Time

Jim Croce sang about time in a bottle, keeping every moment he spent with his love in it.

Time is one of those haunting things that can never be saved nor repeated. It can be savored only at the moment of its  existence, its replay often embellished or altered within the human mind.

I am thinking, too, that time only becomes important once it has passed.

Sitting outside this morning, the songs of birds dancing all around me, the wind gently tinkling the wind chimes, I found the perfect moment. No promises of tomorrow, no memories of the past, only the wind chimes and birds and sunshine in my private space.

It was perfect.

Why can’t we create an extended version of this ecstasy? Why can’t we have extended periods of bliss?

Perhaps the gods think that eternal bliss would eventually burn us out. That we’d short circuit after about 10 minutes of eternal highness. Perhaps the human brain is not capable of holding onto nirvana. That there is no evolution in endless nirvana. No moving forward.

After all, who would finish washing the dishes or go grocery shopping for the family?

Time is precious simply because is it is fleeting. Time exists to enlighten and connect for mere moments before changing its shape and color and state of being.

Human beings grasp onto these moments because they want to connect with their inner vibration. A vibration that can only exist in the Now. Like a bubble, sparking and lighter than air, floating up and up for a fraction of a second before bursting into never more.

Think about all the moments you haven’t thought about. Haven’t let touch you. Life is full of those moments. Many moments are just that… a flash of something you’d rather not deal with or are a result of everyday mundane actions.  Moments that don’t really matter for they are just like the moments before and after.

But once in a while we pause. We connect. And remember.

There are millions of memorable moments every day. All we need to do is stop and savor them when they connect.

As you get older you realize that your special moments will be coming to an end. No birds chirping in the trees, no grandchild giggling, no quiet pets with your dogs.

Start savoring those moments today. Take time to get high on life. It is beautiful and magical and changes every moment, whether you can sense it or not.

There is no way to capture time in a bottle.
The only capturing can be in your heart.

 

 

 

Walkers Beware!

There are a number of stories swirling around in my head about my past two weeks in Europe that I’d love to share. But I also don’t want to bore readers with only “art” stories.

So let’s start — and end –today’s share with Italian cab drivers.

Oy Vey.

I thought Chicago cab drivers were crazy. Some talk your ears off, others just drive, but all in there is a respect between driver and pedestrian.

Not so Italian cabbies.

We stayed in the heart of touristy Rome and Florence, two cities full of culture and shops and narrow cobblestone streets. Quaint and rustic — and narrow.

Most of the side streets that run through their culture centers (especially in Florence) wind invitingly in and around shops and restaurants, encouraging an intimate and old world feel that’s easy to get lost in.

Then come the cab drivers.

It’s like they live in another dimension. They zoom up one side street and down the other, honking and pointing, viewing pedestrians more as bumper pool stops than ardent shoppers. The drivers often don’t speak English, so distracting them with conversation is almost impossible. 

They know the city quite well, so they use all the shortcuts, zooming between buildings and people like a well-choreographed dancer. They stop on a dime, and start off on one, too, leaving no time for second thoughts and decisions. 

Even though there were times I had to hold onto the grab handle to stay upright, I have to say I was indeed impressed with their driving skills. We didn’t hit one pedestrian nor scrape the side of any building, and we arrived at our destinations with time to spare.

It’s just that I wasn’t prepared to ride the roller coaster in Rome or the Ferris wheel in Florence.

At least not while sitting in the back seat.

 

 

 

 

Sunday Evening Art Gallery — Odd Shaped Houses

Odd is all in a person’s point of view, isn’t it? What I perceive as odd you may think of as quaint. Or asymmetrical. Or idiosyncratic.

Or just plain odd.

Obviously the following homeowners took “odd” to mean unique, different, and cutting edge (among other positive adjectives), and used that meaning to create yet another wonderful form of Art.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sunday Evening Art Gallery — Paula Rego

Dame Maria Paula Figueiroa Rego  (1935 – 2022) was a Portuguese-British visual artist, widely considered the pre-eminent woman artist of the late 20th and early 21st century, known particularly for her paintings and prints based on storybooks.Rego studied at the Slade School of Fine Art, University College London.Her style has evolved from abstract towards representational, and she has favored pastels over oils for much of her career.Having grown up in Portugal under António de Oliveira Salazar’s fascist dictatorship, Rego was fascinated by fairytales, and her political paintings span themes of power, possession, childhood and sexual transgression.Her work often reflects stories colored by folk-themes from her native Portugal.Rego challenges traditional female depictions by illustrating women in their natural state of strength and power, showing the reality of womanhood rather than trying to satisfy the gaze of the viewer.Her paintings are strong and emotional, addressing human experiences that were powerful in their own way.Rego successfully addressed human experiences through her art that were often unrepresented: abortion and depression.More of Dame Maria Paula Figueiroa Rego‘s work can be found at https://www.theartstory.org/artist/rego-paula and https://www.wikiart.org/en/paula-rego/.

 

 

I’m Back!

I’m back!

For those of you who never really noticed, I’m back from two weeks in the beautiful European cities of Paris Rome, and Florence.

A bucket list item to be sure.

I’m full of culture, statues and gelato.

Have I changed?

How can one not change walking through the Villa d’Este, a 16th-century villa  near Rome, famous for its terraced hillside Italian Renaissance garden and  its profusion of fountains?

How can one not change eating dinner on a cruise ship while watching the Eiffel Tower make it’s sparkling sky show once an hour?

I worked all my life to get to this point in my life. I’ve been through raising two children, taking low-paying jobs so I could be home with my kids, working everything from a hosiery saleswoman to a bed and breakfast owner.

It was wonderful to see the work of Michelangelo and Galileo and  Gustave Eiffel up close and personal. To see the sweat and heartache and brilliance of artists of all kinds.

It also was wonderful to see people in other countries living their lives like you and me, too. The little old man who owned the small store-front restaurant in Florence who served us dinner one night. The young, bright tour guide who shared his enthusiasm and knowledge and back stories about pieces in the Louvre. The crazy cab driver who slipped up and down the narrow streets of Florence so fast I thought I might be in the middle of a video game.

These were real people doing real things.

Maybe it wasn’t as big of a deal as sculpting a body out of marble of painting a ceiling, but their attitudes and contributions made for a wonderful memory in the lives of two seniors living in the Midwest.

The only thing is that you might have to endure occasional sharing of 1,262 (give or take) photos I took in two weeks. Blog-worthy pics, I must say.

What would you enjoy? Doors? Weird statues? Painted ceilings? Marble statues?

The world is endless …….

 

 

Sunday Evening Art Gallery — Caroline Dewison

Caroline Dewison is an artist from  Warrington, England,  whose love of nature has culminated into a world of small miniatures.In the realm of craft and design, Dewison pushes boundaries and create extraordinary pieces that captivate the imagination.For several years, the Warrington-based artist experimented with beads and clay to make small sculptures, but she was never quite satisfied.Inspired by the woodlands around her home and holiday walks through the Lake District,Dewison began to recreate mystical scenes of streams, shorelines, and hills in miniature.Using Jesmonite — a mixture of gypsum and water-based acrylic resin — to fashion frames, plus a lightweight MDF for the backgrounds, Dewison sources a range of small boxes, model-making supplies, and acrylic paints to create each intricate scene.For landscapes, she particularly enjoys using a type of clay that melds the malleability of clay with the strength of epoxy, plus a favorite 3D-printing pen.Dewison brings imagination, reality, and a certain finesse to her miniatures,“I didn’t really set out with the intention of making miniatures,” the artist shares.“They just turned out that way.”More of Caroline Dewison‘s magical miniatures can be found at https://www.ahouseofwonders.co.uk/.

 

 

Sunday Evening Art Gallery — Otto Dix

Wilhelm Heinrich Otto Dix (1891 – 1969) was a German painter and printmaker noted for his ruthless and harshly realistic depictions of German society during the Weimar Republic and the brutality of war.Dix has been perhaps more influential than any other German painter in shaping the popular image of the Weimar Republic of the 1920s.A veteran haunted by his experiences of WWI, his first great subjects were crippled soldiers, but during the height of his career he also painted nudes, prostitutes, and often savagely satirical portraits of celebrities from Germany’s intellectual circles.His work became even darker and more allegorical in the early 1930s, where he became a target of the Nazis.No fewer than 200 of his works were seized by the Nazis, and eight of his paintings were in the “Degenerate Art” show in Munich in 1937.His views were at odds with the regime but he chose to remain in Germany after 1933, so in order to avoid confrontation, he conformed outwardly with the regime.When the Third Reich fell at the end of the Second World War, Dix was freed from the Nazi’s artistic oppression yet his style never regained its Interwar edge.After the war most of his paintings became religious allegories or depictions of post-war suffering.

