Sunday Evening Art Gallery — Romare Bearden

Romare Howard Bearden  (1911 – 1988) was an American painter whose collages of photographs and painted paper on canvas depict aspects of American black culture in a style derived from Cubism.Considered one of the most important American artists of the 20th century, Bearden’s artwork depicted the African American culture and experience in creative and thought-provoking ways. After a year of studies in science and mathematics at Lincoln University in Pennsylvania, Bearden went on to study art and art education, including two years at Boston University, and graduated with a degree in education from New York University.Living in Harlem, he joined a Black artists group and became excited about modern art, particularly, Cubism, post-Impressionism and Surrealism.Bearden is best known for his photomontage compositions made from torn images of popular magazines and assembled into visually powerful statements on African American life.During the mid 1960s, Bearden felt he was struggling in his art between expressing his experiences as a Black man and the obscurity of abstract painting.He felt that abstraction wasn’t clear enough for him to tell his story.

He felt his art was coming to a plateau, so he started to experiment again. Combining images from magazines and colored paper, he would work in other textures such as sandpaper, graphite and paint.Bearden’s collage work has also been compared to jazz improvisation, as growing up during the Harlem Renaissance, he was exposed to many of the jazz greats.His images reflected some of the elements of jazz with its interplay among the characters and improvisation of the materials used.More of Romare Bearden’s influential works can be found at  https://beardenfoundation.org/.

 

 

 

 

Sunday Evening Art Gallery — Jacob Lawrence

The most widely acclaimed African American artist of this century, and one of only several whose works are included in standard survey books on American art, Jacob Armstead Lawrence has enjoyed a successful career for more than fifty years.Lawrence was born in Atlantic City, New Jersey, in 1917. The son of Southern migrants, he moved with his mother and sister to Harlem in 1930 at age 13.Lawrence’s paintings portray the lives and struggles of African Americans, and have found wide audiences due to their abstract, colorful style and universality of subject matter.He create paintings drawn from the African American experience as well as historical and contemporary themes, such as war, religion, and civil rights.

In 1940, he received a grant from the Rosenwald Foundation to create a 60-panel epic, The Migration of the Negro (now known as The Migration Series).

The panels portray the migration of over a million African Americans from the South to industrial cities in the North between 1910 and 1940. 

He was credited with developing a unique aesthetic known as Dynamic Cubism, which would be attributed, not to European influences, but to “hard, bright, brittle” Harlem.

More of Jacob Lawrence‘s artwork can be found around the Internet including MOMA Lawrence and  Artnet Lawrence.

Sunday Evening Art Gallery Blog — Loïs Mailou Jones

Loïs Mailou Jones (1905 – 1998) decided early in her career that she would become a recognized artist—no easy path for an African American girl born at the beginning of the twentieth century.

 

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After two years in North Carolina where she experienced the frustrations and indignities of segregation first-hand, Jones left Palmer Memorial and joined the faculty of the Fine Arts Department at Howard University in Washington, D.C.

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Jones’s long career may be divided into four phases: the African-inspired works of the early 1930s, French landscapes, cityscapes, and figure studies from 1937 to 1951, Haitian scenes of the 1950s and 1960s, and the works of the past several decades that reflect a return to African themes.

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Loïs was the first and only African American to break the segregation barrier denying African Americans the right to display visual art at public and private galleries and museums in the United States.

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Throughout her 60 year career as an artist and educator, Loïs Mailou Jones broke down barriers with quiet determination during a time when inequality, racial discrimination, and segregation hindered her from gaining the acknowledgement and prestige she deserved as a talented artist.

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Skillfully integrating aspects of African masks, figures, and textiles into her vibrant paintings, Jones continued to produce exciting new works at an astonishing rate of speed, even in her late eighties.

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Loïs Mailou Jones was not only an artist, but a movement, inspiring the Harlem Renaissance and the future of all artists struggling to be heard.

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Lois’s lucious art can be found at http://loismailoujones.com/  and at http://nmwa.org/explore/artist-profiles/lo%C3%AFs-mailou-jones.