Sometimes an artist’s description by others is as mesmerizing as their art.
Motohiko Odani (1972-) was born and raised in Kyoto, Japan, and received his MFA from Tokyo University of the Arts in 1997.
According to one creative description, “Odani, who possesses a keenly critical understanding of sculpture, has resisted (or taken advantage of) the medium’s conventional image of weightiness or substance.”
“Instead, he has given physical representation to ‘phantoms’ – entirely ephemeral sensations or amorphous phenomena.”
Odani’s works are comprised of complex layers of meaning that defy a singular interpretation, as the artist draws inspiration from various sources including horror and sci-fi films, Japanese folklore, Buddhism, and Futurism.
This last description matches Motohiko’s intrinsic art: “With Odani’s artworks transcending the conventional idea of sculpture and seeking to give visual representation to existence itself, this exhibition pursues new possibilities for artistic expression.”
My research folders for my Sunday Evening Art Gallery are bursting at the seams with new creative artists! I am so psyched at the amazing talents I’ve found that I’m almost tempted to open a second evening’s showing — Thursday Evening Wine and Art Gallery or Thursday Tea and Art or Thursday Evening Art Walk something like that. (Suggestions are welcome!)
British photographer Nick Veasey uses industrial X-ray machines to discover what makes up the natural world and highlight the surprising, inner beauty in some of the most common objects.
Veasey got the idea to use X-ray machines for art while dating the daughter of a truck driver who was transporting thousands of soda cans, one of which contained a prize worth 100,000 pounds.
He rented an X-ray machine from a local hospital to find the winning can. Although he was unsuccessful, he credits this moment for sparking the idea that launched his career.
Due to the high risk of working with radiation, Veasey custom built a concrete structure to contain it.
To get his pictures, subjects are placed on a lead surface with film behind it. The X-rays pass through the subject and then onto the film where from there he can control the exposure time in a separate room.
Veasey doesn’t actually use any human subjects, as they would have to endure radiation for about 12 minutes. Instead, when a model is needed, he uses skeletons in rubber suits or cadavers that have been donated to science.
Veasey focuses on finding an antidote to the “obsession with appearance” by revealing the beauty within.
Veasey’s work also comments on our society’s increasing paranoia and control by security and surveillance. “To create art with the technology … that helps remove the freedom and individuality in our lives … brings a smile to my face.”
When you work inside an office all week, one tends to fist pump the air when the weekend comes and the weather is beautiful. So I expect all of you to go outside and fist pump today, then when you come in this evening, put on some great relaxing music and come visit the Sunday Evening Art Gallery.
It’s easy to follow, and the art I’m coming across is so wonderfully beautiful and unique. I’m adding galleries all the time, plus adding more images to the ones I have. Tell your friends! Say, “Man, have you checkout out that Sunday Evening Art Gallery? Man, that art is so awesome!” (or something to that effect…)
It’s a beautiful Fall day outside today — cool temperatures, bright sunshine, the falling leaves whispering a sigh of sleep as they fall in a pile at the bottom of their trees. It’s a perfect day to be out and about, or sitting and writing, as long as life and sunshine are abundant.
I thought you might enjoy visiting some sparkles at the Sunday Evening Art Gallery this afternoon or this evening as well, so here are a few links and their sparkling companions.