More of Otto Dix‘s inspirational paintings can be found at https://www.ottodix.org/ and  https://www.theartstory.org/artist/dix-otto/.

 

 

 

Sunday Evening Art Gallery — Angels

They say that oft at Easter dawn
When all the world is fair,
God’s angels out of heaven are drawn
To list the music there.

~ Edna Dean Proctor, “Moscow Bells”

 

The Annunciation, Fra Filippo Lippi

 

St. Francis of Assisi in Ecstasy, Caravaggio

 

Abbott Handerson Thayer

 

Half figure of an angel, Vincent van Gogh

 

Mosaic of the Archangel Michael, Church of Santa Maria dell’ Ammiraglio

 

First Kiss, William-Adolphe Bouguereau

 

Fallen Angel, Alexandre Cabanel

 

The Blue Angel, Marc Chagall

 

Saint Michael Triumphs over the Devil, Bartolomé Bermejo

 

The Angelus Novus, Paul Klee

 

Saint Raphael the Archangel, Zacarías González Velázquez

 

The Annunciation, Leonardo da Vinci

 

 

Remember These?

I am running around like a BoHo madwoman trying to get ready for vacation next week, so my conversations with you will be limited to  “Lei parla inglese?” or “Parles-tu anglais?” So I thought it would be fun to share some weirdly wild (and wonderful) past Galleries. 

You’ve got time to visit a few Galleries, don’t you?

 

Stairways to Nowhere  

 

 

Giant Heads

 

Earrings

 

Mihai Criste

 

Hair

 

Nightmare Food

 

Chairs

Hope you had fun!!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Are You a Multi-Tasker By Choice?

Hua Hin, Thailand

I love people who can multi-task.

I mean full up, full attention multi-taskings. Feed babies and do someone’s taxes and wash laundry at the same time. Someone who can use three full-sized computer screens at one time. Someone who walks the dog and listens to “Learn French in Three Days” on headphones while running through the IMDB movie database on their phone for a Japanese foreign film to watch when they get home.

Most of us do a fairly good job at multi-tasking. Cooking dinner while thumbing through an iPad while holding a conversation with someone in the next room is my idea of tasking to the N-th degree.

But more often I multi-task by accident. And it happens all the time.

Start working on a craft. Run upstairs to get some sort of supply. Notice the dryer is finished. Switch the laundry. Pull out the kitchen towels from the dry pile because the kitchen drawer is empty. Find the part for the craft. Answer the phone. Talk for 20 minutes. Pull out the embroidery kit you told your caller they could borrow so you don’t forget. Go into the frig for a soda. Eyeball yesterday’s leftover pizza. Heat it up in the micro. Let the dog out. Go to the bathroom. Notice you are low on toilet paper. Add it to the grocery list whiteboard. Grab the part you needed for your craft and take it back downstairs where this whole thing started.

Is this multi-tasking? Or is it A.D.D.?

I can’t tell you how many times I find myself swirling down this whirlpool. I do it all the time. I make my husband nuts.

~I~  see it as getting multi things done in one fine sweep. ~He~ considers it distracted and unproductive movements. That I’d get so much more done if I finished what I started when I start it.

Who wants to do laundry all day one day? Who can sit for eight hours and do one craft? I mean, even ~I~ have a hard time power watching more than six or seven TV episodes in one sitting.

I believe I do multi-task. I watch TV while I work on the computer. Listen to music while I balance my checkbook. Talk on the phone and sew buttons on shirts at the same time.

I think my husband just doesn’t get what multi-tasking really is.

 

 

Sunday Evening Art Gallery — Jason Boyd Kinsella

Jason Boyd Kinsella is an artist from Norway whose paintings play off the ‘Old Masters’ approach to portraiture by presenting abstract geometric depictions that carry existential undertones.Born in 1969 in Toronto, Canada, Kinsella received an arts degree from Bishop’s University in Quebec, studying painting and sculpture before heading into the advertising industry for the next 30 years. But around his 50th birthday in 2019,  he decided to quit advertising to pursue art full-time.Kinsella breaks down the personality traits of his characters into distinct geometric units whose shape, color and size define their individuality based on the Myers-Briggs personality test, anchoring his subjects in the essence of their psychological attributes.On a technical level, Kinsella’s masterful oil paintings are created using a mix of traditional methods and modern tools.Starting off with a drawing, Kinsella proceeds by finessing his concepts with 3D software, playing with the way that the light interacts with each block.Once he achieves a format that recalls the human face or the bone structure, he proceeds to render the image in oil on canvas.More of Jason Kinsella‘s marvelous art can be found at  https://www.jasonboydkinsella.com/.

 

 

 

Peeking Back Into the Gallery — Pencil/Pen Drawings

People’s creativity comes out in many ways. Swinging a hammer, melting gold or glass, shoving a needle in and out of fabric — so many ways to share your magic and your way of thinking!

Even if you are thinking in an out-of-the-box way.

Flipping through past galleries, I thought I’d bring back a few artists whose pen was mightier than their sword — or their hammer. “Pencil in” some time to go back and wander!

 

Adolf Wölfli
https://sundayeveningartgallery.com/2023/05/23/adolf-wolfli/

 

DZO Oliver
https://sundayeveningartgallery.com/2022/09/03/dzo-olivier/

 

Zinovii Tolkatchev
https://sundayeveningartgallery.com/2021/05/31/zinovii-shenderovich-tolkatchev/

 

Benjamin Sack
https://sundayeveningartgallery.com/2020/10/15/benjamin-sack/

 

Kerby Rosanes
https://sundayeveningartgallery.com/2018/05/01/kerby-rosanes/

 

Arabic Calligraphy
https://sundayeveningartgallery.com/2017/12/13/arabic-calligraphy/..

 

 

 

 

Sunday Evening Art Gallery — Glass Insulators

Glass Insulators were used for telegraph and telephone lines to aid communication between states and prevent wires from touching wooden poles.Insulators are non-electrical conducting objects, usually made of glass or porcelain, intended to insulate the current running in a wire from grounding out, especially in fog or rain. In conjunction with the expansion of rural electrification in the early 20th century, there was a major boom in the manufacturing of insulators, with production peaking from the 1920s through the 1940s.The rarest glass insulators are generally either the oldest types or the ones with the fewest remaining examples.Ramshorn, block, and other early threadless types are all considered rare, with some insulator collections being focused solely on these initial renditions.Among the more common threaded styles, rarity can be based off style, manufacturer, color—really any of the aspects that determine an insulator’s value.

Commonly made from glass, in a dazzling array of shapes and colors, antique insulators are prized for their rarity and physical beauty.Use of porcelain and ceramic insulators spread during the late 19th century alongside higher-voltage electrical wires, like those required for home power lines, because the protective properties of porcelain proved superior to glass.

So whether you are a historical buff or glass collector, glass insulators certainly are their own form of art!

 

 

You Can Carry a Bread Machine on the Plane

It is a good thing the TSA (Transportation Safety Administration) has a list of everything you CAN and CANNOT bring on a plane. They do differentiate between carry on and checked luggage, but still there are quite a few items on their list.

They obviously had to write (and rewrite) the rules  because someone HAS tried to bring something that dares definition. All of these items are on the TSA manifest.

What you CAN bring on the plane (both checked and carry-on unless noted):

  • Artificial Skeleton Bones
  • Bottle Opener
  • Bowling Balls
  • Bread Machine
  • Cattle Prods (checked only)
  • Expresso Machine
  • Fidget Spinners
  • Fresh Eggs
  • Geiger Counters
  • Hookahs
  • Ice Cream
  • Laser Hair Remover
  • Light Saber
  • Magic 8 Ball (Checked only)
  • Microwave (Checked only)
  • Sabers (Checked only)
  • Spear Guns (Checked only)
  • Stun Guns/Shocking Devices (Checked only, special restrictions)
  • Tamales
  • Tea Kettle
  • Throwing Stars (Checked only)
  • Toys (adult)
  • Vacuum Robots

What you CANNOT bring on the plane (besides the obvious):

  • Dynamite
  • Engine-powered Equipment with Residual Fuel
  • English Christmas Crackers
  • Hand Grenades
  • Party Pops
  • Realistic Replicas of Firearms
  • Recreational Oxygen
  • Samsung Galaxy Note 7
  • Tear Gas
  • Vehicle Airbags

And to think…. all I was looking for was to see if I can pack sandwiches in my carry on  (yes in both columns)….

