Debbie Smyth is textile artist most identifiable by her statement thread drawings.These playful yet sophisticated contemporary artworks are created by stretching a network of threads between accurately plotted pins.
Her work beautifully blurs the boundaries between fine art drawings and textile art, flat and 3D work, illustration and embroidery, literally lifting the drawn line off the page in a series of “pin and thread” drawings.Debbie plays with scale well, creating both gallery installations and works for domestic interiors.
Her unique style lends itself to suit corporate environments, public spaces, window display, set design, graphic design and illustration.By collaborating with interior designers, architects and other creative practitioners, Debbie pushes the expected scope of her work even further.
More of Debbie Smyth‘s remarkable thread drawings can be found at debbie-smyth.com.
Diana Al-Hadid was born in Aleppo, Syria in 1981, and currently lives and works in Brooklyn, New York.
Al-Hadid’s sculptures, hanging works, and works on paper are built up with layers of material and history.
Her rich, formal allusions cross cultures and disciplines, drawing inspiration, not only from the history of distance civilizations, but also from histories of the materials themselves.Her work borrows from a variety of sources ranging from Old Master paintings to the innovative works of the Islamic Golden Age.
Described by Al-Hadid as “somewhere between fresco and tapestry,” her unique process is entirely additive.Holes and gaps form not from puncture, but through controlled dripping, methodically reinforced such that the image dictates the structure.
These works have been made as hanging objects, architectural interventions, and most recently as outdoor installation.
More of Diana Al-Hadid‘s incredible work can be found at http://www.dianaalhadid.com/.
Artist Kazuhito Takadoi uses natural materials combined with traditional Japanese art supplies like sumi ink and washi paper to make delicate sculptural works that tread between two and three dimensions.
Inspired by the rich woodland surrounding his birthplace of Nagoya, Japan, nature is both Takadoi’s inspiration and the source of him material. There are no added colors: everything is natural, simply dried then woven, stitched, or tied.Takadoi cultivates and then gathers grass, leaves, and twigs from his garden to form the meticulous structures that comprise his dimensional creations.He has also developed the embroidery process to include pure white Japanese book binding threads as a material.
Though these organic findings are secured in place through weaving and stitching, they continue to evolve as they dry and mature, changing in flexibility and color.
More of Kazuhito Takadoi’s marvelous creations can be found at http://www.kazuhitotakadoi.com.