with signs of destruction or general abandonment, which he hopes will show that visual surprise is possible through the use of magical realism.With the security of long years of drawing, graphic, pictorial and sculptural training, Alemany works to elaborate plausible and unreal landscapes.In his world, non-existent cityscapes with a perfect geometry and coherence in their individual elements, impossible to achieve in the real work, form what he calls an “imperfect landscape”.Surreal or not, his art makes us wish we could visit his world in person.

    More of Arnau Alemany‘s amazing landscapes can be found at http://www.arnaualemany.com/. 

     

    New Week Inspiration 💕🌞 . . . l will greet this day — Purplerays

    A perfect poem — a perfect image. The only thing I would change would be to call it a New YEAR Inspiration ~  Let us greet EVERY day with love!

     

     

    I Will Greet This Day with Love in my Heart

    I Will Greet This Day
    with Love in my Heart.
    And how will I do this?
    Henceforth, will I look on all things
    with love and be born again.
    I will love the sun for it warms my bones. […]

    New Week Inspiration 💕🌞 . . . l will greet this day — Purplerays

     

     

     

    Hows the Party in your Spam Folder Going?

    I have been writing blogs about my spam folder for years now —

    Sep 8, 2013 — Have I Got a Deal For You

    Nov 22, 2013 — Sneaky Little Spammies

    Jan 5, 2014 — Comments 101 

    Jan 5, 2016 — Enjoying My Backyard?

    Nov 19, 2015 — Common Sense Spammie Rules

    Mar 1, 2021 — What’s Going On Back There?

     

    Well, here I am, a week before the new year, and they’re back.

    Do you ever glance through your spam before you delete delete deleteIt’s a zoo back there. Sometimes amazing, mostly pornographic, always worth another blog.

    It seems I speak Russian (Разместите свои объявления на доске во всемирной паутине), Chinese  (歐客佬精品咖啡), and Japanese (ore no kanojo to osananajimi ga shuraba sugiru). I am interested in soccer (When you get the tennis ball in soccer, ensure that you listen to it quickly), Smoothy Man E-Juice (Has anyone ever tried Smoothy Man E-Juice SALT E-Juice), something about dating Russian ladies (your own serious needing russian Lady who is also an official person in a Severe decided agency has Ready their self before jane choose to join u), something else I cannot figure out (New proffer! 3 500 as soon as after registration for a lodge), something about bitcoin (The article is his favorite cryptocurrency miner written in c bfgminer), something about a canvas (Is your canvas being stubborn and not flattening out? An peaceful plodder is to unprejudiced peel bad the cap layer a pygmy at each side until the canvas flattens and then include it back), and need advice for a Vape Pen (Choosing the valid vape fountain-pen or mod can sometimes be a daunting task.)

    These comments come from blogs posted anywhere from last week to three years ago.

    Doesn’t the spamming public have anything better to do?

    Of course I never open any of those emails. WordPress Spam folders show you what the spammy is saying. Most of it I can’t understand anyway. Nor do I want to. 

    And I guess I should be glad there are no conversations going on back there any more.

    So the purpose of today’s blog is NEVER OPEN AN EMAIL FROM YOUR SPAM FOLDER. Along with that, DELETE YOUR SPAM FOLDER OFTEN.

    I don’t trust spammies. They are sneaky little devils trying to lure you into the world of viruses and porn and malevolent programs that want to steal your soul along with your personal info and bathrobe size and the name of your firstborn’s mortgage company.

    In my book they rank right up there with telemarketers and TV evangelists.

    Blogger — spare thyself.

     

     

    Sunday Evening Art Gallery — Meredith Woolnough

    Meredith Woolnough‘s elegant embroidered drawings capture the beauty and fragility of nature in knotted threads.

    Woolnough is an internationally acclaimed, award winning artist from Newcastle, Australia.Through the use of freehand machine embroidery and soluble materials, she creates a new version of the natural world.

    The exacting application of the simplest of stitches is used to create amazing embroidered works that reflect the beauty of life itself.Woolnough creates new pieces using references from physical specimens, taking care to examine and understand the construction of each piece.

    She first maps out the complex arrangement of her design onto a cloth and then uses a sewing machine to create the sculpted piece.

    When she is finished, the base fabric dissolves in water, leaving only the artist’s beautifully detailed stitch work.

    She then mounts each piece with pins onto paper, setting it slightly away from the background to create shadows and depth that add to the allure of the piece.

    More of Meredith Woolnough‘s elegant embroidery can be found at http://meredithwoolnough.com.au/.

     

     

    Faerie Paths — Neurons

     

    Aline Campbell

     

    The human brain has 100 billion neurons, each neuron connected to 10 thousand other neurons. Sitting on your shoulders is the most complicated object in the known universe.      ~ Michio Kaku

     

     

     

    Sunday Evening Art Gallery — Alana Jones-Mann

    Los Angeles-based designer and stylist Alana Jones-Mann is  a stylist and designer with an intense passion for crafting and baking. After six years of planning large-scale events at a leading PR and marketing agency in NYC, she  decided to focus her energy into her passions for creating and designing, full-time.Jones-Mann’s  specialty is to layer thick buttercream onto her cakes, creating pastries that are closer in resemblance to lush floor coverings than typical birthday fare.From high-pile, ornate sheets to vibrant geometric rounds, the pointillist-style cakes often have a retro aesthetic that evokes either classic shag rugs or the psychedelic, wall-to-wall carpet popular in the 1970s.Alana Jones-Mann creates beautiful cakes that come to life with texture.
    Thanks to her background in design, she has no trouble picking out the perfect colors and abstract patterns to really give her cakes that added depth and design.“The reason I moved on specifically to cakes is because of their surface area. I felt like I had a proper canvas to really work on,” she said. “Cake is my medium.”More of Alana Jones-Mann‘s fantastic work can be found at http://alanajonesmann.com/ or at https://www.instagram.com/alanajonesmann/.