 

 

 

Sunday Evening Art Gallery — Dariusz Zawadzki

Dariusz Zawadzki is a surrealistic painter from Szczecin in the northwest of Poland.He excels as a painter of often disturbing dramatic dark fantasy and surreal art.Since childhood, Zawadzki has built surreal worlds; his imagination, dreams and visions the source for his inspiration.Growing up,  Zawadzki wanted to attend an artistic secondary school, but was told his eyesight was too poor. Refusing to let others stymie his artistic development, the artist taught himself the ins and outs of painting, and developed his own techniques.As a result, his paintings are known for their classical facture, incredible detail, and intense color palette,  using an oil technique on fiberboard.His paintings make me think of survival in its most basic and elaborate forms.“I never use a sketchbook, because I don’t want to force myself to paint something I’ve already drawn on paper.” Zawadzki explains.“My favorite moment is when I stand before a white, blank board. Then I simultaneously know and wonder what will emerge from this blankness.

More of  Dariusz Zawadzki‘s  remarkable art can be found at https://zawadzkiart.pl/ and https://morpheusgallery.com/Dariusz+Zawadzki/#cnt.

Sunday Evening Art Gallery — Glow Up

Glow Up: Britain’s Next Make-Up Star (often shortened to Glow Up) is a British reality television competition on BBC Three devised to find new makeup artists.Ten aspiring make-up artists live and work together while they compete in a series of challenges to prove their skills to the judges.The contestants take part in weekly challenges to progress through the competition, which are judged by industry professionals as well as weekly guest stars.What connects this reality tv show to our lives is the amazing creativity these artists bring to the human face.The competitors are a melting pot of characters, personalities, and talents who deftly create new faces based on a weekly theme, and their work is amazing.The choices of subjects and expressions carried out in face painting is amazingly expressive.Not only does this program encourage you to watch Art at work but expands your horizons on your definition of art and how far out its tendrils actually reach.

Glow Up: Britain’s Next Make-Up Star can be found on Netflix.

 

 

 

Chocolate trifle with Earl Hamner — (repost)

I have reposted Anne Fisher’s delightful posts from eat with an artist: fact, and fiction  before. As I noted in my recent comment on her site, “I read them, follow links, and just sit and look at the combinations and try to find the connections between them all. They are wonderful!”

And they are! Thoughtful  images and whimsical combinations. Do check her out!

 

Chocolate trifle with Earl Hamner

 

 

 

 

Feel Like a Scaredy Cat

I kinda feel like a scaredy cat.

Three weeks from today I’ll be on a plane to Paris. Me. Simple Midwesterner. Former bed and breakfast owner, linofilm typist and hosiery salesperson. Mother of two, grandmother of three, blogger, crafter, and writer.

Not only am I a bit weary of air travel, but eight hours over land AND sea kinda gets to me. As does not speaking the language, having no sense of direction, having a weird food reaction, the Eiffel Tower being closed because of protesters …

The list is endless.

Of course, I’m not going to let that all stop me. Adventure is the name of the game. Adventure, along with common sense. 

Of course, my husband says this will be nothing new. That I get sick every time we go somewhere new. Am I that predictable?

I am hoping that this time around I am whimsical, scattered, amazed, otherworldly, and grounded. All at the same time.

I try to make every place I land one of mystery and entertainment. This includes campgrounds, neighborhood restaurants, friends’ houses, and walking in my own woods. Rome should be a breeze.

I truly believe we should strive to make every day out-of-the-ordinary.

I know most days we are doing a thousand things that are not high on our out-of-the-ordinary list. But there are in-between times like riding as a passenger in the car or drinking morning coffee or walking the dog that can offer worlds of enchantment, too. Free time where we can think and plan just about anything we want. Including vacations.

Use them. As often as you can.

Now I just have to keep that magic in mind when I climb up the final stairs of the Eiffel Tower — huff and puff, y’all.

Maybe I can find a “magic” pair of wings around somewhere to help me out.

 

 

 

Sunday Evening Art Gallery — Kaori Kurihara

Japanese artist Kaori Kurihara sculpts fanciful ceramic sculptures of lusciously textured exotic fruits and vegetation, both real and imagined.Born in Osaka, Japan. Kurihana graduated from Seika University of Kyoto with a degree in Fine Arts specializing in Artistic Ceramics.Following graduation, she garnered additional experience studying jewelry-making in France, where she learned the technique of enameling which she now uses to accessorize her sculptures. 

Kurihara’s exquisite pieces are heavily inspired by the plant world, especially the shapes and natural geometric repetition of forms in nature, which lend themselves to captivating motifs while also allowing for infinite diversity.She incorporates delicate botanical details with eccentric forms, melding realism with fiction.

It’s difficult not to become mesmerized by the luscious textures and nuanced tones that grace the surface of her strange and enchanting fruits.“I take inspiration from the plant world with particular attention to forms and their geometric repetition,” Kurihara says.

“Every element of nature seems to repeat itself, but in fact there is an infinite variety of it. I have the deep desire to make concrete the fruits represented in my mind and to be able to contemplate them through my own eyes.”

More of Kaori Kurihara‘s whimsical ceramics can be found at .https://mymodernmet.com/kaori-kurihara-ceramic-sculptures/ and https://www.thisiscolossal.com/2022/01/kaori-kurihara-fruit-ceramics/.

What a Great Dilemma!

I am one of those weird people. (You are surprised?)

While I am often reminded not to cross the personal/professional line, I often blog and share art from my heart, not my bullet points.

I wanted to share that I am hitting one of my bucket list bullet points, though.

Next month I will be visiting Paris, Rome, and Florence with my significant other.

Two weeks.

Two weeks of total culture shock. Two weeks of not understanding the language. Two weeks of discovering parts of the world that were alive and thriving when the United States was not even a twinkle in the eye. Two weeks of exploring, discovering, and cosmically interacting with lives that walked down those stone streets eons ago.

I always fear someone will think I’m boasting or showing off or digging into other’s limitations, so I haven’t been sharing much. I’m a nagging self consciousness-er. And I hate it.

So, just like the other day when I wore grey and white horizontal stripes with black and white leggings with Chinese dragons, I’m ready to cough up something personal.

I cannot wait.

One positive thing about being retired is you can finally dip into the savings you’ve been building up for 55 years.

So!

Part of my dilemma is what to do while I am gone.

Part of me wants to prepare blogs ahead of time and schedule them now and then.

Part of me thinks I should just take off for a couple of weeks.

The other part of me wants to engage in frequent reports of ~all~ the magic. Unusual takes on traditional views. A homage to my theme of unusual art — Creativity in ~all~  its forms.

I follow a few blogs of those that travel and take remarkable pictures. I can never do their gloss justice.

But then, I’m not quite like them. I’d take pictures of doorknobs and public restrooms in museums and chapels and legs standing in line to see the Mona Lisa and views of buildings through water fountains.

Everyone can take a picture of the Louvre or Saint Peter’s Basilica.

Not everyone can (try) and take pictures of the Vatican from the back door.

But should I?

 

 

 

 

 

Sunday Evening Art Gallery — Alma Nungarrayi Granites

Alma Nungarrayi Granites (1955-2017), a Warlpiri woman, was an artist from Yuendumu, Australia.Nungarrayi Granites worked as a staff member at the local school and attended the Bachelor College, studying to become an accredited teacher assistant for both Warlpiri and English.Once she graduated, Nungarrayi Granites worked at the Yuendumu School assisting the Warlpiri classes.While working at the school, the artist became aware of the great efforts to maintain, share and preserve Warlpiri culture and traditions.Nungarrayi Granites herself became aware of the great efforts to maintain, share and preserve Warlpiri culture and traditions, and decided to attended courses run by the Old Peoples Program and Adult Education Centre.It was not until 2007 that the artist started to paint in earnest. Nungarrayi Granites applied herself and experimented with composition and artistic techniques, while still remaining true and respectful to her Warlpiri culture.She is known for painting the great Warlpiri story of the Seven Sisters Dreaming, which tells the narrative of the ancestral Napaljarri sisters who are found in the night sky in the star cluster known as the Pleiades, in the constellation Taurus.More of Alma Nungarrayi Granites’ wonderful paintings can be found at https://japingkaaboriginalart.com/collections/102-alma-granites-night-sky-2012 and https://maliyaa.com/alma-nungarrayi-granites/.

