Sunday Evening Art Gallery — Maxim Shkret

Moscow-based illustrator Maxim Shkret conjures the flowing hair of people and the tangled fur of beasts in this lovely ongoing series of digital illustrations.Mixing a unique method of 3d modeling with carefully applied shadows, each piece evokes the form of a paper-like sculpture.One of his key flairs is lavish swoops and sweeps that detail his 3D designed images, giving that captivating look of something expertly sculpted with such conviction.Shkret believes that advancing technology is a powerful tool that can be utilized to bring the most dreamy and clever ideas to full realization.And this ideology certainly shows in his endeavors through the stunningly eccentric concepts that unravel before viewers’ eyes.“Being a strong advocate of experiments on the intersection of digital and physical, I firmly believe that imagination is free from any constraints and boundaries,” Shkret says. “It is a powerful engine that fuels the creative process allowing to propel the aesthetics of the visual art to new heights.”

More of Maxim Shkret’s amazing graphics can be found at www.shkret.com.

 

 

Sunday Evening Art Gallery — Jewels from the Persian Qajar Dynasty

The Qajar Dynasty  was an Iranian royal dynasty of Turkic origin specifically from the Qajar tribe, ruling over Iran from 1789 to 1925.

Emerald Sunburst Tiara

 

The Qajar jewelry and artifacts are like time capsules, the physical aesthetics and the technical way they were made had a lasting impact of how jewelry developed, and influenced other cultures.

Badge of the Order of the Lion and the Sun

 

Qajar kings were known for their extravagant jewelry.

Qajar Period Pearl and Enamel Ring

 

Following their leaders, both men and women wore stylish accessories, a trend that is conspicuous in the paintings of the era.

Qajar Dynasty diamond

 

In actual fact, the craftsmanship of the jewelers and artisans of the royal court had become so sophisticated that they made a considerable impact on how jewelry was viewed throughout the world.

Gold, Cabochon Emerald, Cabochon Ruby, Diamond, Qajar White Sapphire and Enamel Diadem

 

The Kiani Crown, put on the head of a newly coronated king, was adorned with thousands of priceless gems like rubies, emeralds, and diamonds.

Kiani Crown

 

Other pieces of jewelry created during the Qajar Dynasty bring into focus the power, vision, and culture of a truly impressive era in history.

Medal Of The Qajar Order Of The Sun

 

The royal family and its ranking officers often went to extremes to decorate their outfits and uniforms with diamonds, rubies, pearls, and other precious stones.

A Court Lady Playing a Santour

 

More articles about the fantastic Qatar Jewels Collection can be found at Reena Ahluwalia  and Afra Art Gallery.

On My Way to Researching Something Else …

As usual, I was researching something on the Internet this morning and wandered off track and came up and across a website with 10 things …

Now, I’ve written blogs in the past about 10 (or so) ways to do several things:

10 Ways to Kick Start Your Creative Project (this one was a good one)

Top 10 … no, 20 … no, 5 … List (a little self-blog promotion back in 2014, but it was clever too)

Top 10 Perfect Moments (back in 2019, something we all should do ALL the time).

So I started cruising the Internet for 10 Ways. What a valorous timeth! (from English to Shakespeare website). Here are a few I came across:

10 Ways to Love Your Brain | Alzheimer’s Association

10 Ways to Survive the Zombie Apocalypse by Don Zolidis

10 Ways To Immediately Improve Your Cooking – Shared Appetite

10 ways the world is most likely to end, explained by scientists

10 Ways To Be a Shakespeare Expert

And it got me thinking. Do I know 10 Ways to do anything?

I mean, I’m smart … I’m experienced … I’m knowledgeable. I can add two and two and find my way to Walmart and know how to make Bavarian Meatloaf.

But 10 Ways? Isn’t that confusing to most people?

These days, people are lucky to know two different ways to do the same thing. You drive from Milwaukee to Green Bay one way. You plant bulbs in the garden one way. You make Hollandaise Sauce one way.

Give people too many choices and they will mess it up all the time.

I taught myself to make the above mentioned Hollandaise Sauce years ago. Simple, yet you have to pay attention. Then I look in the cookbook and there’s a totally different way to make it. My friend’s mother makes it a different way too.

I know me. If I venture off the familiar path I’ll wind up in Hollandaise Hell.

But I think the 10 Ways thing is meant to get you to focus on 10 positive things or ways of life. The blogs I wrote gave positive reinforcement to esoteric things. Creativity. Writing. Appreciating the good things you have in life.