     

     

     

    Are We Irrelevant?

    I’ve been caught in a deep thought spiral the last few days.

    I normally don’t care for these states of mind. They tend to be too reflective; they delve into the past and the future with wild abandon, full of should have’s and should do’s and what is the points of  anything. I tend to close the mental door on these vagrancies, as they do nothing more than stir the pot on a stew that slowly cooking away.

    I had a great conversation with my son the other day. I was babysitting and he works from home and we had lunch together. We talked about my boomer generation and what we’ve done and what those behind us will have to do to steer the world back on track. 

    I saw the world from the point of view of someone young and vigorous and concerned. And it was so different from the 69-year-old logic sitting next to him.

    And I thought that, as we get older, we get irrelevant.

    Not in a bad way — steer back onto the road. We are important to our family, to our friends, to the economy. But as you get older you do see the world zooming past you, and there’s really not much you can do to keep up with it. Nor, most times, do you want to.

    The generation behind me is concerned about jobs, careers, paying for their kid’s college. They are in the midst of chaos and calm, struggling to make their jobs work and their money stretch and keeping their kids from drugs or worse. They are the ones who have to staff the overcrowded hospitals, pay for the world’s unemployment, and who have to evolve with the ever-changing education system.

    I don’t have to worry about any of that.

    Sometimes I look around and the biggest crisis I face is should I put away today’s laundry today or tomorrow.

    At this point in my life I can’t change much. I can’t go out and get a job that matters; I can’t go to parent teacher conferences and school board meetings to make a difference. My vote or opinion on presidential candidates or additives in foods won’t matter much in the long run.

    I find that even the things I used to do come with a bit of static these days. As Rachael’s blog (and my repost from yesterday) indicates, even my writing has changed. I no longer think and angst about writing full-length novels;  even short stories look like a hill I have no energy to climb. I have to contend with the fact that blogging might be my only future writing outlet.

    Which, at this point in my life, is okay with me. 

    But somehow that all makes me feel … irrelevant. That I can’t “contribute to society” anymore.

    But, realistically — did I ever? Did anything I did at my last job really change the world? It made it an easier place to get around, but things have changed since then. Was I any good at being a parent? I have two sons who are the sunshine of my life, but did I really clear the pathway for their future? 

    See — this is what happens when I open that door. 

    All I can do is hope I make a difference somewhere. Maybe in the love I give my grandkids, the Angel Tears that sparkle in someone’s window, or with the words I find are easier to write than to speak. 

    Perhaps, in the long run, that’s all any of us can do.

     

    Writing in old age: changing formats, topics, style and purpose — Write Into Life (repost)

    When I write my blogs it is to share, to instruct, and to encourage artists of all worlds and styles to follow their hearts and to go for the gusto.

    It seems I have found a co-heart in exploring my world. The world of getting older, sharing and connecting with others, of changes in both creativity and interests.

    Let me introduce you to Rachel McAlpine. As she shares, ‘once a child, always a writer.’

    Give her a read!

    My writing regime has changed as I grow older. So has the substance. Are these changes voluntary choices or a natural result of aging? The post… 16 more words

    Writing in old age: changing formats, topics, style and purpose — Write Into Life

     

     

    Sunday Evening Art Gallery — Horses

    A horse is the projection of peoples’ dreams about themselves – strong, powerful, beautiful – and it has the capability of giving us escape from our mundane existence.

    ~ Pam Brown

     

    Clydesdale

     

    Appaloosa

     

    Golden Akhal-Teke

     

    Tennessee Walking Horse

     

    Dutch Warmblood

     

    Highland Pony

     

    Holsteiner

     

    Welsh Pony

     

    Paso Fico

     

    Shire Horse

     

     

    Faerie Paths — Rushing

     

    Imaginary Alphabet
    https://www.alefsinwonderland.com/

     

    Some of the secret joys of living are not found by rushing from point A to point B, but by inventing some imaginary letters along the way.

    ~ Douglas Pagels

     

     

     

    Writing is Sooo Hard …. Waah …

    Even though it’s one — if not THE — favorite of my pastimes, sometimes writing is so hard.

    And it takes soooooo long.

    Here comes the sympathy tears … waah. After all the crybaby tactics and listing of facts (both real and made up), the fact remains.

    Writing is sometimes so hard. And it takes sooooo long.

    Let me explain.

    Last night. In the Midwest the winds were howling, singing forlornly as they whipped around the corners of my house. I went to bed, the tempestuous atmosphere the perfect background for the dark, and put on one of my Amazon Music playlists I call Late Night Minor Chord Piano. (I listen to music before bed to try and slow my chatter brain down).  Snuggled all comfy under my comforter, sleepy-eyed, my thoughts were slowing down when my muse stopped by.