 

 

 

 

 

 

Souvenirs — Why?

This morning I needed some hand lotion for these dry,  chubby hands, so I pulled out a mini container I found in my bathroom drawer.

It was a cute little bottle, square with curly-q lettering and designs. A hotel personal size bottle. And I wondered.

Where did I get this? Which hotel did I go to that I thought it neat to take my room sample? How old was this bottle?

Admit it. Many/Most of us have at one time or another taken home hotel soaps and shampoos and hand lotions for future use. Or souvenirs. And then promptly forgotten about them.

Why do we feel like we’ve won the lotto when we bring home a little something “extra”?

Why do we want to keep a souvenir of something that, half the time, we forget about?

I’ve been “downsizing” for quite some time now, going through and (hopefully) getting rid of stuff that I once though was cool yet haven’t looked at in years. I keep the kids art projects and that’s about it.

I feel like the little old man who keeps pieces and sets and odd items “just in case I need them someday” and winds up filling up the basement and barn with maybes.

I’m not a hoarder, but I have cleaned out the house of one. Twice.

I’ve seen the stress on those who are left behind to sort and throw away and pack away things that someone else at one time thought important.

I know people who have grandma’s china and grandma’s grandma’s china and great aunt Mabel’s china all packed away in boxes hidden in the basement. I know people with libraries full of books that they’re either read and never going to read again and books they hoped to read were either forgotten or not interesting anymore.

I know people who kept grandfather’s watch and grandfather’s broken watch and daddy’s first watch and uncle Pete’s watch that’s missing a stem all in a box inside a box inside a box stashed under the basement stairs.

All I’m saying is some things are worth saving because they’re important. That importance depends on the holder. Handing down an ancestor’s precious memorabilia is an honorable trait. 

But holding on to things that you never look at or never re-experience is a waste of time, space, and heart. Once you are gone, those who clean up after you will have no idea of the “importance” of all of the things you’ve collected through the years and will wind up sending it to Good Will anyway.

I laughed because I didn’t want my kids’ last memories of me to be some souvenir bottle of hand lotion that has never been opened.

Go through your stuff. Keep the important things. The meaningful things. That’s why you kept them in the first place. But you don’t need to forever hold onto some else’s memories. Recycle them, sell them, toss them, give them away.

Keep memories alive by sharing them with others instead of keeping physical reminders buried in your bottom drawer.

 

 

Faerie Paths — Life

It’s market day in Cortona
The piazza is an ongoing party,
and everyone is invited.

Clichés converge
at this navel of the world.
You almost want to laugh,
but you can’t help feeling
these Italians know more
about having fun than we do.

I eat a hot grape
from the market,
and the violet sweetness
breaks open in my mouth.

It even smells purple.

 

~Frances Mayes~
Under the Tuscan Sun

 

 

Flash Forward or Flash Back?

My family thinks I’m nutty for the amount of time I spend on the computer. But unlike those who wander the Internet aimlessly or look for unsavory sites or watch endless You Tube videos, I spend my time looking and researching unique, different artists.

I think I’ve done a pretty darned good job the last few years.

I couldn’t decide if I wanted to highlight past Galleries (to remind you of the weird unique art I’ve shared) or highlight future Galleries (to remind you of the weird unique art I’m going to share).

Just typing this I just decided — I’m going to highlight BOTH!

Let’s take a Magic Carpet Ride!

 

 

 

Ercole Bariovier
https://sundayeveningartgallery.com/2017/03/22/ercole-barovier/

 

Janet Echelman
https://sundayeveningartgallery.com/2018/08/26/janet-echelman/

 

Margaret Keane
https://sundayeveningartgallery.com/2020/02/13/margaret-keane/

 

 

 

Alma Nungarrayi Granites

 

Odd Shaped Houses

 

Tomas Barcelo

 

So see — coming OR going it’s always a good time around here!

 

 

Sunday Evening Art Gallery — Julia Lucey

Julia Lucey is a printmaker based in Fairfax, California.

Lucey received her BFA in printmaking from the San Francisco Art Institute and a MA in Education at Loyola Marymount University.

As an Artist-in-Residence at Kala Art Institute, the artist has focused on traditional etching techniques as well as aquatint, a printmaking technique that produces tonal effects by using acid to eat into the printing plate (which creates sunken areas which hold the ink).

In the most current body of work, her traditional etchings are cut out of the paper and reassembled into new landscapes on panel.

“As a printmaker, using traditional etching and aquatint techniques has allowed me to explore the ideas of nature, wildness, wilderness and the human attempt at wildlife management,” Lucey shares.

“In my newest body of work, I am looking at two concepts. First, is to look at humans (and my own personal desire), to observe and know the natural world scientifically.

“The second concept is the use of this knowledge of nature to try to control wildness to fit human needs.”

More of Julia Lucey‘s remarkable prints can be found at https://www.julialucey.com/.

 

 

Art, Rubbish (repost) — My Inspired Life

 
How many times do we come across scraps of life like this?
 
 
 
Snapped
Tossed
Dropped
into a lake,
manmade

Submerged
floating
perfectly still
waiting to become
erased

Noticed
by a woman
riding
stopped abruptly
capturing a moment
waiting to become
a perfectly framed
still
 
 
Michelle is a treasure to be found!
 
Michelle Lee
 
 
 
 

Sunday Evening Art Gallery — Zac Henderson

Zac Henderson is a semi-nomadic photographic artist currently based in Auburn, Alabama.His love of science settled on magnetism, calling his photo series “Dark Matter.”To create his “sculptures,” Henderson suspends ceramic magnets on fishing line then exposes them to iron fillings.The iron takes shape based on the surrounding magnetic field, and can also be manipulated by hand to alter the sculpture.By exposing iron filings to an invisible magnetic field, the work imagines dark matter particles and their interactions with normal matter through gravity, as seen from a higher dimension, or bulk, in which both are visible.The images were made in his home studio, and since each sculpture is about eight inches tall, the images require focus stacking of as many as 30 to 40 images.The resulting forms are dynamic, abstract sculptures that celebrate the wonders of the known and unknowable forms of nature.

More of Zac Hendersons amazing photography can be seen at https://www.zachenderson.com/. 

 

 

 

Dating Memories

Last night hubby and I watched the movie “The Big Lebowski” from 1998 with Jeff Bridges and John Goodman.

I know that this kind of movie isn’t on the top 10 list of most of you enlightened readers. It’s sophomoric movie about a bum (The Dude) who seeks restitution for a ruined rug, and his super weird bowling buddies who help get it.  It’s full of swearing, smoking dope, mistaken identities, and super weird characters.

It was one of my son’s favorites.

Yesterday was my late son’s birthday, and we spent the evening honoring him in as many ways we could. Watching crazy movies from the end of the 20th century was one way to do it.

But the purpose of this blog was to note how this movie rang some bells of my own.

A lot of the movie takes place in a bowling alley. An early 90s bowling alley.

I met my husband at a bowling alley in an early 80s.

Those were the days. 

Sparkling bowling balls and orange and beige half-round seats that could hold 8 bowlers comfortably. Some weird dude behind the counter spraying disinfectant into bowling shoes that you could rent along with abandoned bowling balls you could use for free. Trying to remember the difference between an X and a / and adding numbers in your head for the score sheet. The sounds of bowling pins constantly falling over, people laughing and drinking and trying to keep a 15 pound ball rolling straight down the middle of a narrow lane.

True love by strikes and spares.

It made me wonder how young people meet and fall in love these days. If it’s not during high school or college or it work or fix-ups through friends, how do they do it? No smelly bowling alleys, dusty softball fields, or out-of-control beer house parties. No eyeing each other from separate blankets at outdoor rock concerts. No immediate or chance eye contact that explodes into that zing-a-ling feeling. No guessing about the other’s family or job or hobbies or habits, for today you can pick up a Google trail on just about anybody.

Alas, I would hate to think dating apps and Zoom and Snap Chat are their only choices, for nothing says romance like the smell of a well-oiled bowling alley lane and the stinky shoes that go with it.

 

 

 

 

 

Sunday Evening Art Gallery — Jacques-Louis David

Jacques-Louis David  (1748 – 1825), considered to be the preeminent painter of the era, was a French painter in the Neoclassical style.

