Sunday Evening Art Gallery — Andy Paiko

Andy Paiko (-1977) , is an American glass sculptor living in the northwest U.S.Based in Portland, Oregon, glass artist Paiko is known for ambitious, technical works which explore the metaphorical and symbolic tension of form versus function.Characteristic works are antiquarian style glass bell jars containing obscure or extravagant artifacts, or sculpted glass celebrations of obsolete technologies reinterpreted.Known for his highly intricate, often kinetic, glass fabrications. Paiko flamboyantly embellishes these objects with elaborate finials, spirals, and curves, displaying an aesthetic sensibility that is not intrinsic to their functions.Through this juxtaposition of their effective apparatus and florid ornamentation, his works bring to mind a kind of alternate history, perhaps even an alien one, where the beauty of everyday objects surpasses even the demands of contemporary artisanal culture.Rather than a form emerging from a block of solid stone reductively, forms of glass are pushed into space organically by a cumulative history of layering and motion.

“The glassblowing process is an additive one, much like our personalities,” Paiko happily explains.

“My object-making process has developed to extend this layering, whereby many separate, individual glass parts are fused cold, away from the furnace to form a collage of sorts. This allows for a degree of detail and complexity difficult to achieve on the end of a blowpipe.”

More of Andy Paiko‘s amazing work can be found at https://www.andypaikoglass.com/.

 

 

 

 

Sunday Evening Art Gallery — Lino Tagliapietra

Lino Tagliapietra was born in 1934 in Murano, Italy and became an apprentice glassblower at age eleven.Even at a young age Tagliapietra exhibited an immense dexterity for glass and was appointed the title of “Maestro” when he was just 21. In 1979, the artist visited Seattle for the first time and introduced students at the Pilchuck School to the traditions of Venetian glassblowing.This cross-cultural collaboration helped shape the identity of American glassblowing and offered Tagliapietra an opportunity to expand his horizons internationally.As a teacher and mentor, he has played a key role in the international exchange of glassblowing processes and techniques.Tagliapietra’s technical resources continuously expanded to combine modern experimentation carving, blowing, caning, layering, casing, and trailing along with the elaborate Italian tricks and styles so sought after for centuries including battuto, zanfirico and  filigrano.

More of Lino Tagliapietra’s amazing glass blowing can be found at https://www.linotagliapietra.com/ and https://www.hellergallery.com/lino-tagliapietra/.

 

 

Sunday Evening Art Gallery —  Leopold and Rudolf Blaschka

The Ware Collection of Blaschka Glass Models of Plants was made for  the the Botanical Museum of Harvard University.Often referred to as Blaschka glass, the creations of glass are  a collection of almost 4,000 models of flowers, plants, and flower parts, made at Dresden between 1887 and 1936.The Blaschkas,  Leopold (1822-1895) and Rudolf (1857-1939), were father and son glass artists who lived and worked in Hosterwitz, Germany, near Dresden.Their most famous production was the Ware Collection of Glass Models of Plants, a collection of almost 4,000 models of flowers, plants, and flower parts, made at Dresden between 1887 and 1936 for the Botanical Museum of Harvard University.Over fifty years, from 1886 through 1936, the Blaschkas produced 4,300 glass models that represent 780 plant species.

The Blaschkas’ glassworking lineage is believed to trace back to 15th century Venice.

In their exquisite coloration, minute detail, and representational accuracy, these models fulfill their original purpose of botanical study; moreover, technically and artistically they are among the finest glass objects ever made.Over their fifty years creating the Glass Flowers, the Blaschkas continually experimented with materials and methods that pushed the boundaries of glass working.Years later, their complex and varied practices presented unique challenges for the conservators preserving and protecting the models, which led to a suite of conservation processes nearly as varied as the Blaschka’s techniques.More information and images of The Ware Collection of Blaschka Glass Models of Plants at Botanical Museum of Harvard University can be found at https://hmnh.harvard.edu/glass-flowers and https://digital.library.cornell.edu/collections/blaschka/today.