    “Isn’t this the kinda sounds just perfect for a story?” she asked, sitting on my pillow.

    “Go away. I’m trying to sleep.”

    She laughed. “You know you won’t fall asleep until midnight. It’s only ten o’clock. I’m telling you! There’s a story here! Night! Wind! Spooky music!”

    Well, she was right. There was a story in this rare atmosphere.

    But I was in bed. In the dark. My computer was in the other room. My dream journal (the one I’m trying to write in when I have a great dream) was nowhere to be found. My legs ached from walking most of the evening, and my valerian was starting to kick in.

    But there was a story in the nightly wind.

    Something nebulous started to form in my mind. I saw a stopwatch — maybe a grandfather’s gold watch. A younger woman looking at said watch. Some time travel element, maybe. Or flashback story.

    And there I was, laying in bed in the dark, not willing to get up and give it a whirl.

    Getting up and writing would have been so hard.

    And besides — by the time I’d flush out a decent story line — even letting the story take a life of its own as I typed — and set the atmosphere, the place, the characters, the plot, the dialogue, the turning point, it would be a month down the line. Six months. And, knowing me, rewrites, grammatical corrections, and all the rest.

    I know — ANY craft takes time. You can’t just slop paint on a canvas and call it a painting. Or knit a row or two and call it a pair of socks. It takes planning ahead of time. An idea. A plan. An outline. Instructions. Research.

    And you can’t do any of that from your bed. At night. In the dark.

    In the light of day today the story idea still lingers. But the winds have died down, I’m getting ready to go to my grand daughter’s Christmas concert, and have an apple crisp baking in the oven.

    I don’t hear atmospheric music, see gold watches, or have a glimpse of grandfather’s life in the 20’s.

    But I’ll be back.

    True artists never give up. They follow their leads to see wherever they may go. And they go through the birthing process every time a new idea takes shape.

    Just not once I get into bed and turn out the lights. 

     

     

    Sunday Evening Art Gallery — Viktor Schramm

    Viktor Schramm (1865-1929) was a Romanian painter and illustrator.He was a member of the Munich School, an association of artists either active in Munich or who had studied at the Akademie der Bildenden Künste München.Schramm’s paintings offer an intimate and staged glimpse into the everyday life of the upper middle class.His oil paintings are characterized by a special devotion and sensitivity to materiality and décor.Schramm not only staged the intimacy of the presented moment, but also created a detailed description of the bourgeois salon, which was characterized by its stimulations of touch and motion.Among other things, Schramm’s specialty was depicting elegantly dressed young women.The artist was able to capture the texture and light of dress fabrics and the play of colors over the silk.Information across the Internet is scarce, but more on Viktor Schramm can be found at https://areaofdesign.com/viktor-schramm/.

     

     

    Overload on a Monday Morning

    I got up this morning, sleepyheaded and in need of chocolate raspberry coffee. I had an idea for a blog, and in a daze started rummaging through ten years of blogs looking for references.

    It would have been easier to walk through a corn maze blindfolded.

    But then I came across one from  Nov 11, 2019 called My Muse Says I Should Be a Grand Poobah that referenced an earlier blog from Jun 28, 2017 called Keep a Calendar — or a Muse which referenced a blog from Jun 25, 2015 called Calendar Girls which was about bout a conversation with my Creative Muse.

    Oh my goodness. Now I see in writing why I’m such a whirlwind pretzel logic kind gal. It gives me a headache. I need more coffee.

    But I digress.

    There is a blog I follow called Rethinking Life. Every now and then she posts conversations she has with her cat, like Conversations. 

    I figured if she can have conversations with her cat, I can have conversations with my muse. So here is my conversation from — when? — I dunno — I’m lost in the past. But it encourages jotting down all the creative ideas you have for projects that you may want to do someday. 

     

    Calendar Girls

    My Irish Wench Muse came to visit me last night. She was all full of her usual Irish self. I wasn’t writing or researching or hanging with my family, so I knew something was up.

    “Read yer blog the other day,” she said, smiling, wiping the kitchen table off.

    “Oh? Great! Which one?”

    “The whinneh one.”

    I should have been upset, but how can you be upset at your truthful conscience?

    “Whiny? Why was it whiny?”

    “A lotta ‘I wants’ and “I’ canna haves’. And no solution. What kenna blog is that?”

    I sat straighter in my chair, watching her bend over a drop of gravy and start to scrape it. “Hey! All bloggers get down now and then. It’s part of the creative process!”

    “Aye, and a lotta bees sting people when they’re nah looking, too. And they still manage to make the honey.”

    I had to see where this was going and fast.

    “Well, I didn’t see it as whining. I saw it as voicing the universal truth of too much to do and not enough time to do it all.”

    “Nay — the ‘Universal Truth’ is more like ‘Leave your dog inside too long and he’s bound ta poop somewhere.’ That’s why you need a calendar, lass.”

    “I already have a calendar at work. And it’s packed full.’

    “Do you get everything done on the calendar?”

    “Well, duh. It’s work.”