We often focus on what we didn’t do or don’t have instead of the possibilities of tomorrow. The sunshine (or thunderstormy) ways of tomorrow.

As I’ve said countless times, we can’t change the past. All we can do is say thank you for the mistakes and lessons learned and blessings given and more forward.

There must be 10 Ways in your life. 10 thoughts. 10 blessings. 10 projects. Focus on those. And have fun with them.

But 10 Projects? Oh no – I can’t handle the ones I already have!

 

 

 

 

 

 

The Cosmos is Revolving — Again

“The cosmos is revolving.”
I absolutely love this phrase.
And you will enjoy the ride on Judith’s blog this morning.
Hold On!

 

 

Judith's avatarArtistcoveries

The cosmos is revolving.

This is an expression I use often, so if you’ve followed along with my art journey for a while, it’s already familiar to you. Others might refer to it as synchronicity or maybe simply as coincidence, but whatever you call it, it’s been happening a lot around my art studio recently. In fact, The Revolving Cosmos is the title I’ve given to this monochromatic nocture:

This painting represents several different influences that have come together recently. It represents my new appreciation for loose, intuitive painting and an individual style I’m only now beginning to develop.

I painted this — it’s another “color family exercise” — immediately after I’d finished the Blue Abstract painting I recently shared. Remember me saying that I’d taken out a sheet of canvas paper? Since it was sitting near my easel, and since I still had left-over paint on my palette…

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Faerie Paths — Sunglasses

 

“If someone doesn’t brighten your life, don’t take off your sunglasses, just find sunshine somewhere else.”

– Eye 2 Eye, ‘Optical Boutique’.

 

 

I Make Myself Laugh

There are things I do sometimes that make me roll my eyes and laugh.

Never really over-the-top embarrassing things (although I’m sure that’s down the road for me), but just things I do trying to fool myself into thinking I’m doing something when I’m really doing something else.

Now that I’m retired I’m home during the day, but I am busy from dawn to dusk. If not my “fun” projects its the wear and tear of daily housekeeping.  I’m keeping control over my daydream projects, but that doesn’t mean I don’t have too many to begin with.

Sometimes in the afternoon I get really tired. That two o’clock sugar drop thing. When I was at work I’d hit the Coke machine. At home, I’m sometimes tempted to just take a 20 minute nap.

But you know me. I can’t sit still for five minutes. I can be dog tired but can’t keep my eyes closed long enough to get ten minutes of anything.

So now during early afternoon hours I sit in my warm, bright living room and work on the computer. I have a half dozen projects that really need working on. So I turn on music or TV babble in the background and start. And before I know it I’m slipping in and out of dreamsville, typing nonsense or losing my way online.

Who am I fooling?

When the body tells you to take a break, you take a break.

You don’t pretend you don’t need a break and go on to do A or B or C and do them poorly because you can’t keep your eyes open.

That’s in the same vein as dealing with regular sinus headaches.

I feel them coming and tell myself I need to take some sinus meds and sit and close my eyes before they get worse. But I want to fix one more Angel Tear. Fold one more basket of laundry. Download just a few more images for the Gallery.

One more One more One more until it’s too late and the headache blasts through my head like a nuclear explosion.

What is with me?

Why don’t I listen to myself?

I think more of us are like me than not. That’s why we’re stressed. We don’t take the time to take care of ourselves up front before a drop turns into a bucket full.  Then we waste precious time doing what we were supposed to do in the first place instead of doing what we scheduled ourselves to do.

All confusing. All encompassing. I am getting tired of laughing.

Are you like that too sometimes?

Are you laughing?

Sunday Evening Art Gallery — Natalie Ciccoricco

 

Natalie Ciccoricco is a Dutch collage artist, living in California.After moving to the United States in 2012, Natalie started making mixed media collages and illustrations inspired by her new surroundings.Ciccoricco went viral last spring for her iconic Nesting series, a collection that celebrates reconnecting with nature and your inner self while sheltering at home.While being under quarantine at home, she started creating embroidery artworks using materials found in her yard, her deck,  or on nature walks.Exploring the juxtaposition between geometric shapes and organic elements, the series is an ongoing exercise to find beauty and hope in challenging times.Stitching lengthy, varicolored rows around found twigs,  Ciccoricco juxtaposed the organic forms of nature with her meticulous embroideries.The California-based artist crafts her Nesting series on white, handmade paper with unfinished edges.The stark backdrop complements the precisely laid thread that seems to suspend each twig, while the natural borders offer an additional organic element.More of Natalie Ciccoricco‘s amazing fiber art can be found at https://www.mrsciccoricco.com/ and https://www.novel-b.com/blog/mrs-cicoricco.

