Moscow-based illustrator Maxim Shkret conjures the flowing hair of people and the tangled fur of beasts in this lovely ongoing series of digital illustrations.Mixing a unique method of 3d modeling with carefully applied shadows, each piece evokes the form of a paper-like sculpture.One of his key flairs is lavish swoops and sweeps that detail his 3D designed images, giving that captivating look of something expertly sculpted with such conviction.Shkret believes that advancing technology is a powerful tool that can be utilized to bring the most dreamy and clever ideas to full realization.And this ideology certainly shows in his endeavors through the stunningly eccentric concepts that unravel before viewers’ eyes.“Being a strong advocate of experiments on the intersection of digital and physical, I firmly believe that imagination is free from any constraints and boundaries,” Shkret says. “It is a powerful engine that fuels the creative process allowing to propel the aesthetics of the visual art to new heights.”
More of Maxim Shkret’s amazing graphics can be found at www.shkret.com.
Brian Froud (born 1947) is an English fantasy illustrator.
Froud graduated with Honors from Maidstone College of Art in 1971 with a degree in Graphic Design.
Soon afterwards, he began working in London on various projects ranging from book jackets, magazine covers to advertising as well as illustrating several children books.
Froud soon realized that fairy tales and legends were something which would never get old.In collaboration with his friend and fellow artist Alan Lee, Froud created the 1978 book Faeries, an illustrated compendium of faerie folklore.Upon discovering Froud’s lavish and mysterious drawings in his books, and recognizing his complex and singular artistic vision of the faerie world, Jim Henson chose him to help him create a unique otherworld feature-film which became known as The Dark Crystal. Soon Froud developed his own magical distinctive style and experimented with three dimensional designs complete with gnomes, goblins, warlocks and dragons.Through Froud’s unique style utilizing acrylics, colored pencil, pastels and ink, he has created some of the most well known fantasy images of the Twenty-first Century.More of Brian Froud‘s amazing workmanship can be found at https://www.ferniebrae.com/brian-froud.
Born and raised in Seoul, along with a couple of other stints living in New Zealand, Australia and the US growing up, Cindy Kang eventually moved to the big apple with hopes and dreams of becoming an illustrator.
She studied illustration at New York’s School of Visual Arts, pursuing an interest in storytelling through heartwarming atmospheric drawings.With a number of commissions under her belt, Cindy’s American dream is gradually being realized; one painterly illustration at a time.“I was always interested in storytelling,” explains Cindy, “whether it’s in the form of written language or visual language.”
“However, being from the other side of the world and living as a ‘foreigner’ for more than half of my life meant that it was inevitable for me to face some language and cultural barriers.”
Taking up drawing as a way to loosen anxiety during those “new girl experiences”, illustration became a release for Cindy, as well as a way to let go from the pressures of communicating perfectly in English.
Her art seems to be a more personal reflection of inner female thoughts and dreams of the feminine world.
By paying close attention to the emotion of her illustrated figures, Cindy continues to depict a breathing space for her drawn characters while revealing her wild imagination at the same time.
More of Cindy Kang‘s work can be found at http://www.cindysykang.com
Maria Sibylla Merian (1647–1717), a German-born naturalist and scientific illustrator living in the Netherlands, was an extremely enterprising and independent woman who managed a successful career as an artist, botanist, naturalist and entomologist.
At a time when natural history was a valuable tool for discovery, Merian discovered facts about plants and insects that were not previously known, such as insects did not spontaneously emerge from mud.
Merian was the first to bring together insects and their habitats, including food they ate, into a single ecological composition.
Merian published her first book of natural illustrations, titled Neues Blumenbuch, in 1675.
In 1699, following eight years of painting and studying, and on the encouragement of the governor of the Dutch colony of Surinam, the city of Amsterdam awarded Merian a grant to travel to South America with her daughter Dorothea. Her trip, designed as a scientific expedition makes Merian perhaps the first person to plan a journey rooted solely in science.
She then proceeded to publish her major work, Metamorphosis insectorum Surinamensium (de), in 1705, for which she became famous.
Merian is considered to be among the most significant contributors to the field of entomology — an amazing journey for an 18th Century woman.
More of Maria Sibylla Merian‘s amazing story and images can be found at https://www.britannica.com/biography/Maria-Sibylla-Merian and https://www.theatlantic.com/science/archive/2016/01/the-woman-who-made-science-beautiful/424620/.