    “Then, my darlin’ writer, you need a calendar at home, too. A Grand Poobah Calendar.”

    Tickle me with an oak leaf. That’s how much sense she made. “A calendar I get. But a Grand Poobah Calendar? What is that?”

    Viola finished scraping the drip and headed towards the crack between the leaves. A dangerous area. “The term is from one of those operas. The Poobah has all the titles and ‘na much else.”

    I didn’t get what that had to do with me and my whining…er…woes.

    “If  ya canna make time in your head, write it down. Make the time on the calendar,” she explained, pulling out a butter knife to scrape the caverns between leaves.

    “But that means I’d have to be — organized! How can a pretzel be organized?

    She shook her head between grunts. Must have been extra crumbs down the crack.

    “How does the Gran’ Poobah get things done? Too many titles, too little authority. At least if he writes the bloomin’ things down he can see what he wants to do first. And he can pretend to do everything, even if everything is 5 or 10 minutes a day.”

    Well, that made sense. I helped her scrape the bread crumbs out of the crack and she smiled her little Irish smile.

    “You’ve just got to know how to do a calendar, luv. Jam them with all sorts of rot.  Then when you start the day, start crossin’ off. Lines through rot are good for the soul! Makes you pick and choose your rot!” She spit on a slide of old milk. ” You know, I may be a muse but I’ve got other ‘tings I have to do too. I canna babysit you all the time. “

    I nodded sheepishly.

    “I’m yer creative Muse, ya know. A lot of work goes into finding projects for you and fillin’ your head with ideas and suggestions. Makes my brown beer turn green half the time!”

    “Well,” I said, “you know I love your company. And your ideas. I wish I would have listened to you 20 years ago, before I had grandkids.”

    She threw out a hearty laugh. “Darlin’ 20 years ago you had your own kids, and were just as busy! and 20 years before that! Where do you think all that stencillin’ you did at the B&B came from? Or those sky space paintings from yer youth? Or that story you wrote about you and that English guitar player — Paul? Or that story about the beep bopin’ alien growning his own…”

    “I get it. I get it. Make a calendar. Put it all down. Bring your plans out of the 4th dimension in to this 3rd dimension so I can get a handle on it and do a little bit of everything instead of none of a lot. I get it.”

    Viola nodded and stood. She was beautiful — green eyes, full figure, Irish brogue and all.

    “Donna forget — I’m riding up to the cabin with you this weekend. I’ve got a great idea for a poem! Oh, and my sister from Italy is comin’ too! She noticed you have a bare wall downstairs, and she’s oh-so-up with Italian Frescoes!”

    Uh Oh..

     

    Sunday Evening Art Gallery — Fountain Pens

    A fountain pen is a writing instrument which uses a metal nib to apply a water-based ink to paper.

    Visconti the Forbidden City HRH Fountain Pen — $50,000

     

     It is distinguished from earlier dip pens by using an internal reservoir to hold ink, eliminating the need to repeatedly dip the pen in an inkwell during use.

    Caran D’Ache La Modernista Diamond Pen — $265,000

     

    The pen draws ink from the reservoir through a feed to the nib and deposits it on paper via a combination of gravity and capillary action.

    Fountain Pen Patron of Art Hommage à Scipione Borghese — $8,900

     

    There are several factors that allows a company to dictate extremely high prices for these writing tools.

    Mystery Masterpiece by Montblanc and Van Cleef and Arpels — $730,000

     

    Each item features superior engineering and is a part of a long history of the brand.

    Caran d’Ache Leman Yellow 18ct Gold Limited Edition Pen — $26,575

     

    Many Fountain pens are expensive because of high material costs and high production costs.

    Luciano Pavarotti Limited Edition 888 Fountain Pen — $9,200

     

    One contributing factor is the material of the nib. The tip of the nib is sometimes of a different material than the rest of the nib. Hence, you might have platinum tips, or iridium tips, or gold tips, in short tips of precious metals.

    Aurora Diamante Fountain Pen — $1,470,000

     

    The other factor that determines a high price for the pens is certainly their supreme quality. Craftsmanship and several hours of manual work are required to produce each item.

    Varese Limited Edition Pens by Ferrari da Varese — $9,800.00

     

    It often takes more than 100 steps for production of the whole pen.

    Graf von Faber-Castell Pen — $2,000

     

    A lot of effort and skills are required to give it the perfect symmetry and shape.

    Caran d’Ache 1010 Diamonds Limited Edition Fountain Pen — $1,000,000

     

    Enjoy my expensive collection of fountain pens and feel free to add your own discoveries!

     

    (fountain pens and prices posted on the Internet 12/21. Actual prices may vary)

     

     

    Faerie Paths — Roads

     

    Two roads diverged in a yellow wood,
    And sorry I could not travel both
    And be one traveler, long I stood
    And looked down one as far as I could
    To where it bent in the undergrowth;

    Then took the other, as just as fair,
    And having perhaps the better claim,
    Because it was grassy and wanted wear;
    Though as for that the passing there
    Had worn them really about the same,

    And both that morning equally lay
    In leaves no step had trodden black.
    Oh, I kept the first for another day!
    Yet knowing how way leads on to way,
    I doubted if I should ever come back.

