The world is full of magic things, patiently waiting for our senses to grow sharper. ~W.B. Yeats
Croning My Way Through Life
Well, it finally has hit me. I run from it, deny it, hide from it. But it still showed up. Looking in the mirror over the weekend, I realized….I was turning into a busia.
Busia (pronounced boo-sha), or the correct Babcia (pronounced babp-CHAH), is Polish for grandmother. I prefer to say and spell it as Bousha, but I might as well be spelling it g-r-a-n-d-m-o-t-h-e-r, for that is gentler on the ego than my biggest fear.
Now, you say, you are already a grandmother. Yes yes — and I love it. Love Love Love it.
But a Bousha makes me think of the little old granny in a babushka and peasant dress digging in the fields and smoking unfiltered homemade cigarettes. The word makes me think of a tough ‘ol chick, weathered and wrinkled and fat.
Which I am starting to resemble.
Now, I know there are grannies that look like fast sports cars (think of Goldie Hawn or Jessica Lange). There are also those who are a little more seasoned but still not half bad at their age (think Hillary Clinton). Then there are those who have filled out and shortened down and wrinkled up and hair that’s turned a boring shade of gray (think of Ma Fratelli in the Goonies).
That’s me.
I’ve tried to avoid mirrors my whole life; it’s not been a horrific sight, but not one I want to look at all the time. But the other night, standing oh-too-close to the bathroom mirror, I saw it all. The pudge, the ruddy skin, the circles under my eyes that never go away, my receding upper lip, my full grey hair that drains all color from my face….I saw it all.
And I ask myself — who is this bousha?
I know I know…my grandkids love me, I love them, live is beautiful, yada yada yada. But somehow, as the song says, “but somehow we missed out, on the pot of gold..” (Styx, Sail Away), and the beauty pot part never really stopped by my house for me to grab and hold onto.
Now fading into the longest third of my life, I see skin I cannot change, eye lashes I cannot replace, and waists that can endure only stretch waistbands.
Is this what happens when you get old?
I’m trying to embrace all this “older and wiser like a fine wine” nonsense. But as my patience runs out more often these days, I don’t feel like doing all the pretending I did when I was younger. The makeup, the fashion sense, the bling and the body and the bounce.
The funny thing is that I never really had that back then, either.
But then, as most of us tend to do, we stop complaining and think.
I never knew either of my grandmothers…I wish I had. My kids never knew my mom and barely remember my hubby’s mom…I wish they had. They all were boushas of one sort or the other; some were Polish (where the word came from), one was Irish, all were great women. Loving women. Kind women. Their looks never mattered…their love did.
I want to make it long enough where my grandkids never forget me. Long enough so they can tell tales of their “granny” who was a fun bousha and whom they loved to the moon and back.
They don’t really care about my ruddy skin or extra tire around my middle. So why should I?
Better to be true to who and what I am and have them love me for it than to pretend to be something I’ve never been and have then disappointed.
Kocham Cię babciu…!
Ding Yi (1962-) has been making abstract paintings using crosses and grids since the late 1980s.

Ding is one of China’s foremost Abstract painters, his art characterized by an acute attention to detail, with systematic repetition of forms and layering.
The cross, whether a + or an x with thematic variation, is a motif that the artist has declared a formal mark without meaning, in order to emphasize his rationalist approach to painting.

The context of Ding’s work has always been the incredibly fast-paced development of the industrial urban environment in post-socialist China, and the work, whether predominantly black, painted on tartan, or elaborated in intense fluorescent colors, all bear the title Appearance of Crosses with a date.

Ding is one of China’s foremost Abstract painters, his art characterized by an acute attention to detail, with systematic repetition of forms and layering.
Ding’s practice encompasses painting, sculpture, spatial installation and architecture.I thought it amazing how much intricate work went into each painting that I have inserted a close up of the work.