Napoleon Crossing the Alps

 

As the premier painter of his day, David served the monarchy of Louis XVI, the post-revolutionary government, and the Emperor Napoleon Bonaparte, despite the radical differences in these ruling regimes.

Antiochus and Stratonica

 

David’s style of historical painting helped end the frivolity of the Rococo period, moving art back to the realm of classical austerity.

Portrait de Marie-Joséphine Buron

 

Adopting the fashionable Greco-Roman style, the artist blended antique subjects with Enlightenment philosophy to create moral exemplars.

The Anger of Achilles

 

His linear forms dramatically illustrated narratives that often mirrored contemporary politics.

David Self-Portrait

 

David’s earliest successes were iconic images of valor and noble deeds, commissioned by royal and aristocratic patrons, who adopted the classical style as the latest trend. 

Madame Récamier

 

He also ran an important studio where his students would later rebel against his example, sowing the seeds of modernism.

Napoleon Bonaparte in his Study at the Tuileries

 

The quintessential Neoclassical painter, David’s monumental canvases were perhaps the final triumph of traditional history painting.

Portrait of Madame Charles-Pierre Pecoul, nee Potain

 

More of  Jacques-Louis David‘s exquisite paintings   can be found at https://www.nga.gov/collection/artist-info.1212.html and https://www.biography.com/artist/jacques-louis-david.

 

Sunday Evening Art Gallery — Glen Martin Taylor

Glen Martin Taylor is a ceramic artist who devotes himself to his craft within his studio house in Ohio.Self-taught, he has honed his skills over a decade of dedicated study and practice within the medium of ceramics.His current focus remains within the realm of ceramics, but his love for creating art has been a lifelong companion.Glen’s work is deeply rooted in his Ohio upbringing and the strong blue-collar work ethic instilled in him from a young age.The slower pace of life in this region has allowed him to fully immerse himself in his art, and the quiet solitude of his studio has become a haven for experimentation and exploration.Taylor pushes the boundaries of traditional ceramics, incorporating antique elements, such as vintage china inherited from his grandmother, to give his pieces a unique historical and sentimental significance.Taylor finds inspiration for his work by delving into the depths of his own emotions and personal experiences.His artistic endeavors are a reflection of his own autobiographical journey, drawing upon past traumas and his current understanding of the complexities and nuances of life.By tapping into raw, visceral feelings, he is able to create work that is deeply personal and evocative.More of Glen Martin Taylor‘s marvelously unique artworks can be found at https://glenmartintaylor.com/.

 

 

 

Having a Stained Glass Ball!

As you all know, I love sparkle.  Color. Light and windows and bling. I try and keep it to a minimum in here, as I’m sure there’s those that get bugged with too much disco ball in their eyes.

I am hoping to see the windows of Saint Chapelle Church when I go to France. It’s like a bucket list for stained glass aficionados.

Saint Chapelle Chapel, Paris, France

But I digress.

You know how one thing leads to another and another and another. Well, a few amazing stained glass room pictures showed up on my Internet feed, and before you knew it, I was collecting images of stained glass rooms.

So here for your enjoyment — and overload — is my dream Stained Glass House.

 

Front Entry Way

 

Hall to Living Quarters

 

Living Room, West Side

 

Living Room, East Side

 

Library

 

Kitchen

 

Kitchen Dining Nook

 

Tea Service

 

Study

 

Game Room

 

Bar Kitchen

 

Enclosed Back Portico

 

Indoor Contemplation Pool

 

Spiritual Room

 

Indoor Pool

 

East End Air Room

 

Hallway Stairway to Second Floor

 

Master Bedroom

 

Master Bedroom Library

 

Master Bathroom

 

Second Floor Guest Bedroom

 

Second Floor Guest Bathroom

 

Back Stairway to Second Floor Library

 

West Entrance to Second Floor Library

 

Second Floor Library, East Side

 

Second Floor Library, West Side

 

Second Floor Sitting Room

 

Second Floor Second Bedroom

 

Second Floor Second Room Bathroom

 

Conservatory

 

Kids Playhouse

 

Now my eyes hurt ….

I had a blast! Hope you did too!

 

 

 

Sunday Evening Art Gallery — Jean Dubuffet

Jean Philippe Arthur Dubuffet (1901 -1985) was a French painter and sculptor.Born in Le Havre, France, the artist did not dedicate himself to his art practice until age 41, having been dismissed from the French meteorological corps and subsequently working as a wine merchant.Dubuffet is perhaps best known for founding the art movement Art Brut (Raw Art), and for the collection of works — Collection de l’art brut — that this movement spawned.Dubuffet looked to the margins of the everyday—the art of prisoners, psychics, the uneducated, and the institutionalized—to liberate his own creativity, coining the term “Art Brut” as a reflection of the creative possibilities outside the conventions of the day.

Dubuffet may be best known for his large-scale sculptures, which resemble masses of white organic forms sharply outlined in black.This artistic period was full of creative triumphs for the artist, who began work on his famed “Hourloupe” cycle, which comprises paintings, drawings, panels, and sculptural and architectural installations featuring undulating black lines and shapes atop white sculptural forms.More of Jean Philippe Arthur Dubuffet‘s unique works can be found at https://www.wikiart.org/en/jean-dubuffet and  https://www.artnews.com/feature/jean-dubuffet-who-is-he-famous-works-1234569877.

 

 

 

 

A Short Story of Expectations

This post is a little longer than my usual chit chat, but I looked back in my repertoire of blogs and this one made me smile. Life is not always what you expect.

Moonrise at Sunset
7/14/11

 The crispness of the evening crackled around me as I sat on the rustic bench at the edge of the harvested cornfield.  I was on a mission; I was determined to watch the moon rise over the horizon. I had toddled down the path through the woods behind my house, laptop in hand, hoodie tied tight around my head. 

There was rustling about — shuffling and shifting somewhere in the distance as creatures large and small began to find shelter for the night.  I sat quietly, laptop on my legs, waiting for the crest of the moon’s edge to peek over the farthest boundary line of earth.

There was more shuffling through the skeletal bushes as the shadows grew around me.  I pushed away flashes of monsters and rabid raccoons and embraced the thought of it being a bird or squirrel.  Little, gentle things.

My query was soon answered in the form of a large black bird that appeared on the branch of the tree in front of me.  Her beady eyes blinked at me, her head tilted slightly. “What in the world are you doing here so late?  Go home! It will be a cold one tonight!” she scolded. I agreed with the bird, watching her shimmy and shake before disappearing into the woods.  She was no fool; it was indeed getting chilly.

My fingertips began to numb as my eyes kept watch through the barbed wire fence, across the harvested cornfield, past the ridge of trees and farms to the horizon in the distance. As the evening sky turned from lavender ribbons to purple shadows, thoughts of previous generations ran through me.

Who knows what our ancestors thought when they looked up at the night time sky?

I knew that the Andromeda Galaxy glowed in one of the legs of the W of Cassiopeia, and the right side of the cup of the Little Dipper pointed upwards to the North Star.  But the locals had taken their own spin on astronomy, leaving me wondering about my long-held beliefs.  Does Apollo ride his steeds through the Wisconsin sky just as he did in Greece?  Is the constellation Orion actually the outline of a football player getting ready to throw a pass?  Does the pointer star really always point towards a tavern?

The crow returned, landing very near on the post beside me.  She wondered what I was still doing there.  I was an alien here.  That, and I probably smelled like garlic from my spaghetti dinner. 

I tried sitting very still, but the bird had never seen a wild woman hanging around on this bench at this hour, and squawked that fact to anyone who would listen.  Finally, after making her point, she took off in a huff. Point taken. 

Where was the full round beauty that taunted mere mortals with her presence?  Where was the crest of her silver hair above the horizon?   She was the goddess of the night, the seductress in the midnight blue wrap.  Her dark cape sparkled with distant flecks of existence; yet in her full glory there was no star that could match her brilliance. 

How silent these woods had suddenly become.  I sat in vigilant dedication, my shivering the only noticeable movement.   I could not see my fingers, my letters, my writing.  A subtle numbness started to creep down from the tips of my gloves, yet still I waited.  Darkness had covered the wilderness, forcing me to pay closer attention to everything around me.

Suddenly, a loud crash and shuffling came from my left.  Bigfoot!  Hodag!  Tyrannosaurus Rex! 

But, no! Too light-footed!  It had to be a deer crashing through the bramble.  The hoofed steps stopped on the path, listening.  All was silent. We both held our breaths, she in the woods, I on the bench.  My heart exploded, leaving me wanting to turn around just for a peek. Turn! Just turn!

