Sunday Evening Art Gallery — John Singer Sargent

John Singer Sargent (January 12, 1856 – April 14, 1925) was the most successful Impressionist painter of his era, as well as a gifted landscape painter and watercolorist.Born in Florence to expatriate American parents,  Sargent received his first formal art instruction at Rome in 1868, and then sporadically attended the Accademia delle Belle Arti in Florence between 1870 and 1873.In 1874 he was accepted at the Paris atelier of the portraitist Emile Auguste Carolus-Duran, and attended drawing classes at the Ecole des Beaux-Arts.Throughout the 1880s, he regularly participated in the Paris Salon — most often, his works were full-length portraits of women, which generally received positively.Sargent’s best portraits expertly reveal the individuality and personality of his sitters.This ability set him apart from others portrait painters of his time—he made the sitter shine on the canvas while capturing the essence of their being.Noted for his dazzling technical virtuosity and painterly technique, he influenced an entire generation of American portraitists. By the turn of the century Sargent was recognized as the most acclaimed international society portraitist of the Edwardian era, and his clientele consisted of the most affluent, aristocratic, and fashionable people of his time.Around 1906 he abandoned portraiture and worked primarily in watercolor, a medium in which he was extraordinarily gifted.More of John Singer Sargent‘s paintings can be found at https://www.johnsingersargent.org/. 

 

Sunday Evening Art Gallery — Oscar-Claude Monet

Oscar-Claude Monet (1840-1926), born in Paris, was raised on the Normandy coast in Le Havre, where his father sold ships’ provisions.Banks of the Seine, Vétheuil

He gained a local reputation as a caricaturist while still a teenager, and landscape painter Eugène Boudin invited the budding artist to accompany him as he painted scenes at the local beaches.Chrysanthemums

Monet went to Paris in 1862 to study painting and there befriended fellow students Auguste Renoir, Alfred Sisley, and Frédéric Bazille, who would later form the core group of the original impressionists.The Cliff-at Etretat Sunset

By the end of the 1860s Monet had largely abandoned ambitious, large-scale figurative painting in favor of smaller, spontaneous landscape works executed en plein air.The Water Lily Pond

Monet fled to London during the Franco-Prussian War, and in late 1871 settled at Argenteuil, a suburb just west of Paris, which soon became known as the hub of impressionist painting.Boats on the Beach at Etretat

Financial difficulties forced Monet to relocate to Vétheuil in 1878, and a few years later, in 1883, he settled in Giverny, where he would live for the rest of his life.Water Lilies

Executed outdoors, he employed seemingly spontaneous brushstrokes to capture the ever-changing effects of light and atmosphere.Woman with a Parasol

In the 1880s Monet expanded his motifs, turning his attention both to the Mediterranean and to the rugged vistas along the Normandy coast.View of Le Havre

In the 1890s he undertook a number of paintings produced in series, including pictures of poplars, grainstacks, and Rouen Cathedral; each work captured a specific atmospheric effect and time of day..Haystack

More of Claude Monet‘s magical paintings can be found at https://www.claudemonetgallery.org/ and https://www.claude-monet.com/.

 

 

Sunday Evening Art Gallery — Erin Hanson

 

Combining the emotional resonance of 19th-century Impressionists with the lavish color palette of Expressionism, Erin Hanson’s unique style has come to be known as “Open Impressionism.”Erin Hanson began painting as a young girl, voraciously learning oils, acrylics, watercolor, pen and ink, pastels, and life drawing from accomplished art instructors. She began commissioning paintings at age ten, and by age twelve, she was employed after school by a mural studio, learning the techniques of acrylics on the grand scale of forty-foot canvases. Graduating high school at age sixteen and once again demonstrating that she was a child prodigy, Hanson next attended UC Berkeley, excelling further in her studies and creative development and attaining a degree in Bioengineering.Two years later, a high school scholarship took her to Otis College of Art, where she immersed herself in figure drawing.After graduating from college, Hanson entered the art trade as a professional, inspired by landscapes and vantage points only beheld by the most adventurous.For the past decade Hanson has been developing a unique, minimalist technique of placing impasto paint strokes without layering, which has become known as “Open-Impressionism.”Her passion for natural beauty is seen in her work as she transforms vistas familiar and rare into stunning interpretations of bold color, playful rhythms and raw emotional impact. “I am not trying to re-create a photograph, I am trying to get my viewers to open their eyes and see their world a little differently,” Hanson said.More of Erin Hanson’s imaginative paintings can be found at https://www.erinhanson.com/.

 

 

Sunday Evening Art Gallery — Edgar Degas

Edgar Degas (1834 – 1917)  never reconciled himself to the label of “Impressionist,” preferring to call himself a “Realist” or “Independent.”

Nevertheless, he was one of the organizers of the first impressionist exhibition in 1874, and remained influential in the group, but his own work was deliberate and controlled, painted in the studio from sketches, notes, and memory.

Like the Impressionists, Degas sought to capture fleeting moments in the flow of modern life, yet he showed little interest in painting plein-air landscapes, favoring scenes in theaters and cafés illuminated by artificial light, which he used to clarify the contours of his figures, adhering to his academic training.

He is especially identified with the subject of dance; more than half of his works depict dancers.

His portraits are notable for their psychological complexity and for their portrayal of human isolation.

Though his work crossed many stylistic boundaries, Degas’ involvement with the other major figures of Impressionism and their exhibitions, his dynamic paintings and sketches of everyday life and activities, and his bold color experiments, served to finally tie him to the Impressionist movement as one of its greatest artists.

Degas summed it us thus: “A painting requires a little mystery, some vagueness, some fantasy. When you always make your meaning perfectly plain you end up boring people.”

More of Edgar Degas‘ magnificent art can be found around the Internet.

Sunday Evening Art Gallery — Mary Cassett

Recognized as one of the foremost 19th-century American painters and printmakers, Mary Cassatt (1844-1926) is known for her prolific career and Impressionist artwork.A native of Pennsylvania who lived as an expatriate in Paris beginning in 1874, Mary Cassatt started formal training as a painter in 1861.

In 1865, she took her first trip to Europe, where she would remain for the next four years, traveling and studying in Paris, Rome, and Madrid.

Edgar Degas saw Cassatt’s work at the Salon, and in 1877 he asked her to exhibit with the Impressionists.

Cassatt’s painting style and subject matter changed greatly because of her association with Impressionism. She abandoned colorful costume genre depictions in favor of scenes from contemporary life.

Throughout the latter half of the 1880s, Cassatt produced etchings and drypoints of members of her family.

Her failing eyesight prevented her from working for the last 15 years of her life, but because she had been an exceptionally prolific printmaker, she produced more than 220 prints during the course of her career.More of Mary Cassett‘s marvelous artwork can be found at https://www.marycassatt.org/.