More of Ding Yi ‘s work can be found at the Shanghai Gallery.
Today I am really overwhelmed with beautiful, fun, magical posts. Color! Poetry! Philosophy! You don’t have to follow them (although you will be glad you did), but go take a peek and see if you don’t come out with a smile on your face!
https://rothpoetry.wordpress.com/2019/05/20/rich-impressions/
Each day…..is a little life…..Purplerays
https://purplerays.wordpress.com/2019/05/21/each-day-is-a-little-life/
Apple Blossom Breeze — Brenda Davis Harshman
Flows — My Monkey Mind
Dancing Birds – Make Art – Magic Happens
https://makeartmagichappens.com/2019/05/15/dancing-birds/
Miracle — All of It… — David Kanigan
https://wordpress.com/read/blogs/28060549/posts/48754
Each Leaf In Its Own Time — Leaf and Twig
What Do You Yearn For? — Jan Beek
Not What I wanted to Hear — Walt Page
https://wordpress.com/read/blogs/127080456/posts/4554
It’s a question all of us bloggers have.
We have a point we want to get across. A message. An adventure. We want to share our wisdom, our mistakes, our discoveries. But sharing these “important” milestones in our lives does not always increase our readership. As I’ve said before, the average blog reader only has X amount of hours/minutes/seconds to read what you have to say.
How do you get them to read YOU instead of/along with others around you?
As you know, I also write a blog at work. At first it was for announcing new publications and nothing else. I took it over three years ago and have been working on it ever since. It was/is a business blog, and I always put that spin on that in my writing. Always tried to keep it sounding a bit formal.
Today I had a talk with my boss, someone who is experienced, articulate, and has his finger on the pulse of the proverbial social media world. And he told me it was time for the company — me — to change the sound of our blog. That today’s reader wants conversation. Wants to be part of the conversation. Not dictated by it.
Now, it’s funny. I’ve made my personal blog casual and friendly. I have always treated my readers as friends. But I always thought work was supposed to be different. That it was supposed to be slightly conservative and formal, friendly yet polished. It was “the company” giving advice, not the writer.
But the world has changed. Successful companies listen to their customers and followers. They understand they don’t have all the answers, but want to give you what answers they do have. And often what they offer is just what you are looking for.
So how does this advice help us every day bloggers? How does it help us get more readers, more followers, more friends?
I think the most important thing to remember is that it’s the tone of the conversation that matters, both in person and on the Internet. You still have to have a professional approach to proper grammar, sentence structure, and a beginning, a middle, and an end to your story. You need to make a point.
But you also should be having a conversation with your readers. Make them feel comfortable about what you write. Even if they don’t agree with your point of view, an inclusive conversation makes them want to read to the end.
I am looking forward to being more “casual” at work in my approach to connecting with readers and customers. I want them to know I care, the company cares. There will be no sales tags at the end of each blog; only information that can hopefully make their life easier.
That’s the approach I’ve already taken here. And thought I don’t have a lot of followers, every day brings a surprise, a smile, and a chance to make a new friend.
How do you approach getting more readers of your blog?
Do any of you suffer from morning-energy-itis?
That’s usually when people have the most energy — mentally and physically. Especially if you have a lull in your time/space continuum where you can do nothing but think and daydream (breaks, driving to work, waiting for the dog to do her business).
I have all this mental energy in the morning; all these great ideas of what I want to do (a) when I get home; (b) over the weekend; (c) in the short-term. Stories I want to write, jewelry I want to make, landscaping I want to get done, places I want to visit.
Yet by the time I do the drive home all I want to do is crash on the (a) sofa; (b) front deck; (c) in front of the TV.
All that great planning and fun ideas swirl down the proverbial toilet as I run out of energy, money, and drive.
Now, I’m usually still busy doing things after work or on the weekends. My friend complains I’m never home on weekends because I’m off with my kids/grandkids at soccer games or camping or anything they let me join.
While that’s true, I can’t help but feel guilty about all those other things I could be doing when I do have free time. Things I could be doing but are not doing.
Maybe that’s just the Sagittarian in me.
Us Sag’s often start out big and fizzle out before the project is through. I think we get bored at the end of the project, looking for the excitement and jolt of a new beginning, and have a hard time completing what we started.
They say I’ll have more time when I retire. My list of “wanna-do’s” is already so big I can’t imagine I’ll be able to do half of them — especially if I’m sleeping in every day.
Seeing the beads sitting in the sewing box waiting for clothes to be decorated and jewelry to be made, and the outlines of really cool stories waiting to be written, and wardrobes waiting to be sorted and recycled, and the books I’ve yet to read, I have this eerie feeling I’ll only get a fraction of my wants translated into dones.
How about you?
Do you have more plans than you know what to do with? Do you get them done? Does it bother you that you can’t possibly do everything you daydream of?
Or do you just blow it all off and start all over again with new projects?
For one moment, look at the tiles.