But I couldn’t. Wouldn’t.

The moment stretched into an eternity, until finally the doe walked the other way, crunching the leaves in her wake.  She must have been making her way to the cornfield, circling away from the soft glow of the computer screen and the odd scent of garlic. I can’t say that I blamed her.

Finally the moment had come.  The first pinpoint of light in the distance — She appeared! 

But gasp upon gasps!  What was this?  Her crown was not the color of ghosts or spider webs — the Lady’s mane was red! 

My Goddess of the Night was a crimson-haired tart!  

Full and round, she rose majestically through the black distance, the world stopping for a moment to honor her presence.  Her red mane radiated over the valley and poured across the landscape, Her round orb was breathtaking! Sassy!  

The Moon Goddess watched over that magical night with the grace of a queen with her crown of rubies.  She was beautiful in her new outfit — proof that women could change their appearance whenever they wished.  They could be feminine and pure and complex and naughty with merely a change of color — or thought.  It was the delight of being female, the magic of the power within.

Eventually I closed my laptop, extinguishing the last remains of my human presence.  Her aura slowly turned back to haunting white, glowing enough to light my path back home. I promised to come visit again, not only when she was at her fullest, but also when she was merely a slice rising in the distant dark sky,

And in return, I heard her say that she’d come to my house for garlic spaghetti any time.

 

 

Sunday Evening Art Gallery — Lino Tagliapietra

Lino Tagliapietra was born in 1934 in Murano, Italy and became an apprentice glassblower at age eleven.Even at a young age Tagliapietra exhibited an immense dexterity for glass and was appointed the title of “Maestro” when he was just 21. In 1979, the artist visited Seattle for the first time and introduced students at the Pilchuck School to the traditions of Venetian glassblowing.This cross-cultural collaboration helped shape the identity of American glassblowing and offered Tagliapietra an opportunity to expand his horizons internationally.As a teacher and mentor, he has played a key role in the international exchange of glassblowing processes and techniques.Tagliapietra’s technical resources continuously expanded to combine modern experimentation carving, blowing, caning, layering, casing, and trailing along with the elaborate Italian tricks and styles so sought after for centuries including battuto, zanfirico and  filigrano.

More of Lino Tagliapietra’s amazing glass blowing can be found at https://www.linotagliapietra.com/ and https://www.hellergallery.com/lino-tagliapietra/.

 

 

Sunday Evening Art Gallery — Robert de la Torre

In Microcosmos, photographer Roberto de la Torre centers his lens on the celebratory costumes of the entroido.Held extensively in his house area of Galicia (Spain)  around Lent and the shift from winter to spring, entroidos are annual gastronomic carnivals during which meals and dance are plentiful. Elaborate costumes and masks are essential for participation, which de la Torre documents.
In his photograph series Microcosmos, de la Torre presents a hierophantic landscape  — places where the existence of the sacred becomes present.It is a landscape which manifests itself through the objects of our usual cosmos as something completely opposed to the profane world.Many of the masked figures the artist portrays in Microcosmos go out in ritual celebrations in isolated places very far from the big cities.“The thematic base of my work are ancestral beliefs and ancient deities,”  de la Torre shares.“The creative technical process of the image itself is inspired by the paintings of religious icons.”

More of Roberto de la Torre ‘s remarkable costumes and photographs can be found at https://www.roberdelatorre.com and /https://www.roberdelatorre.com/tienda-shop.

 

 

 

Look What’s Coming!

Been scouring the world (and the Internet) for new, unique, fun art to share with you — and I have not been disappointed!

The only thing that disappoints me is that I only share New Art with you a couple of times a week!

But here’s a taste of what’s in store for the future —

 

Glen Martin Taylor

 

Julia Lucey

 

Roberto de la Torre

 

Kitty Sheperd

 

Hope you are as excited as I am!

And if you know of any unique artists that might fit this gallery, drop me a comment here.

 

 

 

 

Sunday Evening Art Gallery — Elfriede Lohse-Wächtler

Elfriede Lohse-Wächtler (1899 – 1940) was a German painter of the avant-garde whose works were banned as “degenerate art” and in some cases destroyed.Lohse-Wächtler  grew up in a middle-class family, but left at the age of 16 to study at the Royal Arts School Dresden. From 1916 to 1919, she also attended drawing and painting courses at the Dresden Art Academy.In June 1921, she married the painter and opera singer Kurt Lohse, following him to Görlitz in 1922 and then to Hamburg. The marriage was a difficult one and the couple separated several times in the following years.In 1929, she had a nervous breakdown because of financial and partnership difficulties and was committed to a psychiatric institution in Hamburg-Friedrichsberg.During her two months’ stay, Lohse-Wächtler painted the Friedrichsberg heads, a piece of work consisting of about 60 drawings and pastels, mainly portraits of fellow patients.After her recovery and a final separation from Kurt Lohse, she had a very creative phase, painting numerous pieces of Hamburg’s harbor, scenes from the life of workers, prostitutes, and pitiless self-portraits.

After refusing to consent to a sterilization, Lohse-Wächtler was denied the permission to leave the hospital,  and eventually was forced to undergo the surgical procedure  on the grounds of Nazi eugenicist policies. In 1940 she was deported to the former psychiatric institution at Pirna-Sonnenstein where, on 31 July, she was murdered along with the majority of the other residents as part of the Nazi “euthanasia” program, Action T4.In 1999, there was a stele (stone or wooden slab) erected in her memory, along with a ward house named after, at the Saxon Hospital in Arnsdorf, and in 2005 a street was also dedicated to her in Pirna-Sonnenstein.More of Elfriede Lohse-Wächtler‘s work can be found at https://www.lostwomenart.de/en/artist/elfriede-lohse-wachtler/ and biografie/Elfriede_Lohse-Wächtler.

 

 

 

Princess Party? Heck Yes!

Yesterday was my granddaughter’s 6th birthday. Her mom decided to throw her and 11 of her best girlies a “Princess Party.”

I tell you what.

After a crazy day of a dozen princesses running around and laughing and screaming and doing a dance freeze contest and having a tea party drinking tea (cranberry juice and 7UP) from China cups (pinkies up) and star-shaped PB&J sandwiches and me  dressing up as the Fairy Grandmother, I’ll tell you what.

When I turn 72  ~I~ am going to throwing ~me~ a Princess Party!

I can’t remember many birthday parties with cake and hats and girls running around squealing and opening presents –not necessarily because my mom never threw birthday parties, but more like ~I~  don’t remember.

But do you know how much fun it would be to have a bunch of my girlfriends (and family/others) wear princess dresses and tiaras and drink tea (or Bailey’s) out of a China cup and make star salami sandwiches and blast oldies music with a bunch of best friends? 40s and 50s and 60s and 70s all dancing in the living room to “Kick Start My Heart” and serving crescent moon shaped brownies and sharing stories of our ancient dating life while passing around the ibuprofen? How can I resist?

I don’t want to wait until its my “Claudia’s Celebration of Life” day to see how much my friends and family miss me and wish I was around again to play and be airy fairy.

I want to do it now. Not just for me, but for my family. For my friends. I need to add some positive vibrations to this sometimes ugly world.

My birthday is in December, but that doesn’t mean I can’t have a pre-party princess party in July!

Why should grandbabies have all the fun?

 

 

 

Sunday Evening Art Gallery — The Lady and the Unicorn Tapestries

The Lady and the Unicorn (La Dame à la licorne) is the modern title given to a series of six tapestries created in the style of mille-fleurs (“thousand flowers”) and woven in Flanders from wool and silk, from designs (“cartoons”) drawn in Paris around 1500.

Touch

On display in the Musée de Cluny in Paris, Five of the tapestries are commonly interpreted as depicting the five senses – taste, hearing, sight, smell, and touch.

Hearing

The sixth displays the words À mon seul désir  —  my only desire. The tapestry’s intended meaning is obscure, but has been interpreted as representing love or understanding.

Sound

Each of the six tapestries depicts a noble lady with the unicorn on her left and a lion on her right; some include a monkey in the scene.

Smell

The subject of the tapestries is complex, and scholars now (generally) agree that they present a meditation on earthly pleasures and courtly culture, offered through an allegory of the senses.

Taste

The tapestries exhibit a captivating blend of medieval aesthetics, classical symbolism, and elements of the natural world, and offer a glimpse into the cultural and artistic sensibilities of the late Middle Ages and have captivated audiences for centuries.