    I shall be telling this with a sigh
    Somewhere ages and ages hence:
    Two roads diverged in a wood, and I –
    I took the one less traveled by,
    And that has made all the difference.

    Robert Frost

     

     

    Sunday Evening Art Gallery — Sophie Woodrow

    The work of Sophie Woodrow is both mystical and eccentric.

    She takes the art of porcelain figurines to a surreal place, one that is inhabited by species not yet discovered.Based in Bristol, United Kingdom, Woodrow is a graduate in the Studio Ceramics program at Falmouth College of Art who has been working professionally with malleable clay materials since 2001.Using an intricate, labor-intensive technique, each piece is hand-built, involving coiling, incising and impressing to create a delicately textured surface.Her work has been inspired by her interest in the Victorians as the first generation who chose to define nature as  a spirit of wild curiosity, tinged with fear, turning each piece into a highly romanticized work of art.Woodrow’s sculptures are not visitors from other worlds, but the ‘might-have-beens’ of this world. Each creature has eyes and a story of its own it wants to share.

    More of Sophie Woodrow‘s porcelain works can be found at https://www.instagram.com/sophiewoodrow/ and  https://www.waterandrock.org/sophie-woodrow.html.

     

     

     

    Not in the Mood

    Today is my birthday.

    I’m not impressed.

    I am planning on seeing all of my kids and grandkids and going out to dinner to celebrate. Who wouldn’t be excited about all of that?

    It’s one thing to be excited about turning 21. or 30. I had a grand party when I turned 45, not wanting to wait until the big five-oh. Lots of people came and celebrated with me and signed a poster for posterity and it was a lot of fun.

    It was also 24 years ago.

    Why do people have to get old? Why do people have to get achy and forgetful and slower and not often wiser?

    I ~do~ appreciate my life and friends and experiences and blah blah blah. I do. But I resent getting slower, both physically and mentally. I am doing all that others are telling me to do to keep sharp — eating well, going for walks, reading books, keeping creative.

    But I don’t think any of it is working. Not in the long run.

    Birthdays are rewards for having made it through things others have not. And for that I will be eternally grateful. I have lived long enough to love and play with my grandkids, go to my goddaughter’s wedding at a beach resort in Georgia, and to write a blog that some people really enjoy reading. I’ve written a number of books which have given me immense pleasure.

    I could go on and on with the blessings in my life. We all could.

    It just feels different viewing it from the half-empty side of the glass, knowing that there are fewer years ahead than behind. No matter how optimistic I am, the body aches and head aches and heart aches will persevere. 

    The future will hold what the future will hold. Nothing I can say or do can change moving forward in time.

    So I will do my best to party hearty and move along creaking and laughing and forgetting what that drink was that I liked so much last summer. The good thing is we all all moving forward together. That’s what family and friends are for.

    I’m glad you all are my friends.

    ❤❤❤

    Artists Are My Friends

     

    I know I’ve shared my friend Carsten Weiland‘s watercolors before — there is something about the rough strokes and hues of his paintings — especially mansions and landscapes — that bring an authenticity to all his work.

    I used to live in a Second Empire home/mansion — a beautiful bed and breakfast in a small town. Times as they were, after eight years it was too hard to keep the business profitable. It was with a bittersweet sigh that we sold it and moved on. A wise and positive decision.

    But Carsten’s paintings bring back the days of mansard roofs, balustrades, and stained glass windows, a delightful memory on a winter’s eve.

    Do stroll through his website some time — it will be well worth your wandering.

    Weathered Mansions in Watercolors

    https://brushparkwatercolors.wordpress.com/

     

     

    Game of Thrones Way of Thinking

    (SPOILERS AHEAD!!)

    The premise of this blog is for those familiar with the TV series Game of Thrones, but others may get a kick out of its conclusion, so please — read on.

    Bored with regular TV, the hubby and I have started re-watching Game of Thrones. For those few of you uninitiated, it’s an eight-year series about nine noble families who fight for control over the lands of Westeros, while an ancient enemy returns after being dormant for millennia.

    There are articles across the Internet about who is the smartest in the series.

    Screen Rant (https://screenrant.com/game-of-thrones-cast-smartest-characters/) thinks Says Tyrion Lannister is the smartest:

    “Although he exhibits self-destructive behaviour, such as drinking himself into oblivion and cavorting with ladies of the night, his quick-wit, natural intelligence and sharp tongue mean he can, and does, keep up with the best of them.

    Collider  (https://collider.com/smartest-game-of-thrones-characters-ranked/) thinks Davos Seaworth has proven to be one of the keenest and practical-minded characters on the show.

    No doubt, his experience during his smuggling days has honed his judgment and opened his eyes to the true nature of man. It’s also made him a master of abstract thinking who has learned to anticipate all given outcomes. It’s that level of preparedness that makes him quite proficient, and not just in a street smart way either.

    Human Performance Technology (https://blog.dtssydney.com/the-3-smartest-characters-in-game-of-thrones)  likes to give the smart crown to Lord Varys, aka “The Spider.”

    (Varys) is cunning, clever, mysterious, and in my opinion the most dangerous mind in the game. It is no small feat that Varys raised himself from poverty to power, selling secrets as his route to becoming the wealthy and well-informed “Master of Whisperers.” If you take his raw intellect, as seen in the quick-witted exchanges with Tyrion, stir in the high-level knowledge accumulated at the royal court, and layer over the life skills acquired at street level, Varys looks formidable.