Forget religion, forget context
Just look at the intricate work

These are examples of Mosaic Tile Art

It could be Islamic Art, Arabian Art, Persian Art, Moroccan Art

But it is all intricately beautiful

All made of pieces of glass fitted together
I just thought you would like to see the beauty of man
Mothers do many things for us…but hopefully they make us smile.
To all mothers, mothers-to-be, adopted mothers, ex-mothers, and those who spoil and mother children, here are some fun mother phrases and what they really mean…
Happy Mothers Day!










I am in one of my magical moods this evening. One of my “anything is possible” states of mind.
Do you get those now and then?
Those times when who you really are comes through, and it’s amazing?
It’s like when I get in the “zone” when I write. It doesn’t happen all the time…I think I would burn out like a firework if it did. Or reading a book that I just can’t put down. It’s read read read crash. It’s that adrenaline rush that teases as it blows in and out of my life.
The one thing about my pretzel view of the world is that I’m often in and out of all sorts of adrenaline rushes. The basics never change…writing, cheeseburgers, looking for artists for SEAG.
But other nirvanas blow in and out like Wisconsin weather. One day I love yogurt, two weeks later, ick. I was on a kick for a while of a homemade snack mix of sesame mix and chocolate Chex mix and pecans. That lasted two big containers full. The container has been empty and put away for weeks. Now I’m into raspberry sherbet, but I haven’t bought any in over a week, so who knows.
My interest in airy fairy always stays the same, though, even though my choice of airy fairy changes with that same wind.
Now I’m into dreaming. I want to do more.
Everyone dreams, but most just don’t remember them. It has to do with waking at certain times and slipping back into REM sleep and a whole bunch of scientific mumbo jumbo I’m not interested in.
What I am interested in these days is remembering those crazy mind trips.
Watching yourself in a dream. Controlling your dream. Making choices in your dream. Knowing you’re dreaming and following wherever it goes.
It sounds so simple, yet any idea of “control” is as far away as Pluto. I mean, how do you control the madness of your mind at so-called rest?
I know dreams are supposed to be reflections of what’s in your head during the day. A way of working out problems and situations and romances and your deepest fears. Blah blah blah. I don’t care about figuring out anything.
I just want to be able to remember and record these dream trips I have so I can look back at them and wonder “where did that come from? Man, that was fun!”
Something I read said that creative people tend to have more lucid dreaming. Are an active part of their own dreams. Of course, the line between creativity and madness is a thin one. I suppose that’s what drove Van Gogh to paint Starry Night and cut off his ear in the same lifetime.
You are all creative people out there. I keep encouraging you to come forward, but you are timid. I see. I understand. Do you have wild dreams? Do you enjoy them? Like them? Are frightened by them?
I took a book out of the library earlier this evening on dreaming. If my attention span lasts on this I’ll let you know what I learn. My creative urges, as they are, will most likely take me in another direction somewhere down the road, but let’s have fun while we’re here!
I was trying to do something “creative” last evening (rather than watch reruns of the Closer), but didn’t feel the burn, so to speak. So I went wandering back through my Sunday Evening Art Gallery, and was reminded of so many cool artists I’ve covered through the years.
So, as you can already anticipate, here are some unique people and their unique ideas and not-so-unique-but normal links to catch more of their work.
Remember these? Come to http://www.sundayeveningartgallery.com any time!