 

 

 

 

 

Sunday Evening Art Gallery — Onyx

 

Onyx is a semi-precious form of chalcedony which has alternating straight bands of color.

Chalcedony is the group name for a large family of stones, all of which form from silicon dioxide, also known as quartz. In order to be classed as chalcedony, a stone must be milky, and translucent to transparent often with layers or bands of color.

The onyx stone is often known for for its gorgeous black or brown coloring and striped bands.

But not all onyx stones are black. In fact, they come in vibrant colors weaved with magnificent bands.It typically comes in a wide array of yellow hues due to the presence of iron deposits, but other common colors are green, white, orange, gold, pink and brown.

Throughout history, onyx has been thought to bring powers of strength, protection and a strong link to the Earth.The magical properties possessed by onyx stone also gives its owner a sense of stability and confidence.

 

 

Hands — Live & Learn

 
 
 
 
 
 

 

As part of a closing hand-off ceremony for the 2020 Tokyo Paralympic Games and the 2024 games in Paris, choreographer Sadeck Waff worked with 128 performers in a dizzying performance focused on arms and hands. The French dancer and choreographer has become known for his limb-centric performances which you can watch more of on Instagram. […]

 

David Kanigan  — Hands — Live & Learn

You HAVE to watch this! I LOVE creativity in ALL its forms!

 

Sunday Evening Art Gallery — Ellen Jewett

Artist Ellen Jewett refers to her sculptural work as “natural history surrealist sculpture,” a blend of plants, animals, and occasionally human-made structures or objects.Her artwork is deeply informed by an extensive background in anthropology, medical illustration, exotic animal care, and even stop-motion animation, all of which accentuate the biological structure of each piece, while freeing her imagination to pursue more abstract ideas.Over time, Jewett has become more focused on minimizing materials and relying a negative space.

“I find my sculptures are evolving to be of greater emotional presence by using less physical substance,” she shares.In addition, she eschews any potentially toxic mediums like paints, glazes, and finishes, opting to use more natural, locally-sourced materials.“This, unavoidably, excludes most of what is commonly commercially available, and has sent me on a journey of unique material combination and invention.”

By employing these more uncommon materials, and leaving traces of fingerprints and other slight imperfections Jewett hopes her work leaves a more authentic impression.More of Ellen Jewett‘s delightful work can be found at http://www.ellenjewettsculpture.com/.

 

 

What Is Art Really Worth?

I would like to have a discussion this morning about pricing your art. Not mine — not necessarily yours. But those in the Art world.

Let me explain. 

I truly am curious to find our how someone comes up with a price for a piece of their work. In doing research on various artists (or rather those who have actual price tags on their work), I have seen a variety of price points on sculptures, paintings, and other marvelous creations.

Now I’m not talking about famous artists such as Picasso or Pollack or O’Keeffe, I am talking about popular artists who have their circle of followers and the love of their critics and are a few steps beyond Art Fairs and Exhibitions. Close to Museum quality — perhaps at Gallery level.

For those websites that did show prices, paintings from one of my artists were offered from $45,000 and a few at $180,000. A 30-inch brass and stone sculpture went for $3,500. Another statue maker charged $3,000 for a resin statue and $32,000 for a bronze. Colorful paintings of animals can run $1,400 a piece or more.

I am not dissing these prices at all. What I am wondering is — how do you determine how much your work is worth? How can you tell if your Art is worth $40 or $400 or $4,000?

I know it’s more than material. It’s time. It’s experience. It’s talent. It’s having a vision that is worth spending hours and days and months developing.

I understand the ethics behind creativity.

I just don’t understand how people know what to charge for their creativeness. 

It’s one thing to price Angel Tears, made of fishing line and rhinestones and chandelier crystals. I made a work plan based on my cost, how long it takes to make one, labor, all of that. Figuring out what to charge for me is based more on what I would pay to buy one at a craft fair..

But when you make a bronze statue, a ceramic vase, a mosaic mirror frame, how do you know what it’s worth? How do you know to price something at $100 or $1,000? What about pieces whose asking price is $15,000? I won’t even touch larger pieces of sculpture and steel that stand in parks and in front of office buildings.