    And even Forbes (https://www.forbes.com/sites/quora/2013/03/30/in-game-of-thrones-whos-the-smartest-tyrion-petyr-varys-or-tywin/?sh=1fc289c67df6) chimed in.

    Petyr ‘Littlefinger’ Baelish has no background, and no backing. He has nothing to fall back on and he fights alone. Petyr sees through people, and he never lets his emotion gets in the way.  While other people simply react to what’s happened to them, Petyr actively creates chaos, stirs up the dirt, purposefully sabotages relationships, creates suspicion, frames innocent people … when everyone is fighting each other for reasons they don’t even fully understand, he was laughing in his head.”

    Yet, the most fascinating point of view – and one I really agree with – is CBR (https://www.cbr.com/game-of-thrones-drogon-smartest-character/)They conclude that:

    “But in a show where Jon knew nothing and did everything, Bran knew everything but did almost nothing, and a swath of questionable — and at times, dumb — decisions led the Seven Kingdoms to the brink of collapse, it turns out this decision by Drogon (the dragon), as well as what he did after incinerating the king’s seat, truly paints him as the smartest character in the entire series.
    “Drogon shows an awareness of something a lot of folks just weren’t cognizant of, which is that the Iron Throne represented lust, greed and corruption, all of which tore Westeros apart and repeatedly led it to the brink of collapse.
    (Tyrion,  Daenerys) …didn’t see the throne as pure evil like Drogon did, and while you may think he’s just a fire-breathing beast to command, the creature proves to be the hero who knows what’s best for the future of the Six Kingdoms because the end of the throne inevitably means a resetting, a recalibration and a new map towards tomorrow.
    “He’s suffered just as much and, while it may be a form of ham-fisted symbolism, focusing his dragon fire on the item so many died for over the past eight seasons (was) his way of not just letting his frustration out, but doing what Dany couldn’t do — let go.”

    When you think about it, this reasoning makes perfect sense. There were thousands upon thousands of deaths in the GoT universe, all for the right to rule a kingdom. To be king (or queen). To be the be-all do-all.

    All contenders fought with a future dream of ruling with justice and fairness and peace. But ruling in itself was the madness to the method. It was still persecution. Oppression. Someone/a group of someones may have been needed to show others right from wrong, but in Westros there was no choice. Right and wrong was whomever won the battle. Whomever had more soldiers. Whomever had more people alive in the end.

    The dragon tired of man’s constant destruction of both each other and the planet. So he said the hell with all of you – I will destroy the symbol that you all have fought for. After all, the symbol is only an illusion.

    My vote goes with the dragon. 

     

     

     

     

     

     

     

    Sunday Evening Art Gallery — Chris Campbell

    Chris Campbell is the head artist and ‘baker’ behind Shoe Bakery, mixing a lifelong passion for sweets and desserts with a love of shoes and style.From concept to the final product, Chris takes a completely hands-on approach with every pair of shoes to make them as sweet and unique as possible.Chris’ passion for these one-of-a-kind works of art was contagious enough for his wife to join him on this adventure, and the two run Shoe Bakery together as a truly family affair of style.The mission for Chris to put so much time and detail into each and every pair of shoes is simple, and he states, “I feel that every woman deserves to feel special, and not have the same shoes that someone else does.”The amount of intricacies put into each item reflect the artistry and passion behind them.From cupcakes and ice cream, to donuts and cinnamon buns, Chris shows no sign of slowing down his confectionary footwear, and with his wife adding her talents to Shoe Bakery, the shoes, handbags, and more, will only keep getting sweeter.It is amazing where one’s sweet passions can take an artist!More of Chris Campbell’s amazing shoe creations can be found at https://shoebakery.com/ and at Bored Panda.

     

     

    Too Much For The Sorting Hat

    I am full of thoughts this cool Saturday evening — a lot dancing around is going around in my pumpkin head. Yet I am not in the mood for sorting this eve — even if my sorting hat is not far away. 

    So how about I highlight a few Sunday Evening Art Galleries? One where the artist seems quite — in a whirl?

     

    Colin Batty

    These are called Victorian Cabinet Cards. These people look like they came out of a cabinet.

     

    Liu Bolon

    Come Out, Come Out — Wherever You Are

     

    Face Off

    All you need is a little make up — a little prosthetics — and a little creativity

     

    Rene Magritte

    Is that an apple in your face? Or are you just happy to see me?

     

    Nightmare Food

    Just looking at these delicacies gives me nightmares.

     

    Have a great Saturday Night!

    The chicklet’s tree is up…for the moment at least…wishing you a Merry Chickmas. — Rethinking Life

    Everyone should have chicklets in their life ….