Hope to see you over there!
Gerald Nailor (1917–1952), Navajo artist, was born in 1917 in Pinedale, New Mexico.
From the time of his marriage to a Picuris Indian woman until his death in 1952, he lived in Picuris Pueblo, New Mexico.
His formal art study was obtained in two years at the U. S. Indian School in Santa Fe; a year of study under the Swedish muralist Olaf Nordemark.
While the greater part of his work stemmed from his vivid imagination and knowledge of Navajo myth, his interest in design and color of wildlife is also a notable source of picture material.
He was an extraordinary artist whose cross the boundaries of nationalities.
He perfected the facile, decorative manner for which he was early noted.
Gerald Nailor‘s work can be found across the Internet.
I have to say one thing about a creative person — when they get in their “supplies” element, they are like a kid on sugar with a kicker of Mountain Dew.
People ask us why we like to sit and sew beads on clothes or make little earrings or crochet row after row after row of rows or write boring scenery descriptions or woodwork a cigar box or coffee table. After all, it all seems so boring!
I wonder if these people have truly ever seen creativity let loose in a craft or other specialty store.
I just spent the day with two of my best friends hitting stores like Hobby Lobby and Michael’s and even Good Will. Talk about kids in a candy shop!
I myself am the novice of the group. I write, and also sew bling onto my t-shirts and other inanimate clothing. My other friends are marvelous crafters. One is big BIG into scrap-booking with an occasional crocheted blanket thrown in; the other sews jackets and crochets scarves and other things. One love LOVES paper and trim and little signs you past onto pages and patterned paper for special occasion pages. The other loves every color of yarn there is, along with long, lingering tippy finger tip touching of bolts and bolts of materials with quilts and little jackets in mind for her granddaughter.
Me? I get brain freeze in the beads aisle.
The point is, it’s easy to see why creative people love their craft. When in their element, when surrounded by people who understand why they stand in front of a rack of crystals-on-a-string for 10 minutes wondering what they could sew those onto, creative people leave this universe and enter an alternate reality.
In that alternate world they are Master Creators. They can make anything any time, any where, and it will be so magnificent even the angels will squint and say “holy moley!” Time has no meaning in a creative person’s alternate world; when you’re lost writing that perfect passage of love and passion or pensive thought, there is no time sheet. Love takes as long as it takes to write. No more, no less.
As I’ve gotten older I’ve started surrounding myself with creative people. Not because I’ve changed friends — but because I’ve found out the people I’ve been around for a good chunk of my life are pretty creative on the side. I know painters, quilters, writers, lure makers, poets, wood carvers, fishermen, wood workers, sign makers, dog trainers, and more. Every one loves their craft. Every one of them strive to be better than they were yesterday. And aren’t we all like that in a way?
So some time when you’re bored, ask your neighbor or friend or co-worker what their creative craft is. You’ll be pleasantly surprised.
And if you’re lucky, one day you will be wandering up and down the craft store aisle when a sticker or pearl bead or a piece of wood catches your eye. Then we will be wandering through the store looking for you, calling out your name.
Holey Moley!
Ana Teresa Barboza creates colorful embroidery art that depicts natural forms found in plant life and landscapes.
Barboza has been drawn to creating full landscapes with yarn and thread, embroidering large tapestries with rivers, valleys, and waves that spill out from the wall and rest on the floor.
Born in Lima, Perú in 1980, Barboza lives and works in her native city.
Her use of manual crafts became the means to convey a meditative and powerful observation with the environment and her relationship with reality.
Barboza’s work pushes the boundaries of embroidery by incorporating different disciplines, such as illustration and photography.
More of Ana Teresa Barboza’s amazing tapestries can be found at http://anateresabarboza.blogspot.com.