This is where you, my artist friends, come in. Maybe you have created masterpieces that you have sold. Maybe you have a friend or family member whose works hang in a gallery or on a corporate wall someplace.

Share your thoughts. I’d love to understand the Art World around me a little better!

Sunday Evening Art Gallery — Tia Crystal

A Visionary Artist, Jewelry Designer, and Energy Healer, Tia Crystal always knew there would be a deeper meaning to her life.Some of the most valuable expressions under the umbrella  of “Spiritual Art”  relates to the inclusion of crystals, spiritual quotes,  and affirmations woven into the art.Crystal has long attracted a select and international circle of collectors, drawn by her organic style and enchanting persona.Years ago, a vision came to her in a dream guiding her to Italy. In response, and with complete trust, she left to embark on a journey that would have a profound life changing impact on her.While walking in silence in the countryside of Assisi, Tia stumbled upon an old paintbrush lying under a bush. Next to it, there was a bottle lid with a T on it.Everything within her told her to pay attention to the message  of these discoveries, and so began her journey of creating Art that leaves one not only mesmerized but intoxicated with inner and outer peace.Crystal’s work is unmatched in its color’s, scope, variety, and deep spiritual meaning.More of Tia Crystal‘s magical art can be found at https://tiacrystal.com/.

 

 

Artists Are Pouring In!

I am just tickled pink about all the new artists I’ve found for my Sunday Evening Art Gallery blog! I’m so glad I decided to extend Sunday night to a couple of evenings during the week, too. 

Sometimes the well is dry, meaning I have only about six or seven artists lined up and ready to visit you all. But other times it’s like I’ve hit the jackpot with unique — and I mean unique — ways of expressing art. Every once in a while my “unique” entails strange, uncomfortable, or off-the-wall sorts of creativity.

Other times there’s just enough “awww” factor or “ah ha!” familiarity for you to say, “I didn’t know they created that!”

I try and keep it interesting and amazing. I hope I’m doing that. I know I keep saying “WOW” to myself when I find new artists and their over-the-top talent. 

Do me a favor — tell ONE person about my art blog, Sunday Evening Art Gallery. Just one. If you know someone who loves unique and unusual, send them my way. I will do my best to keep them entertained.

Here are a few artists I have in mind for the future:

 

Natalie Ciccoricco

 

 

Michal Trpák

 

 

Timothy Nevaquaya

 

 

Maxim Shkret

 

 

 

Frank Moth

 

 

Come See the Magic! Here AND There!!

Thanks a million!

When Is Your Best Not Your Best?

We all should be proud of what we do.

At work, at home, with our kids, with our health regimes and our multi-tasking.

In these lofty aspirations there always hides a corner of doubt. Of shame. Of embarrassment. Like we are proud of what we did — at the time — yet now have readdressed the moment of pride and find ourselves wanting.

I am proud of my Angel Tears.

I think they’re pretty, dazzling, delicate, and unique.

But now that I’ve had my first sales round and am working on updating my product and my presentation, I have found that I packed up some that were, shall we say, less than perfect.

No big deal. People would have bought them and thought them pretty, dazzling, delicate, and unique. But what I saw was sloppy work.

Glue drips. Crooked matchups. Too long a string on this one,  unclipped string on this other one. By themselves, none of them will cause bridges to collapse or tornadoes to form.

But I’m disappointed in myself. In my sloppiness. In the carefree and sometimes careless way I packaged some of my Tears to go.

I’d like to think I picked the best ones for display and sale my last art fair. I know I did look closely at every one I hung, every one I sold.

But those others —

I am on a campaign to inspect everything that’s left over. Every Tear that was wrapped. Every color that was chosen.

And I’m going to pull out every one that is sub par. Every one.

Do we really give our best, our all, when we say we do? Can we honestly say we haven’t rushed through something just to get to the end and get it over with?

Does giving our best take too much time and effort?

I suppose if this is the worst thing I’ve done in my life I can go to the pearly gates fairly guilt free.

But my sloppiness has taken its toll. In a good way.

From now on I am going to take my time — I mean really take my time — to make sure every Angel Tear looks like it came from an angel.

I know my customers will feel better — and so will I.