     

    The chicklets do this every year.  They make the chicklet tree and then someone gets hungry, or their feet hurt, or their claws dig into the chicklet underneath them, or someone has to go to the bathroom, or any number of things. They’re very excited when they begin, but a “live” tree like theirs just […]

    The chicklet’s tree is up…for the moment at least…wishing you a Merry Chickmas. — Rethinking Life

    Sunday Evening Art Gallery — Ertan Atay

     

    The mantle of Creativity, of Art, is a wide and multicolored veil of experience from all over the world.Turkish artist Ertan Atay began his career as a graphic designer, evolving into art direction and photography before becoming the in-house Creative Director for a production company in Turkey from 2007-2013.After opening his own creative agency, Atay began collecting imagery that appealed to him, and in his downtime started making fun collages and collage videos on his own Instagram account.Under the name @failunfailunmefailun on Instagram, Atay’s work fuses the famous paintings by historical artists with some popular culture elements.He combines his artwork with works by painters like Edvard Munch, Leonardo Da Vinci, and Van Gogh.The works are then mashed up with television characters, current musicians, and film works.“I like to make a difference in perception,” Atay says.“There are collages in anachronism, Neo-Dada, and surrealist styles in my work.“I like to bring different objects together. And I like to combine unexpected things with the simplest and humorous language by blending my work with both emotional and humorous language.“I can say I’m happy as long as I create. Other than that, I love creating special feelings that bring people together.”We have to admit that his creative playfulness make us happy as well.

    More of Ertan Atay‘s whimsical art can be found at https://www.instagram.com/failunfailunmefailun/.

     

    Faerie Paths — Mandalas

     

    Each person’s life is like a mandala – a vast, limitless circle. We stand in the center of our own circle, and everything we see, hear and think forms the mandala of our life.

    ~ Saraha

     

    Should I Have Said Anything?

    Through the years I’ve been told I share T.M.I. Too much information. That I have a tendency to tell too much. Spill the beans. Tell more than the whole story.

    I ‘d like to think that’s more of an honest trait than a talk-too-much thing.

    But the other day at a major retailer I had a moment I wondered if I should curb my sharing or say something “constructive.” (Constructive being relative, I know.)

    I had ordered a laptop online on Black Friday, and was able to pick it up the next day at said major retailer. Showing up at the customer service counter, the young girl told me to pull up my order on the kiosk. Since no one was around she helped me out. I was digging through my emails on my phone, looking for my order claim number, and she said all I needed to do was put my name in the computer. So I did. The order popped up and I waited for someone to bring the computer up to the desk. I waited and waited some more.

    Customer Service started to get busy, and before I knew it there were six people in line. I asked about my computer, and the girl quickly put her head in the back room and told someone I was waiting. Just like that they brought out my computer. Wonderful. Did I need to sign anything? No — all was good.

    As I stood adjusting my sweater and purse, I realized how easy it would have been to walk out with someone else’s computer. I mean, I could have hung around the service area, overhear someone put their name in the computer, then, perhaps, since they were waiting around that long anyway, tell the customer service person they were going to run into the store and buy a few things and be right back. Customer Service would get busy, a different employee would bring out the goods, not ask for an ID or a order number, and just hand the computer to the wrong person.

    No one double checked my ID, my receipt, even my phone number.

    I wondered if I should tell someone. If I would have been considered a tattle tale. I had my goods, no one was hurt, so why not take it and go home.

    Well, jabberjaw me thought I should tell someone. Maybe someone in management.

    So I walked over to the kiosks where people were self checking out and told one of the employees. I was really nice; I said I didn’t want to complain or get anyone in trouble, but I was a little concerned that no one asked me for any identification. I went through the scenario I just told you and noted how easily it would have been for me to walk off with someone else’s goods. The girl was very nice and said they would mention this to electronics. I was very nice and walked out with my computer under my arm.

    Yet I wondered.

    Did I get the Customer Service girl in trouble? Did I make up this scenario that didn’t happen just to cause trouble? I mean, no one was hurt. Everyone had gone merrily on their way, no less for the wear.

    Why did I have to open my big mouth?

    I have not suffered any repercussions from my moment of honesty. But I realize that, with my luck, that could have happened and I could have come back from picking up a few things and someone could have walked off with my computer.

    But no one did. 

    I’d like to think that in some big cosmic way I helped the world of commerce run smoother that day. An ounce of prevention is worth a pound of cure and all that.

    But most likely it’s just that I have a big mouth.

     

    Sunday Evening Art Gallery — Arnold Böcklin

     

    Arnold Böcklin (16 October 1827 – 16 January 1901) was a symbolist Swiss painter.Children Carving May Flutes

     

    Considered one of the most important visual artists of the 19th century in Europe, Böcklin was one of the main representatives of German Symbolism, which broke with the dominant academic painting and the prevailing naturalism of the second half of the 19th century.Fight on a Bridge

     

    Influenced by Romanticism, Böcklin’s use of imagery derived from mythology and legend and often overlapped with the aesthetic of the Pre-Raphaelites.Idyll

     

    Many of his paintings are imaginative interpretations of the classical world.Centaur in the Village Blacksmith’s Shop

     

    Böcklin was one of the most successful modern artists of the late nineteenth century in terms of his popularity with the general public, taking advantage of a new market for prints and reproductions of paintings in Germany around that time.

    Self Portrait With Death

     

    His art often portrays mythological subjects in settings involving classical architecture, often allegorically exploring death and mortality in the context of a strange fantasy world.Faun Whistling to a Blackbird

     

    While other painters of his era experimented with ever more pronounced forms of abstraction and stylistic experiment, Böcklin immersed himself in the history of painting from the Renaissance onwards, drawn to all that was dramatic and extravagant.Meerestille Calm Sea

     

    His paintings certainly had the mass popular appeal. but they also became a touchstone for many modern artists, particularly those interested in combining naturalistic representation with bizarre subject matter.The Isle of the Dead

     

    More of Arnold Böcklin‘s mythological paintings can be found at https://www.arnoldbocklin.org.