À mon seul désir

 

More information about The Lady and the Unicorn tapestries can be found at https://www.musee-moyenage.fr/en/collection/the-lady-and-the-unicorn.html and https://www.worldhistory.org/collection/171/the-lady-and-the-unicorn-medieval-tapestries.

 

I Love Time Traveling!

Some writers keep every scrap of paper, every note, every short story version they’ve ever written. Others smartly pick and choose which scraps of paper to keep for posterity’s sake.

I was going through a stack of ringed notebooks and books and sketch pads I had stacked on the corner of my dresser for like ever, and decided to go through all and see what I could keep and what I could toss.

What a crazy backwards trip in time!

I found notes on old books I’d written back in 2005. 2005!! Notes on books I never finished; research on faeries and Old English language and life in the 1880s.

I also found a diary from a very lonely girl from 1966 and a bunch of short stories written for writing classes for a college degree I never got back in the 70s.

I was delighted to discover the mind of a middle-aged woman who owned a B&B and the writing prose of someone who had just gotten divorced at 27 years of age. I found some sketches for Mehndi Body Art painting and a shelving unit I don’t remember owning and lots of poetry I forgot I’d ever written.

The best thing I found was a little 5 x 7 notebook that contained notes from when our family took my first grandson to Disneyworld nine years ago when he was four. I recorded each day of our vacation so that we would always have something in writing to bond us.

Love doesn’t need written proof. Just like it doesn’t need flowers and candy and romantic dinners by candlelight. But it will be a wonderful treat to read it to him when all of the participants are around next weekend.

I love to time travel, both alone and with others. After all, who knows where you and your friends and family will wind up?

Advice for the day: don’t throw ALL of your notes away — save the creative heart-felt ones for a rainy/granny/writer day!

 

 

 

 

Sunday Evening Art Gallery — Joseph Lorusso

Joseph Lorusso was born in Chicago, Illinois, in 1966 and received his formal training at the American Academy of Art. He went on to receive his B.F.A. degree from the Kansas City Art Institute.Born of Italian descent, Lorusso was exposed to art at an early age through several early trips to Italy where his parents introduced him to the works of the Italian Masters.The artist concentrates on urban and natural landscapes and the human figure, rendering his subjects in a naturalistic, impressionistic style.Lorusso believes in the ability and power to tell a story through his image-making, being able to connect with the viewer in the process. He is especially interested in painting ordinary people in everyday settings, which he invests with a sense of pathos and mystery.Lorusso’s paintings have been described as warm and dreamlike, places of restful escape with a sense of spirituality, and share timelessness with the works of other eras.

More of Joseph Lorusso‘s creative paintings can be found at https://www.josephlorussofineart.com and https://www.artsy.net/artist/joseph-lorusso.

 

 

 

 

 

 

 

Today

 

I remember the giggled laughter
That bounced through those bright eyes.
I remember taking you on the back of my bike
Accompanying your older brother to school.

We all gave up a bungalow in Elmhurst
For a bed and breakfast in Wisconsin.
Hoping it would be a new adventure for all of us.

The time we spent running around the mansion
Wee some of the best times ever.
I watched you play video games and
Shoot your brother with paint balls

Grandpa Art and Jr duck taping you to the lion statues
Guitar HERO TILL 2 am
Tipped over golf carts and stitches
And a hand through the window
All brought us closer together

I was all behind you when you decided
College wasn’t for you.
Music was for you. Camping was for you.
European soccer and fishing with the guys
was for you.
Freedom was for you.

Then love came around and for the first time
Shared you with the girl of your dreams
A soft breeze on a hot summer day
A cuddle blanket on those cold winter eves.

Time for mom to take a back seat and let the magic unfold before me

How was I to know that we would get closer
More open, more magical
As the love spread through the two of you
And rained down on the rest of us

How was I to know that two years ago
My perfect picture of happily ever after
Would come crashing, bashing down around my head

The broken crystal shards embedding into my heart
Destroying a part of my life with such instant precision
I still feel it’s depths every time I breathe

Two years ago today
Our lives changed. Our hearts broke. Our souls shifted.
Still helpless today, we can only accept. And imagine.

None of us will ever be the same.
Yet you left us with memories and smiles
You had a way about you so charming
Everyone wanted to hug you.
We all still do.

Your name always comes up in conversation
And the grandkids are joining in too
We see you in the boat in Eagle River
And on the ski slopes at Brûlée.
I see you sitting on Santa’s lap
From babe to laughing young man.

I see you in the shadow of dawn
And on the trails at dusk.
You will always be my little guy.

 

 

Sunday Evening Art Gallery — Christian Verginer

Christian Verginer  is a wood sculptor born in Bressanone, Italy.Verginer is considered one of the most valid and original expressionists in contemporary sculpture carvings.His training began by attending the sculpture department of the art school of Ortisei, and then continued at the Academy of Fine Arts in Carrara.The subject chosen by the artist is the human figure, or rather, the human figure in its relations with other forms of life — animals nature, trees, or various objects of the world.The material used is linden wood, which is left smooth and covered in details by unexpectedly applied acrylic paint.Verginer remains loyal to the skill and precision of wood carving, while introducing modern, and personal subject matter.He subtly combines children’s gazes, expressions, and movements into artworks that not only evoke people’s nostalgia for their own childhood but also awaken their long-forgotten innocence and desire to live in harmony with nature.More of Christian Verginer‘s amazing sculptures can be found at https://verginer.org/ and  https://thursd.com/articles/christian-verginer-master-of-artistic-wooden-sculptures.

 

 

 

Sunday Evening Art Gallery —  Leopold and Rudolf Blaschka

The Ware Collection of Blaschka Glass Models of Plants was made for  the the Botanical Museum of Harvard University.Often referred to as Blaschka glass, the creations of glass are  a collection of almost 4,000 models of flowers, plants, and flower parts, made at Dresden between 1887 and 1936.The Blaschkas,  Leopold (1822-1895) and Rudolf (1857-1939), were father and son glass artists who lived and worked in Hosterwitz, Germany, near Dresden.Their most famous production was the Ware Collection of Glass Models of Plants, a collection of almost 4,000 models of flowers, plants, and flower parts, made at Dresden between 1887 and 1936 for the Botanical Museum of Harvard University.Over fifty years, from 1886 through 1936, the Blaschkas produced 4,300 glass models that represent 780 plant species.

The Blaschkas’ glassworking lineage is believed to trace back to 15th century Venice.

In their exquisite coloration, minute detail, and representational accuracy, these models fulfill their original purpose of botanical study; moreover, technically and artistically they are among the finest glass objects ever made.Over their fifty years creating the Glass Flowers, the Blaschkas continually experimented with materials and methods that pushed the boundaries of glass working.Years later, their complex and varied practices presented unique challenges for the conservators preserving and protecting the models, which led to a suite of conservation processes nearly as varied as the Blaschka’s techniques.More information and images of The Ware Collection of Blaschka Glass Models of Plants at Botanical Museum of Harvard University can be found at https://hmnh.harvard.edu/glass-flowers and https://libguides.cmog.org/Blaschka.

 

 

Sunday Evening Art Gallery — Stan Bitters

Stan Bitters (1932-2021) was an American sculptor and ceramic artist known for his unique style of creating large-scale, textured, and sculptural ceramic murals, wall sculptures, and pottery.Bitters graduated from UCLA in 1959 with a BA in painting. He also attended San Diego State University, and Otis Art Institute in Los Angeles.. In 1958, immediately after college, he was hired to be the principal artist at Hans Sumpf Company in Madera, California, a company known for inventing a special emulsification process for water-proofing adobe bricks.The company’s main product was adobe, but Mr. Sumpf sought the creative potential of clay as a decorative element in homes.Bitters was the first artist at Hans Sumpf, and his creations —  such as the birdhouse, thumb pot, and other ceramic designs — would provide the company a stylistic imprint and creative identity.In 1963 Bitters  left Hans Sumpf and started his own studio after being commissioned by Garret Eckbo to build fountains for the Fulton Mall.As a pioneer of the organic modernist craft movement in the 1960s, Bitters has been producing rough-hewn ceramic birdhouses, planters, pedestals, mural tiles, totems, boulder walls, and fountains for more than half a century.He is an American ceramic sculptor rooted in the abstract expressionism which is  understood as a modality suited for American ceramic art.

“The power of an object comes from its ability to tell you a story.” Bitters reflects.

“Good sculpture makes you listen.”