 

 

 

Sunday Evening Art Gallery — Kathleen Ryan

Artist Kathleen Ryan creates a conversation between the beautiful and the grotesque in her oversized sculptures of mold-covered fruit.Ryan turns blight to beauty, using precious and semi-precious stones like malachite, garnet, opal, tiger’s eye, and smoky quartz to form a design of common rot on beautiful, ripe fruit.

Her larger-than-life foam bases are modeled on ripe fruits such as lemons and cherries.She uses variously-sized faceted stones; stones cut into spheres, cubes, and tetrahedrons; stones carved into shapes, for example, blossoms; as well as raw rocks and seashells.Ryan is redefining the interpretation of rotting fruit — bruised, green and white mold, even a gathering of fruit flies become sparkling masterpieces as beauty turns into ugly and back.Her “Bad Fruit” sculptures are a representation of the innate beauty and life of decay.“The sculptures are beautiful and pleasurable, but there’s an ugliness and unease that comes with them,” Ryan says. “They’re not just opulent, there’s an inherent sense of decline built into them.”More of Kathleen Ryan‘s amazing work can be found at New York Times and the Green Art Gallery.

 

Faerie Paths — Change

 

I change during the course of a day. I wake and I’m one person, and when I go to sleep I know for certain I’m somebody else.

~ Bob Dylan

 

 

A Paragraph then a Request

There is nothing more sensual, more enlightening, more surreal than someone in command of the English (or their own native) language.

I don’t mean “The King’s English”, or perfectly pitched tones and articulations. I’m talking about passages from books that, to the reader, are breathtaking.

Not every book is impressive like that. Readers look for different things in their reading material: convincing characters, landscapes you can get lost in, true love, lost love — the reasons to love a good book are endless. And I have read many books that are just plain great without getting overly wordy or ornate.

Previously I wrote a blog about how important opening paragraphs are to one’s writing, sharing the first paragraph from H.P. Lovecraft’s Call of the Cthulhu as a delightful setting for his story.

Recently I started reading The Great Gatsby by F. Scott Fitzgerald. Here is a paragraph that just caught me:

The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and colour under the constantly changing light.

This paragraph describes the feel of one of Gatsby’s parties. You can just imagine yourself on the lawn behind a gigantic mansion, beauties and wannabes all vying for attention in the evening light.

It’s not easy to write sentences that will capture your audience. And not all novels are written with the same cadence, the same inferences and tone. What impresses me might not impress you. That’s the beauty of writing. Good writing.

Now to my request.

Do you have a paragraph from a book that just totally impresses the heck out of you? Something that inspires you, moves you, makes you want to read more?

Would you mind sharing it with the rest of us?

It’s something every writer strives for. No matter if it’s a novel, a letter to your grandma, or a description of yourself on Facebook, how you write it tells so much about you.

I would love to read what enchants you!

 

 

 

Sunday Evening Art Gallery — William Blake

William Blake (1757-1827) was a English Romantic painter, printmaker,  poet, and radical visionary who expressed his mystical views through paintings, engravings, and poetry.

Isaac Newton

 

Born in London into a working-class family with strong nonconformist religious beliefs, Blake first studied art as a boy, at the drawing academy of Henry Pars.

Jacob’s Ladder

 

He served a five-year apprenticeship with the commercial engraver James Basire before entering the Royal Academy Schools as an engraver at the age of twenty-two.

The Angels Hovering Over the Body of Christ in the Sepulchre

 

Although William completed much of his commercial work in line engraving, for his own projects he used his skills as an engraver to expand on the traditions of “stereotype” (a 16th century process whereby a metal cast is made of a wooded engraving) and created a new procedure called relief etching.

The marriage of Heaven and Hell

 

Yet Blake was the archetypal romantic painter, always depicting his subjects in heightened colors and scenes.

The Red Dragon and the Woman Clothed with the Sun

 

He was a master of allegory and often raised eyebrows and even ire by his choice of expression.

The Ghost of a Flea

 

Although the majority of his early work was inspired by religious or classical figures, much of his later art was fuel by his inner landscape and informed by his religious visions. 

Archangel Raphael with Adam and Eve

 

Many of his contemporaries considered him quite mad as he readily spoke about his visions and fantasies with people and it was common knowledge among the artistic community of the day. 

The Temptation and Fall of Eve

 

Whatever his inspiration, William Blake has left a legacy of poetry and paintings behind.

The Ancient of Days

 

More of William Blake’s wonderfully imaginative paintings can be found at http://www.williamblake.org.

