Paul Stankard is an internationally acclaimed artist and pioneer in the studio glass movement..During his ten year scientific glassblowing career, he became a master of fabricating complex instruments.In 1972, Paul left industry to pursue his dream of being creative in glass full time.His translucent orbs bursting with activity and life are made entirely from glass.When Stankard suddenly directed a decade of industrial glass working techniques into the interpretation of flowers, bees, vines, and leaves encased in glass, it wasn’t long before art dealers discovered his work and he began to create art full-time.According to Stankard, ““By blending mysticism with magical realism, I work to express organic credibility through my botanical interpretations.”“Crafted in glass, I reference the continuum of nature and celebrate on an intimate level her primal beauty.”
Glass is exquisite in its delicate beauty. A crystal vase, a hand-blown wine glass, a stained-glass window, all stir the pot of reactions that make the word “sparkle” sparkle. Working with glass is an incredible art. It is so delicate, so refined, a true art of mind over matter. So what if glass represents a disease? Is it still “sparkling” and “refined”?
In the midst of today’s pandemic, Luke Jerram seems to have found a way.
A Tiffany Lamp is a type of lamp with a glass shade made with glass designed by Louis Comfort Tiffany and his design studio.Famously associated with the Art Nouveau movement, the extravagantly decorative Tiffany lamps are rare and highly-sought collectors’ items.Hand crafted, the iconic stained glass lamps, lamp shades, lights and window panels were created by soldering together small pieces of colored glass to produce enchanting and individual objects.Genuine Tiffany lamps were made between 1890 and 1930.Tiffany studios used confetti glass which changes color when the lamp is lit. They have a bronze base; however, there were no zinc, wood or plastic versions.Over twenty years of time, Tiffany designed many specific styles of his lamps.Most of his luminaries can be grouped into one of seven specific categories, defining their detailed characteristics: the Irregular Upper and Lower Border, Favrile, Geometric, Transition to Flowers, Flowered Cone, and Flowered Globe Lamps.Genuine Tiffany lamps can be found at reputable dealers and websites across the Internet.
Born in Tokyo, Dusseldorf-based artist Ramon Todo creates beautiful textural juxtapositions using layers of glass in unexpected places.Starting with various stones, volcanic rock, fragments of the Berlin wall, and even books, Todo inserts perfectly cut glass fragments that seem to slice through the objects.This results in segments of translucence where you would least expect it.His small sculptures of rocks and books embedded with polished layers of glass, seamlessly introduce disparate materials into a single object.This creates an unusual intention, as if these objects have always existed this way.
The random pieces of obsidian, fossils, volcanic basalt, and old books are suddenly redefined.Todo’s stay in Dusseldorf over ten years brought him Western culture, and generated an original yet universal aesthetic which appeal to broad range of people.
Carol Milne is known worldwide for her unique knitted glass work, for which she won the Silver Award at the 2010 International Exhibition of Glass in Kanazawa, Japan.
Milne received a degree in Landscape Architecture from the University of Guelph, Canada in 1985, but realized in her senior year that she was more interested in sculpture than landscape. She has been working as a sculptor ever since. Carol is the lone pioneer in the field of knitted glass. Determined to combine her passion for knitting with her love for cast glass sculpture, she developed a variation of the lost wax casting process to cast knitted work in glass.“I see my knitted work as metaphor for social structure. Individual strands are weak and brittle on their own, but deceptively strong when bound together.”“You can crack or break single threads without the whole structure falling apart. And even when the structure is broken, pieces remain bound together. The connections are what bring strength and integrity to the whole and what keep it intact.”Her glasswork is wonderfully unique and creative, reflecting a mind and ability that pushes the limits of the material through persistent and relentless experimentation.
Ronnie Hughes was born in 1954 and raised in the Blue Ridge Mountains of North Carolina.
He learned glassblowing with the help of a friend after graduating from Wake Forest University in 1976..In 1980, after hiking on the Blue Ridge Parkway, Hughes came upon a field of hundreds of breathtaking Pink Lady Slipper orchids, which inspired him to change his subject matter completely.Using both clear and colored glasses, Hughes create his wildflowers and then integrates them with his free-formed, solid glass bases. His sculptures stand entirely on their own in continuous glass, a more challenging and time-consuming process.Hughes believe that the purity of clear glass lends a mystical feel to the flowers, emphasizing the delicacy and fragility of our natural world.The colored blossoms provide a vibrant focal point while the clear glass challenges the observer to look more closely and to use their imagination to complete his vision.More of Ronnie Hughes‘ delicate, beautiful work can be found at https://hughesglass.net/
Ercole Barovier (1889-1972) was the son of Benvenuto Barovier and a member of a centuries-long lineage in the family company, Vetreria Artistica Barovier & C. founded in 1295.
He was named the artistic director of the company in 1926, and quickly rose up the ranks of the family business.
After becoming sole proprietor in 1936, he merged his family’s company with the Toso family to become Barovier & Toso in 1939.
Over the course of his 50-year activity, he invented numerous decorative techniques which contributed significantly to the renovation of art glass.
From the beginning of the Thirties, he dedicated himself entirely to experimenting with new multi-colored effects, in particular he perfected the colorazione a caldo senza fusione technique (staining heat without fusion) which he first used in 1935-36.
He was active for fifty years in the company, and amassed a portfolio of no fewer than 25,000 designs.
Barovier’s work is part of many major museums’ collections around the world.
Glass is exquisite in its delicate beauty. A crystal vase, a hand-blown wine glass, a stained-glass window, all stir the pot of reactions that make the word “sparkle” sparkle. Working with glass is an incredible art. It is so delicate, so refined, a true art of mind over matter.
So what if glass represents a disease? Is it still “sparkling” and “refined”?
There is beauty in the micro world as well. Artist Luke Jerram has created a number of extraordinary art projects which have excited and inspired people around the globe.
One of his highlights, Glass Microbiology, is a body of glass work that puts a crystal spin on some of the most deadly viruses.
According to his website, ” By extracting the colour from the imagery and creating jewel-like beautiful sculptures in glass, a complex tension has arisen between the artworks’ beauty and what they represent.”
Hand, Foot, and Mouth Disease
Find time and wander over to Luke’s website: www.lukejerram.com/glass . You will find it hard to believe that such horrible diseases could look so lovely.