More of Stan Bitter’s wonderful sculptures can be found at https://www.stanbitters.com/sculptures.

 

 

 

 

Self-Esteem

Although men are freely allowed (and encouraged) to read this blog, this one today is for all my girlfriends out there.

Self-Esteem. What is it, exactly?

The dictionary defines self-esteem as “belief and confidence in your own ability and value.”

We all believe in ourselves, don’t we? At least now and then?

Then why are we always so hard on ourselves?

Went away for a weekend with the family. Had a wonderful time. Friends, family — there’s nothing like that in the world. I believed in my own worth. My own value. As a mom, a friend, and a grandma.

Then I got a look at myself in a family photo. 

Who in the hell was that?

We all feel good about ourselves until we are reflected in 3D.  All of a sudden we become our too-wide eyes, our Rubenesque figure, our complexion or our wrinkles or our hair.

How quickly our “self esteem” plummets.

I wonder if guys ever go through that. 

I doubt if their Earthly image is often compared to thin, busty, smoldering eyes beauties. If they notice that most movie stars, rock stars, artists and models are thinner, have more perfect jawlines or skin tone, or have killer white teeth and great smiles.

Yet women are constantly held to that standard.

Yes, the playing field of women has widened through the years. There are beautiful plus size ladies, ladies with moles and wrinkles and less-than-perfect skin.

Yet somehow they pale in comparison with the world’s ideal woman.

I’ve gone through this rigamarole all my life. You would think at 71 I would be done comparing and wondering and belittling.

But self-esteem is something that is messed with from the very beginning.

I know I’m a great mother, a great granny. I am a supportive friend, a kooky conversationalist and a half-decent writer. I am supporting, loving, and inquisitive.

I’m working on that being enough.

The photo made me realize that I do need to work on this body if I’m to see 72. I get that. THAT I can work on.

The rest — I’m working on that, too.

How about it, girlfriends? Have you 100% got this self esteem thing handled? 

Or are you your own worst critic?

 

Sunday Evening Art Gallery — Jon Juarez

Jon Juarez is an artist, author, and illustrator from San Sebastián, Spain.He is known for creating beautiful sketches and drawings with bright colors and a surrealist touch.Juarez describes himself as a soul of the wilderness, dragged by his pens towards civilization. Many of the artist’s works are based on real places, but they always have a surreal twist that takes them out of the realm of possibility.Through years of practice and honing his craft, he has learned to express his creative visions, and they now take the form of elaborate compositions that boast meticulous details.Each piece is beautiful in its delicate lines and use of color, and they are made alluring thanks to additional elements such as  polygons and waves.More of Jon Juarez‘s colorful works can be found at https://harriorrihar.myportfolio.com/ and https://designyoutrust.com/2022/12/the-superb-hand-drawn-illustrations-by-jon-juarez/. 

Sunday Evening Gallery Flashbacks

I LOVE LOVE LOVE going back in time and showing you Art Galleries of the Past.

They are all so cool and all so different. So needed on a day like today. Let your mind and eyes wander!

 

Stilettos/High Heels

 

Sand Sculptures

 

Banksy

 

Jenny Foster

 

Pianos

Famous Food Paintings

 

Shayna Leib

 

Silver

 

Love Statues

 

 

 

 

Sunday Evening Art Gallery — Can Sun

London-based Chinese artist Can Sun has turned ignoring conventional wisdom into an art form.Far from heeding the old adage against playing with food, Sun has turned ordinary apples into masterpieces of complex geometry and design.Adding elements like brass hinges to the apple sculptures, Sun challenges the viewer’s preconceived notions about everyday objects.

The artist’s past was fraught with hardship, which influences his unique approach to his work. He seeks to turn everyday objects into pieces that shake the audience’s conventional understanding of reality.

The art of Can Sun serves as a compelling intersection of existential philosophy and everyday reality. By employing humor and surprise, he takes objects that are typically ignored and turns them into profound expressions of life’s inherent contradictions.

 “My work tries to break the audience’s logical expectations, which makes the audience wonder if the world is absurd,” Sun explains.“The more everyday the object, the greater shock when the audience sees its different forms.”

More of Can Sun‘s entertaining work can be found at https://www.instagram.com/suncannot/.

 

 

Totally Useless Facts

I can tell I’m getting cabin fever already — it’s not even the end of January and I’m already restless and occasionally worthless. I don’t feel like writing, I don’t feel like crafting, reading puts me to sleep. 

It’s this late sunrise/early sunset that throws what circadian rhythm I have left off into a whirling dervish. 

So to fulfill my antsy pantsiness, here are a few totally useless facts that will make you smile. 

 

  • The King of Hearts is the only king in a deck of cards without a mustache. (I wonder if he feels left out.)

 

  • “Dreamt” is the only word in the English language that ends with “mt.” (MmmHmm…mt)

 

  • Pogonophobia is the fear of beards. (maybe that’s what the King of Hearts has!)

 

  • If you open your eyes in a pitch-black room, the color you’ll see is called “eigengrau.” (I thought it was just called black.)

 

  •  “Tesseradecades,” “aftercataracts,” and “sweaterdresses” are the longest words you can type using only your left hand. (I see you all trying a bunch of words holding your right arm behind your back.)

 

  • It’s impossible for you to lick your own elbow. (I see you trying this, too!)

 

  • A “jiffy” is about one trillionth of a second. (Sometime during the late 18th or early 19th centuries, scientist Gilbert Newton Lewis defined a jiffy as the amount of time it takes light to travel one centimeter in a vacuum, which is about 33.4 picoseconds or one trillionth of a second.)

 

  • It’s possible to lead a cow upstairs… but not downstairs. (I can’t say I’ve ever tried this.)

 

  • The little dot above a lowercase “i” and “j” has a name. (What is it???)

 

  • Your stomach produces a new layer of mucus every two weeks so that it doesn’t digest itself. (How lovely.)

 

  • The little dot is called a “tittle”.( it’s likely a combination of the words “tiny” and “little” since it is an itty-bitty dot.)

 

  • A crocodile cannot stick its tongue out. (I never noticed.)

 

  • You can’t hunt camels in Arizona. (I never checked that out in Wisconsin.)

 

  • Most car horns are in the key of F. (and still obnoxious.)

 

  • Napoleon’s penis was sold to an American Urologist for $40,000.

 

Ahem…. and with that …

Thank you Best Life and Thought Catalog for spicing up my boring day.

 

 

Sunday Evening Art Gallery — Iris van Herpen

Iris van Herpen is a Dutch fashion designer known for fusing technology with traditional haute couture and craftsmanship.Van Herpen graduated from the ArtEZ University of the Arts in Arnhem in 2006 and interned at Alexander McQueen in London.By combining handcraft, technology and the art of couture, van Herpen curates progressive and experimental fashion experiences with a highly conceptual approach.Van Herpen burst onto the scene in 2007 with her unusual approach to applying innovative 3D printing techniques to her clothing designs.Most notably, the Dutch designer was one of the first to present 3-D-printed dresses in both static and flexible forms on the runway, in a collaboration with the Belgian company Materialise.Fusing together technology and Haute Couture craftsmanship, Van Herpen’s unusual approach to design has earned her a unique and loyal following.

Van Herpen works in collaboration with experts from other industries in the fields of science, technology and architecture.This allows her to bring together her expertise in fashion with other areas to create something truly unique.

Each creation makes such an overwhelmingly beautiful and creative statement.

More of Iris van Herpen‘s unique designs can be found at https://www.irisvanherpen.com/ and Iris Van Herpen.

 

 

Sunday Evening Art Gallery — Vanessa Lubach

Vanessa Lubach is a linocut illustrator and artist who grew up in Oxfordshire and trained as an illustrator in Brighton, England, graduating in 1990.Drawing from observation has always been at the core of Lubach’s work, whether it is illustrating, painting or printmaking.Each piece begins with a sketch and a general idea of the palette.After drawing and carving the main image, or key block, she prints and transfers the composition to additional blocks designed for each individual color.Her linocuts are intricately carved and multi-layered,  and some pieces take almost a year to complete.Lubach likens her printmaking practice to the intricacies of oil painting, and draws on her color experiences to inform her vibrant compositions.“I linocut like a painter and paint like a linocutter, and the two disciplines work together to inform and enhance each other,,” Lubach shares.More of Vanessa Lubach‘s lovely prints can be found at http://www.vanessalubach.co.uk/ and https://www.instagram.com/vanessalubach/.