 

 

 

 

 

 

 

 

 

Sunday Evening Art Gallery — Druzy Stone

A druzy is a set of tiny crystals of minerals that form on the surface of another stone or inside a geode.

This particular crystal appearance reflects a notable geological process that occurs when water brings minerals to the host rock’s surface.When the water starts to evaporate, the cooling phase happens and the minerals are left behind to form and accumulate tiny crystals on top of the host rock, forming a layer of crystallization on the stone.These crystal not only grow over Agate stones, but malachite, chrysocolla, and rhodochrosite, and a host of other types of quartz as well.Depending on the type of mineral that’s deposited, druzy formations can come in a wide variety of colors such as green, pink, black, or white.

The tiny crystals are considered beautiful because their overall appearance resembles that of sugar that glitter and catch rays of light.The bewitching exquisiteness of this gem jewel provokes the creativity of the lapidaries to carve into a stunning jewel design.

Druzy is an enchanting colorful and shiny crystal that helps you feel balanced and covered with soothing light and bright energy veil of total harmony and relaxation.This glittery crystal supplies your everyday life with warm loving energies and assists you to diminish stress levels and feel genuinely decompressed. 

 

 

 

Tiers — Repost

As usual

On a mission, looking for something else, I came across one of my first blogs from Jul 28, 2013 — a blog about friendships and tiers. I can’t believe it still rings so true eight years later —

 

Tiers

I believe our lives are divided into tiers. Think of a wedding cake. The more layers, the larger the base has to be.  Not too complicated, eh?  Well, what I’m finding is that the older I get the more tiers there are on my cake and the chubbier ~I~ get.

Let’s go through this extra-spacey theory.

First is the top layer. Small, spectacular. Room for only one statue. You. It has to be you and you alone – after all, you are the only one in your head and heart, your thoughts and….well, you get it.

The next tier is only a quarter of an inch lower than the head tier. That’s the one you stand on. That is the one for the people closest to your heart. I know – you love everybody. But just run with this one. This second tier contains your life partner, children, parents, and brothers and sisters (if you’re still talking to them). These are the peeps that are there for you 24/7, through life and death and throwing up spells.

The tier beneath that are the people that you love and grown fond of through the years. Sometimes they are closer than family. And sometimes they switch places with the available spaces on the tier above. These are best buddies, in-laws, cousins. These are peeps that are there for you 24/7, but usually after there’s no one available from the upper tier.

The next tier consists of just good friends. Co-workers, classmates, neighbors, church friends. People you really like. People who are fun to be around; who ask what you did over the weekend and are you all right and do you need help with anything. This tier is great for doing  things with like bowling or complaining about your employer, or meeting for beer and pizza.

This is where the layers start to get kind of thin. The next tier is composed of people who you don’t really hang out with, but like them anyway. They are other people that work with you, friends of friends, kids of friends. People you exchange gratuitous comments and complements with. People you wave at when passing them in the store or at work or at the park.

The tiers could go on and on, but let’s let the bottom layers speak for themselves. There could be a number of tiers, depending upon the depth of your don’t cares and dislikes and out-and-out hates. These people only bring us down, so we tend to say good luck and leave them as “character builders” on the bottom.

So what is the point of these tiers, anyway? Is it to bring to the surface how many people you love or should love or can’t love?  Is it to show you how big your life’s cake really is? Is it some wonderful philosophy that combines life and love and frosting and chocolate and strawberry filling?

I suppose I could say that I use this metaphor to remind myself about my lower tiers, and how important they are to my desert called life. After all, they are there to support me, too. That’s why they’re in my life.

But I’m not that noble.

I  analyze my tiers when I daydream about winning the lottery and how I would share my winnings. Who I’d bring along for the ride. And who I’d leave standing in line.

I know – you love everybody. That is a noble thought. I try and adhere to that most of the time. But there are times when you just have to kick out the weak posts holding up the upper tier and replace them with something — or someone — who really will support you.

Choose those on your tiers carefully. Know it’s not a universal palate. And not everyone is here to help you hold up your cake.

Some are merely interested in eating your winnings. Err … cake.

Every single tier’s worth.

 

 

Sunday Evening Art Gallery — John Lemke

Everyone takes pictures these days.

With cameras as part of most phones, the world is out there just waiting to be photographed.

John Lemke is the sort of photographer who sees the world through a little different lens.

A graphic designer by trade, John has used his camera to find unusual angles and exposures from the world around him.