     

     

    No Regrets — Kinda

    Having just posted my Sunday Evening blog on Pianos, a wave of nostalgia passed through me.

    Piano lessons.

    As I’ve said many times, I have no regrets about my choices in life. I’ve learned from every one of them. They’ve made me who I am today.

    But I could have continued my piano lessons.

    I should have continued my piano lessons.

    Being a kid is hard. No one likes you, or everybody likes you, and you are too busy building Lego buildings and playing records and fantasizing about (for me) dating Paul McCartney or Davey Jones to do something as boring — and important — as piano lessons.

    I don’t remember how many years I took lessons, but it wasn’t very many, but it was a long time ago and I wasn’t very good. My parents even bought me a piano, which I lugged around with me until my husband and I sold our first house in the suburbs. By then I hadn’t played it in years and the new owners had a child who was taking lessons.

    But I digress.

    How wonderful it would be today if I could slide along the piano bench and let my fingers do the talking and walking of even the simplest of tunes. I wouldn’t have to have been Liberace — a simple completion of Beethoven’s Für Elise would have been a crowning achievement in the art of piano.

    Or should I say  .

    Yet another crown of sparkle in the world of Creativity.

    I am in love with piano music. I am amazed that ten fingers can play such intricate music without getting tangled with each other. Or miss the correct keys.

    I suppose my fascination with the diligence and hard work put into an art such as playing a musical instrument goes hand in hand with those who can create perfect miniatures, sew quilts, blow glass, or any of a thousand other crafts just waiting to be explored.

    I’m too old for piano lessons now. I don’t have a piano and sheet music looks like Chinese to me now. But my love for the creations that come from others in any form still brings a whiff of “if only.” A soft, easy nudge that says it’s okay that I didn’t, but still …

    Wait — I still remember how to play chopsticks ….

     

     

     

    Sunday Evening Art Gallery — Pianos

     

    The piano keys are black and white but they sound like a million colors in your mind.

    – Maria Cristina Mena

     

    Erard Grand Piano, 1905

     

    Fazioli M Liminal Piano by NYT Line

     

    Steinway & Sons Louis XV-style Giltwood Grand Piano

     

    The Casablanca Piano

     

    Blüthner Lucid Hive Grand Piano

     

    Boulle Upright Piano

     

    Kawai GL-10 Grand Piano

     

    Gebrüder Knake Renaissance Revival Piano

     

    Boganyi Grand Piano

     

    Liberace Baldwin Grand Piano

     

    Graham Piano, 1872

    Faerie Paths — Wine

     

    Sorrow can be alleviated by good sleep, a bath, and a glass of wine
    ― St. Thomas Aquinas

     

     

    Creativity Never Takes A Break

    The cold weather is starting to find its way to and through my doors and windows.

    No, it’s not that my windows and doors leak. I’d like to think of the sentence above as more of a metaphor for the thoughts and feelings of mid-November in the Midwest. It’s the time of year that squirrels scurry to the warmer underbrush and bluejays boldly take over the bird feeders and sitting on the sofa evenings offers the added pleasure of an additional blanket across the lap.

    Curiously, at this time of year I find my interest in arts and crafts and creativity waning as well.

    This bothers me a little.

    I would hate for my imagination to disappear, never to appear again in the future. Such a drastic thought, I know.

    But wouldn’t you be worried, nay, bothered, nay, concerned if your creativity suddenly waned out of existence?

    What would you do with all the yarn, paper, research files, beads, crystals, frames, photos, ribbons, wires, feathers, oil and acrylic paints, brushes, bottles, ink pens, sketch books, colored pencils, molds, canvases, thread, yarns, clay, wood, and a dozen other supplies you have accumulated through the years?

    Michaels or Hobby Lobby (craft stores in my area) might go out of business if you stopped collecting and organizing your creativity.

    The one fact that keeps me hopeful is that for every waning mood there is a waxing mood along with a full mood. What goes up must come down and vice versa.

    Changing weather connotates changing moods. With “the holidays” looming ahead of us, there are a lot more things to think about and carry out than what our next painting or sculpture should be.

    There are food banks to contribute to, kids and grandkids and family members to connect — or reconnect — with, breads to bake and traditions to carry out.

    Don’t have holiday traditions? Start some! If you don’t believe in celebrating the holidays, make Thanksgiving Day (or whatever day you choose) a day of celebration in your own way. Bring dog treats to the shelter. Buy a Christmas present and put it into the big empty box at the front of every retail store. Call your sister or grandmother and actually have a conversation with them. Watch football and make homemade kabobs or pierogis or chutney and send the recipe to a dozen of your friends.

    Creativity never leaves a person. It may change like the seasons, change physical states from gas to solids to liquid and back again, turn into a sprite or a wolf or bubble or piece of steel.

    But it never really goes away.

    For which I am totally thankful. For I have way too many rhinestones and crystals downstairs to get rid of at the moment.