Sunday Evening Art Gallery — Terhi Tolvanen

Terhi Tolvanen was born and raised in Helsinki, Finland, and studied silversmithing at the Lahti Institute of Design and Fine Arts.She moved to Amsterdam in 1993 to attend the Gerrit Rietveld Academy and the Sandberg Instituut, from which she graduated with a master’s degree.Though she began with silver, Tolvanen later began to and make sculptural jewelry using unconventional materials.The artist is revered for her observations of nature transformed into stunning, sculptural jewelry.Juxtaposing wooden branches with silver metalwork, concrete, pearls and stone, her wearable sculptures transcend expectations and norms. Her repertoire of materials is amazing: silver, metalwork, concrete, opals, light and dark pearls, stone, and more; woods include cherry, Corkscrew willow, hornbeam, pear, heather, lavender, and elm.This amazing artists creates all forms of jewelry, but for this showcase I chose her necklaces for display.Tolvanen makes no compromises, yet they feel comfortable in their scale as they are comfortably built for wear, as if nature intended them to be just as they are, and for them to be worn.“I feel as if making jewelry is a dance,” Tolvanen shares. “I feel I should go along with materials, not work against them. What I’m trying to do is isolate the best in the material, to use it in a logical way.”More of Terhi Tolvanen‘s unusual and wonderful jewelry can be found at https://www.terhitolvanen.com/. 

 

 

Sunday Evening Art Gallery — Yeesookyung

Korean artist Yeesookyung received her MFA in Painting, at Seoul National University, Seoul, Korea, in 1989.The artist creates sculptures by combining discarded shards of porcelain, assembling them to make new forms and fusing them with gold leaf.The resulting works are often organic in shape, resembling soap bubbles or other biomorphic forms.Her series titled “Translated Vase,” was first inspired by the Korean artisan tradition of destroying porcelain works that are not deemed pristine, and she has continued to make the fused pieces since 2001.Intrigued by these tossed aside works and shards, Yeesookyung began saving fragmented tea cups and pots rejected by contemporary masters.The artist collected broken shards from artisans who worked in Korea replicating historical vessels from the Goryeo (918–1392) and Joseon (1392–1897) dynasties.Honoring the works’ dismantled states, she traces each crevice in 24-karat gold leaf in the style of Japanese kintsugi, merging the unwanted works together in a way that heightens the beauty of their distress.By ‘translating’ these porcelain elements, Yeesookyung highlights the fragility and imperfections of human existence as well as the inevitable failure of any attempt to construct historic continuity.More of Yeesookyung‘s wonderful creations can be found at https://www.yeesookyung.com/ and https://www.instagram.com/yeesookyung_/.

 

 

 

Sunday Evening Art Gallery — Bruno Catalano

Bruno Catalano was born in 1960 in Khouribga, Morocco, near Casablanca.

His Travelers—or Les Voyageurs—are fractured and fragmented individuals, each on its own path.They are travelers, walking, unruffled, suitcase in hand, except that their bodies are in bits, open to the wind and light.In many, the torso has almost disappeared; there, the arm looks like it was blown off by a shell.

As they are, they look like they’re coming back from far away, worn by centuries of erosion.And yet, each retains his balance and coherence.

Through his statuary Catalano replays the adventure of mankind, always in-between two shores, repelling all the boundaries.More of Bruno Catalano‘s amazing statues can be found at https://brunocatalano.com/.

 

 

Sunday Evening Art Gallery — Ellen Jewett

Artist Ellen Jewett refers to her sculptural work as “natural history surrealist sculpture,” a blend of plants, animals, and occasionally human-made structures or objects.Her artwork is deeply informed by an extensive background in anthropology, medical illustration, exotic animal care, and even stop-motion animation, all of which accentuate the biological structure of each piece, while freeing her imagination to pursue more abstract ideas.Over time, Jewett has become more focused on minimizing materials and relying a negative space.

“I find my sculptures are evolving to be of greater emotional presence by using less physical substance,” she shares.In addition, she eschews any potentially toxic mediums like paints, glazes, and finishes, opting to use more natural, locally-sourced materials.“This, unavoidably, excludes most of what is commonly commercially available, and has sent me on a journey of unique material combination and invention.”

By employing these more uncommon materials, and leaving traces of fingerprints and other slight imperfections Jewett hopes her work leaves a more authentic impression.More of Ellen Jewett‘s delightful work can be found at http://www.ellenjewettsculpture.com/.

 

 

Sunday Evening Art Gallery — Saint Valentine’s Day

 

My bounty is as boundless as the sea,
My love as deep; the more I give to thee,
The more I have, for both are infinite.

—William Shakespeare

 

Love, Robert Indiana

 

 

Cupid, Michelangelo

 

 

Dragons in Love, Darin Lazarov

 

 

El Beso, Victor Delfín

 

 

Eros, Alfred Gilbert

 

 

First Love, Irakli Tsuladze

 

 

The Kiss, Rodin

 

 

Romeo and Juliet, Milton Hebald

 

 

A Heart Shared by Two, Made Wirata

 

 

Sunday Evening Art Gallery — Sam Shendi

Sam Shendi is an Egyptian-born British sculptor. He uses contemporary industrial material, steel, stainless steel, aluminium and fiberglass to create his figurative work.

