Whether portraying women as provocative street warriors in the concrete jungle or as mythical goddesses placed in surrealist environments, Lady Pink, the long-reigning queen of graffiti, consistently elevates the female figure through her murals and paintings by incorporating themes of fantasy, spiritualism, her South American heritage, and indigenous iconography.Lady Pink was born Sandra Fabara in Ecuador in 1964 and raised in New York City.She started making graffiti at the age of 15 and quickly became well known as the only prominent female in the graffiti subculture.Pink’s beginning focus was on painting subway trains.She had first solo exhibition at 21 and her paintings are included in important collections like the MET, The Whitney Museum, The Museum of the City of N.Y. and others.Pink has gone great lengths to fight for equality, justice, and women’s rights.She expresses her private opinion to public work, without any censors, although she never reveals the idea in fullness.She cleverly states out what is important, and warmly put her artwork open to interpretation.Pink’s tradition is to practice mindfulness and to be as sensible as possible to the community.“Art is about a binary relationship, and the audience is free to make assumptions and interpretations as they like,” she says about her work.More of Lady Pink‘s murals and paintings can be found at https://www.ladypinknyc.com/.
My Gallery stash is bursting at the seams —
Silo Art isn’t just a beautiful addition to the local landscape; for many towns and communities it’s a lifeline.Silo Art is extremely important for promoting tourism in Regional Australia.The idea of emblazoning outsized farm storage buildings with oversized art began in Western Australia in 2015, when a cultural non-profit called FORM hired well-known street artists Phlegm and HENSE to paint a series of linked silos in the town of Northam, 62 miles northeast of Perth in the Wheatbelt region.Phlegm covered one end of the 118-foot-high block with wry, black-and-white portraits of early aviators and balloonists; HENSE plastered colorful, abstract forms on the other.Designed as a pilot project to bring art to rural regions, the stunt was a hit.It ignited a movement, with other towns in Western Australia’s Wheatbelt and beyond angling to get their own beautified silo, and to bring visitors and revitalization with it.Cultural grants and private commissions filled rural areas with the kind of buzzy, bright art usually found in downtown alleys and warehouse-y neighborhoods.An added bonus? From Australia’s wide-open back roads, the silos could be seen for miles around.Amazing artists with amazing ideas bring yet another dimension to the world of Art.More silos can be found at https://www.australiansiloarttrail.com/
David de la Mano is a Spanish contemporary artist best known for his stunning murals often depicting silhouettes, trees and other monochromatic imagery.Born in Salamanca in 1975, de la Mano has a degree in Fine Art from the University of Salamanca and PhD studies in Public Art from the University of Valencia.
He is known for his minimalist aesthetics while using black and white themes depicting human figures.His large-scale, black and white pieces provoke reactions among the viewers and encourage their emotions and ideas through a minimalist aesthetic.De la Mano is particularly interested by the theme of the link between human beings as a mass which evolves, in groups, as a flow, or the link between human and nature also as a danger or a union.He observes others and their social or anti-social behavior, exploring every corner of both in his practice, using silhouettes of men, women, or the masses as narrative metaphors.Through these figures, he gives poetic visions of the the human condition in society and the ways human perceive the world.
More of David de la Mano‘s imaginative work can be found at and at https://daviddelamano.blogspot.com and https://bottleneckgallery.com/collections/david-de-la-mano.
Alaa Awad is an Egyptian-based graffiti artist, and painter known for his graffiti in Cairo and Luxor.
He is best known for his mural paintings created on Mohamed Mahmoud Street in Cairo.
Awad studied at the South Valley University Faculty of Fine Arts in Luxor and graduated in 2004.
Since then he has served as a member of the faculty at the Faculty of Fine Arts as a professor in the Department of Mural Painting.
Unlike other graffiti artists, Awad chooses to paint with a brush and uses acrylic paints rather than using stencils and spray paints.
His intricate paintings can sometimes take up to a week to make not only because of the materials he uses, but because of the complexity of his designs.
Awad’s style aims to remind people of their heritage and past to help them stay true to their Egyptian identity.
His murals are typically multifaceted and multi-layered with each telling a different story.
More of Alaa Awad’s marvelous artwork can be found at http://alaa-awad.com/ and at http://artitssymbolsandmeanings.blogspot.com/2015/05/alaa-awad-power-of-mural-art-of-urban.html