 

 

Sunday Evening Art Gallery — Simone Crestani

Italian artist Simone Crestani has been blowing glass since he was 15 years old.He comes from the Venice region, where working with glass is one of the traditional crafts, so this type of art is in his blood.

Crestani creates beautiful glass sculptures that combine his love of glass work with his love of the natural world.Many of his creations can be considered part of a contemporary “Cabinet of Curiosity” where nature is not defaced but respected by reproducing its essence in fragile transparent shapes.The infinite variety of of plant and animal forms inspires his magical world, a celebration of lightness and transparency in always new and original creations of crystalline purity and beauty.Crestani uses the lampworking technique to make these objects out of clear borosilicate glass in a more sculptural manner than is traditional, allowing him to create works that may be large in size but still exquisite in their meticulous representation of the details.

More of Simone Crestani‘s exquisite glasswork can be found at   https://www.simonecrestani.com/ and https://sandraainsleygallery.com/gallery-artists/simone-crestani/.

 

 

 

 

Sunday Evening Art Gallery — Kiva Ford

Kiva Ford‘s passion with glass is anchored by his college degree in Scientific Glassblowing.

Now the glass artist draws from his vast experience in scientific glassblowing to create perfect miniatures of wine glasses, beakers, and ribbon-striped vases.Some pieces are scarcely an inch tall.

Kiva’s pursuit of technique, form, and precision are apparent throughout his work.

“In this business, you really have to understand what certain glass pieces want to do, and what they don’t want to do.”

So not only has Kiva perfected his technique at work, but also in his world of miniatures.More of Kiva Ford‘s miniatures (and more) can be found at https://www.kivaford.com/.

 

 

Sunday Evening Art Gallery — Paul Stankard

Paul Stankard is an internationally acclaimed artist and pioneer in the studio glass movement..During his ten year scientific glassblowing career, he became a master of fabricating complex instruments.In 1972, Paul left industry to pursue his dream of being creative in glass full time.His translucent orbs bursting with activity and life are made entirely from glass.When Stankard suddenly directed a decade of industrial glass working techniques into the interpretation of flowers, bees, vines, and leaves encased in glass, it wasn’t long before art dealers discovered his work and he began to create art full-time.According to Stankard, ““By blending mysticism with magical realism, I work to express organic credibility through my botanical interpretations.”“Crafted in glass, I reference the continuum of nature and celebrate on an intimate level her primal beauty.”

More of Paul Stankard’s amazing glasswork can be found at http://www.paulstankard.com/.

 

 

A Peek at the Gallery

Crummy Weather Got You Down?

Everybody Loves a Tour of the

Sunday Evening Art Gallery!

 

Trees

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Pierre Brissaud

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Unusual Buildings

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Dale Chihuly

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Natalya Sots

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Jewish Papercutting

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George Rodrigue

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Snowflakes

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There’s more unique, beautiful art to come in 2017 too!

Come On Over!

Sunday Evening Art Gallery Blog — Dale Chihuly

You use a glass mirror to see your face; you use works of art to see your soul.  ~ George Bernard Shaw

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Dale Chihuly (born September 20, 1941), is an American glass sculptor whose work in glass led to a resurgence of interest in that spectacular medium.

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Chiluly graduated in 1965 from the University of Washington where he first was introduced to glass while studying interior design, then an M.S. in sculpture in 1967 from the University of Wisconsin, where he studied glassblowing with Harvey Littleton.

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He received an MFA from the Rhode Island School of Design, then worked at a renowned glassblowing workshop in Italy where he observed the team approach to blowing glass, which is critical to the way he works today.

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In 1971, Dale Chihuly cofounded Pilchuck Glass School in Washington State.

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The technical difficulties of working with glass forms are considerable, yet Chihuly uses it as the primary medium for installations and environmental artwork.

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Although Chihuly lost the use of his left eye in a car accident in 1976,  his work with assistants has been nothing short of phenominal.

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The artist professed, “Once I stepped back, I liked the view,” and pointed out that it allowed him to see the work from more perspectives and enabled him to anticipate problems faster.

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More of Dale Chihuly‘s fantastic glassworks can be found at http://www.chihuly.com.