Already featured on my Sunday Evening Art Gallery, John continues to move forward on the artistic trail.

He uses no photography tricks — just his imagination — to share the beauty of the world around him.

Lemke believes anyone can find inspiration for art. All you need to do is go outside and open your eyes.

There is cool stuff everywhere.

I love this kind of thinking.

John is available for consultations, design projects,  and creative photography. 

John Lemke’s artwork can be found at Humoring the Goddess, Sunday Evening Art Gallery,  and at LinkedIn.

Faerie Paths — Cats

Tokuhiro Kawai

 

 

In ancient times cats were worshipped as gods. They have not forgotten this.

~Terry Prachett (1948-2015)

 

 

 

Did I Really Write That?

Sunday evening I decided to take a walk through time, back to some of the stories I started but never finished years ago.

What an odd sort of feeling.

I wonder if other writers see an evolution of sorts as they grow older, semi-wiser, and (hopefully) more confident and carefree. 

I started my first novel, Corn and Shadows, waaaay back in 2003.

Holy shit. I just reread what I just typed. 2003. Two years short of 20 years ago.

But I digress.

I’ve been done with my first novel for years now, sending it out now and then to publishers but planning on offering it for free on Amazon or something.

THAT novel sounded like me. It still does.

I wrote the follow up novel, Time and Shadows, back in 2006. That one is finished too, although I keep peeking at it now and then to “tidy” it up. 

I wrote a third novel, A Gentleman’s Shadows, telling the story of Time and Shadows from a 1895 male’s point of view, at the beginning of 2019. What a time jump. That book was fun. That was creative and curliqued as I tried to write as a turn of the century man would.

I’m happy with all three.

I’ve been thinking about the one I started back in 2007 about Emerald Le Roque and her following an Elven man through a cornfield to another world. I liked the idea — still do — but I think I got stuck on where to go once she got there. I think it was supposed to be super sexy but I ran out of super sex juice or something.

So I opened the dusty document and started reading it again, and I began to wonder — who wrote this? It isn’t the same style, the same cadence, the same feel as my previous works. 

I know every painting is different. Every vase and cup is different. Depending on the time of day, water quality, temperature, atmospheric pressure, lifestyle and mood, every creation is its own entity.

So it is with different writings from different periods. 

I wrote my latest novel about my “trip” to Paris in 2020. The second one is a work in progress, 2021. This style, too, is different, but in a much more positive way. It’s more upbeat, fun, and a tad more loopy than my other serious writings. 

But that middle one about Emerald …

I don’t think I’m going to try and resurrect that one. Good idea for the time — but the times are a changin’. ~I~ am a changin’.

It’s more like my writing attitude has changed. I’m not as sour with my point-of-view as I was back then. I am still an escapist, a fantasy writer, but I’m not as bitter with the world as my main character was/is. I can still write about loneliness and magic and relationships, and even make my main character a crab at first and a delight at the end.

But there’s something about that world way back then that doesn’t feel right anymore. No need to fix something that’s broke — it really is more like leaving her on her own to deal with the Elves in her own way.

Are you ever less-than-satisfied with projects you once started and thought about finishing?

Do you finish it anyway? Or move on to something different?

 

 

Sunday Evening Art Gallery — Salt Thrones

The salt throne or salt chair is often associated with its origin in Russian rural life, its historicism and the importance of its ornamental and decorative tradition.

The ‘izba‘, the small wooden house, represented an important link to peasant life and romanticism and had a double influence on the shaping of salt chairs.Salt thrones are well known in the older Russian welcoming ceremony. When entering as a guest through the door, you were invited to a piece of bread and salt,  often from a throne in silver in the shape of a chair or throne.Thrones are often made of silver, pewter or silver plated metal, decorated with bright colored cloisonné enamel. The back of the throne evokes the classic izba, the small wooden house of Russian rural architecture, which you can find nearly anywhere in the northern part of that country.

Holes on the back of the seat represented the windows on the house front, while the superior edge evoked the characteristic undulating finish of Russian ‘isbas’.

The chair had a container under a lid where the salt was kept, and the salt space was most often gold plated to protect the silver from corrosion.

The back side of the throne has usually a most refined look as, opening the salt cellar, the view of the front side is covered by the seat.

The salt throne became a standard repertoire of clever silversmiths at the turn of the century, adopting innumerable and seldom duplicated shapes which today can be valued up to five thousand dollars or more.

Salt thrones information and images can be found across the Internet.

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