Shendi believes that his works whittle down the human figure to its simplest form, enabling the exploration of the idea of the human form as a vessel.

His colors enhance his sculptures, bringing an extra layer to his abstract forms.

By reducing the human body to a container or minimal shape, his creations become centered on an emotion or an expression.While he appreciates the abstract form, his interest is in the human andpsychological dimensions he adds to his sculptures.

Describing himself as a figurative sculptor it is important to Shendi that the work, however minimalistic, still has an impact on the viewer visually and emotionally.

His work is colorful, inventive, and something that makes the observer stop and just….look.

More of Sam Shendi’s bright modern art can be found at http://samshendi.co.uk/.

Sunday Evening Art Gallery — Marc Giai-Miniet

French artist Marc Giai-Miniet’s works may look like doll houses at first, but they’ll give you the chills.

Giai-Miniet creates miniature boxes with gloomy old-school scifi laboratories, attics, libraries, storage and interrogation cells, and houses full of dusty, rusty rooms.

All of these miniature houses are filled from floor to ceiling with tiny books, machinery, household junk, storage boxes and odd experiments.

Giai-Miniet’s dioramas, or miniature 3D theatres or boxes, are disturbing metaphors for the human condition that succeed in rattling our curiosity wide-awake.

Containing the aftermath from scenes of unknown experiments, interrogations and slaughters, the works form an exploration of the physicality of memory.

Even though the spaces are cluttered with tons of little objects, “Les Boîtes” (The Boxes)  are still neatly organized and truly resemble real buildings as they might look through transparent facades.

More of Marc Giai-Miniet’s works can be found at :www.marc-giai-miniet.com.

Art Thou Curious?

thWhen I think of museums, I think of antiquities. Old, musty books. Relics from the Renaissance. Crystal serving pieces from the Russian Dynasty. I am not a Modernist. Or a Futurist. But I have recently discovered that I am a Fascinationist. And what a delight! Through the magic of one of my favorite bloggers, Hugmamma’s MIND, BODY and SOUL, (http://hugmamma.com), and a newly followed blog, Sandra at Third Person Travel (http://thirdpersontravel.com) , my senses were awakened by images of art and buildings that just blew my mind.

The museum was the Guggenheim Museum in Bilbao, Spain (http://www.guggenheim-bilbao.es), which, in all closed-mindedness, I’d never heard of. The image that caught my fancy is called “Maman”, by  Louise Bourgeois, who, according to Guggenheim, “created a rich and ever-changing body of work that intersected with some of the leading avant-garde movements of the 20th century.” To an armchair museumist, that doesn’t ring home. Ring a bell. Ring a doorbell. But how cool is this?

Bourgeois-281x197

You don’t have to be a modern art aficionado to be able to appreciate a bronze, marble, and stainless steel sculpture.

Or how about Tall Tree & The Eye by Anish Kapoor?

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The Gug says, “This illusionistic work continues the artist’s examination of complex mathematical and structural principles embodied in sculptural form. The mirrored surfaces of the orbs reflect and refract one another, simultaneously creating and dissolving form and space.”

That’s a lot of four-dimensional words for a wonderful stainless steel and carbon steel sculpture of shiny balls.

I am an over-the-top advocate of teaching old dogs new tricks. You don’t always have to understand something to appreciate it. To enjoy it. To experience it. I never had sushi till I was 50. Who would have thought? Who would have thought that squeamish me would look forward to watching The Walking Dead or Game of Thrones — bloody, flashy TV shows?

Sometimes your introduction to something new is through your kids. I know my TV voyeurism came from my college son. I just tried quinoa for the first time two weeks ago. That was recommended by my best friend. There are as many types and tastes in food, art, books, and movies as there are fish in the sea. Almost. Why not open your mind to some of them?

I have to admit I would not have wandered to the Guggenheim Museum in Spain had I not spotted that unusual sculpture on another blog. Through other blogs I have seen the most amazing pictures, poetry, and points-of-view. Opportunities I never had when I was younger because we didn’t have the Internet when I was younger. We could be voyeurs by reading books and magazines and taking classes.

But now…

Now the world is open to all of us. We don’t have to age mentally, artistically, or metaphysically. Give something new a chance. You don’t have to live with giant metal spiders in your back yard, but appreciating the creativity that went into something like that takes little effort at all.

I have to admit I don’t get modern paintings that are all one color with a different color circle in the corner, or a plate with a piece of kale and a silver dollar-sized scallop and one drizzle of green that’s called dinner. But then again, not everyone finds fantasy fiction interesting (which is what I write).  There is something out there for everyone. Something new. Every day.

I encourage you to check out the Guggenheim (there is one in Spain, Venice, Abu Dhabi, and New York). Since this blog is about art, why not check out a local art fair?  They’re at  local colleges and in the park and even in the mall. Look at the world through someone else’s eyes.  And, of course, a day trip to a museum would be frosting on the carrot cake of life. Squeeze one into your summer.

It will add years to your soul life. And couldn’t we all use a few more?