Sunday Evening Art Gallery — Nancy Cain

Nancy Cain has always been fascinated with handcrafts, whether it was clay, paper, buttons, fabric or simply found objects.Cain studied art in college and worked as a graphic artist for 16 years, all the while exploring various handcraft techniques. She found her artistic niche in beads.Cain’s favorite stitch is peyote and over the years has only added two other stitches, netting then herringbone.  

She calls these three stitches ‘sister-stitches’, since they transition from one stitch to the other effortlessly.

 

Her style is clean and contemporary with minimalist embellishment. She likes the structure to shine through.“I feel that the beads alone give me the most inspiration. If you understand the physics (mechanics and technicality) of the stitch, then you can create whatever your heart desires.” Cain explains.

:Knowing what each bead size, shape and finish will do and how they react with each other, plus how the beads respond to thread weight and use, the sky is the limit for designing.”

 

More of Nancy Cain‘s amazing beadwork can be found at http://nancycain.com/. 

 

 

 

 

 

Sunday Evening Art Gallery — Melissa Schmidt

Lamp worker and designer Melissa Schmidt works out of her 120 year+ studio  in St.Louis, Missouri.

Inspired by her antique blown glass buttons, her work is whimsical and unexpected as the buttons she found two decades ago.

Her glass mastery is mostly self taught, having experimented with years of refining techniques.

Schmidt’s work is at once tactile, visual and auditory as movement creates delight for the wearer and observer.

She uses borosilicate glass material with frit, glass powder, grinding, sewing, and 35 mm slide film, as well as foils and precious metals.

Schmidt’s creativity is a delight to the eye, a unique sparkle in the world of jewelry.

More of Melissa Schmidt‘s amazing glass work can be found at http://www.melissaschmidtstudio.com/.

Sunday Evening Art Gallery — Pierre Sterlé

Pierre Sterlé (1905–1978) was a French jeweler, known as the ‘couturier of jewelry’.

Sterlé may be one of the most important jewelry designers you’ve never heard of.

His lyrical, highly-engineered creations are some of the most distinctive designs of the 20th Century—and some of the most collectible.

But because his business was so exclusive and his clientele so elite, his name isn’t as widely known as some of his contemporaries.

Considered during his lifetime to have been an inspired innovator, he reached his apogee in the 1940’s and 50’s.

His work with precious stones and metal – often inspired by nature – still commands strong interest at auction.

 His well-crafted jewelry often used motifs from nature; birds, flowers, leaves and feathers.

 Coupled with personal tragedy which plagued him throughout the 1960’s, he ultimately was forced to declare bankruptcy in 1976 and liquidate his stock.

Most of the stock was acquired by Chaumet, who retained Sterlé as a ‘technical consultant’ until his death in 1978.

 

 

 

Sunday Evening Art Gallery — Jeremy Mays

Jewelry maker Jeremy Mays designs wearable pieces from the layered pages of vintage books, transforming their content into unique works that are nearly impossible to trace back to their paper origin.

Three Musketeers

 

To make these multi-shaped works, May first laminates hundreds of sheets of paper together.  

Hans Christian Anderson Fairy Tales

 

He then creates the shape for the piece and finishes it off with a high gloss coating.

Murder on the Orient Express

 

After production, May often inserts the works back into the books, bringing the transformed and colorful pages back to their material source.

Middlemarch Vol.II

 

The rings may lose the words and image of the original book, but May keeps references with photographs and copy of the ring’s former life.

Shota No Sushi

 

The rings May makes all are inspired by books he thinks are perfect examples of literary beauty.

World Without End

 

A beautiful way to keep the written word.

More of Jeremy Fly‘s jewelry art can be found at http://littlefly.co.uk/.

Sunday Evening Art Gallery — Cartier

Louis-François Cartier founded Cartier in Paris in 1847 when he took over the workshop of his master.

In 1874, Louis-François’ son Alfred Cartier took over the company, but it was Alfred’s sons Louis, Pierre and Jacques, who were responsible for establishing the brand name worldwide.

Cartier created unique and individual creations for celebrities and royalty alike.

Their revolutionary ideas, such as using platinum in jewelry, earned Cartier the title of ‘Jeweler of Kings, King of Jewelers’ from King Edward VII.

Cartier is considered to be one of the top names in luxury products globally.

But. Cartier has never forgotten their history of producing custom-made or one-of-a-kind beautiful jewelry and wrist watch creations.

New Galleries Open at the Gallery!!

As we head into the “Last Vacation Weekend of the Summer”, I want to show off a couple of new Sunday Evening Galleries I’ve added recently.  I have to admit the images are stunning, the artwork remarkable. Please go check them out if you get time!

Jellyfish

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Face Off

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Earrings

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Natalya Sots

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See you on the other side of Reality!

Sunday Evening Art Gallery — Fabergé

 

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The age of elegance, of decadence

Coronation Egg 1897

The series of exquisite eggs shaped by Faberge for the Imperial Russian family between 1885 and 1916, is considered as the artist-goldsmith’s ultimate and most long-term achievement.

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Gold, diamonds, rubies, enamel, all decorate the over-the-top gifts to the Russian Tsars Alexander III and Nicholas II as Easter gifts for their wives and mothers.

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 These are often referred to as the ‘Imperial’ Fabergé eggs.

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The House of Fabergé made about 50 eggs, of which 43 have survived.

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Two more were planned for Easter 1918, but were not delivered, due to the Russian Revolution.

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It was a time of rarity; of riches beyond compare, and poverty unimagined.

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And from those Easter gifts created long ago, a name, a heritage, was born.

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 Fabergé.

Charmed

When I was in high school, charm bracelets (along with getting “pinned”) were the big thing. Some girls had wads of charms so thick they would leave dents in the wooden desk tops. Others, like mine, had a half dozen mementoes of graduation, birthdays, and a few others that, to this day, still make me wonder what they stood for.

 These days there are expensive, modern versions of the charm bracelet. Some have bead-type charms you string on sterling bracelets, everything from baby carriages to roses to moms charms to birthstones. There are token charms hanging in displays in department stores, shopping malls and internet jewelry stores, still an ode to the special moments of one’s life.

 I no longer have bangle jangle charms around my wrist, but I do have a handful of sparkles on a simple, long, not-gold necklace that I often wear. What’s on my necklace?  Well, I’ve got rings that my kids bought for me when they were in kindergarten, a ring that symbolizes my role-playing days, a silver “coin” for money, a rune with “enlightenment” carved on it, a dream catcher that used to be an earring, a plastic blue unicorn with his horn broken off, a faerie holding a blue globe (also a remnant from a pair of earrings) ― all sorts of nonsense that brings back memories and keeps me in good spirits.

 Do you have a charm bracelet or necklace? What hangs from your life’s testimony? What kinds of charms do you wear? Of if you could put one together, what charms would you add?