Silver, the color of new friends ~ Unknown
from the forest floor emerges another universeWearing Rings Like Saturn — leaf and twig
Color! What a deep and mysterious language, the language of dreams.
Make-believe colors the past with innocent distortion, and it swirls ahead of us in a thousand ways – in science, in politics, in every bold intention.
~ Shirley Temple
It is the possibility that keeps me going, and though you may call me a dreamer or a fool or any other thing, I believe that anything is possible.
Alexa Klienbard has focused her work on what human beings must protect in the garden of our Natural Environment.
She has been driven to work on paintings that hint at the potential silence that will be left in our remaining habitats if more and more species are lost forever.
“These shaped paintings are each a single character unto themselves, each one reads overall as a single medicinal plant, complete with “dancing leg” roots, standing brave to the onslaught of man’s collective drive to put his species above all others.”
Kleinbard’s paintings, with their close up view of a healing plant and their far away view of a silent world, offers the viewer a chance to ponder the future of our planet.
Alexa Klienbard has no website, but are for sale across the internet.
The purpose of art is washing the dust of daily life off our souls. ~~ Pablo Picasso
Leonid Afremov (born July 12, 1955 in Vitebsk, Belarus) is a Russian–Israeli modern impressionistic artist who works mainly with a palette knife and oils.
Afremov likes to view his artwork as politically neutral — no hidden messages, no alternate agenda.
He tries to draw the viewer towards certain feelings rather than telling a story through his work.
While Afremov’s early works are influenced by the masterpieces of older painters, his artwork is very unique and recognizable.
The artist invites us to experience the world of simple beauty which constantly surrounds us.
Leonid’s art easily transports you to other worlds, other times, other ways of thinking and feeling.
And, after all, isn’t that the purpose of Art?
Leonid Afremov’s artwork can be viewed and purchased at https://afremov.com/. You can also follow Leonid and his artwork on Facebook https://www.facebook.com/leonidafremovofficialpage and at Twitter at https://twitter.com/AfremovArt.
They say French is a colorful language, as is Spanish. If one uses their words wisely, all languages have beautiful ebbs and flows to them.
Today I was working on an arts and crafts catalog, and came along the glazes section. There were layers of descriptions, of ways to describe the colors. The first layer was the simplest of words: blue, gray, red, pink, purple. Even though we have different opinions on exactly what kind of blue we want, the color swatches were indeed blue and red and gray. Sometimes simplicity works.
Then there’s the second level. Words that are associated with things rather than what it is. Caramel, raspberry, grape, carrot, cinnamon. Who doesn’t know what colors those represent?
The third level was a little more imaginative. Sour Apple, Orkid, Tuscan Red, Pink-a-boo, Wine About It, Cara Bein Blue. You get the gist from title of what the color is. A colorful play on words, to be sure.
Then come the descriptions that stretch your imagination. Snapdragon. Hawaiian Sand. Granada. Sunset Jewel. Strawberry Fields. Yellow Universe. Snow Fire. You kind of know what those colors should be, but you need to check the swatches to be sure. These words leave a lot to the imagination. When I looked up Snapdragon, it was pink and yellow on cream. When I looked up Hawaiian Sand it was black and white and blue. Once my comprehension made sense of it all, the names of the colors shimmered on their own wavelength.
How do you know when to expand your vocabulary, and when to keep it simple?
One trick is to read your sentence(s) out loud. Some words are made to be read in the quiet recesses of your mind. Others are made to read aloud, savoring the alliteration or the rhyming or the pure creativity of the sentence. J.R.R. Tolkien’s The Fellowship of the Ring or George Martin’s A Feast of Crows may sound great being spoken by British actors, but would sound funny with a flat, Midwestern accent.
Know your audience. Too many flowery words may make them roll their eyes and pick up a magazine. Not enough description will do the same thing.
Another trick I learned was from the same arts and crafts catalog. Combining two words, one to evoke an impression, the second the color, is a clever way to leave an impression on the mind. Smokey Merlot, River Rock, Burnt Jade, Weathered Copper, Rustic Mustard, Roasted Eggplant — the combinations are endless. Look at the scene you’re writing, and pull something from the atmosphere and add it to your color.
Read other novels, short stories, and poetry. You will be surprised what phrases and words will call you. When they do, write them down. I have a notebook full of descriptions and words that I thought were lovely, colorful, dramatic, descriptive. I might never use them, but I could get the feel of them.
Use the thesaurus. Sparingly. There is nothing wrong with finding other words for your more mundane ones, but readers can tell if you just picked one off the page or if you thought about it. Make sure the “new” word you use flows along with the rest of them.
And don’t be afraid to make up your own words. I know that’s against most writing rules, but if you have a character that fits the description, use it. If it all flows like the bubbling stream, no one will care. For example, I have a quirky, pretzelly, smart heroine who is an astralologer. A combination of an astronomer and astrologer. Looks weird, but once you get to know her it fits her like a glove.
Colors are everywhere. Learn to describe them, or better yet, let them describe themselves.
To my young friends out there:
Life can be great, but not when you can’t see it.
So, open your eyes to life:
to see it in the vivid colors that God gave us
as a precious gift to His children,
to enjoy life to the fullest,
and to make it count.
Say yes to your life.
Nathalie Miebach is an artist whose work focuses on the intersection of art and science and the visual articulation of scientific observations. Her woven sculptures interpret scientific data related to astronomy, ecology and meteorology in three-dimensional space.
You can find more of her intricate work at her website, http://nathaliemiebach.com.
Enjoy your wandering.
Alas, writers always write faster than they think. And here it is, Sunday evening, and I’ve been doing a lot of thinking.
I so want to open an additional page on this website to highlight all the extraordinary images of Art I have come across through my travels. Images that add to the Sunday evening blogs I’ve been creating for you. But I’ve been dissatisfied with my progress, my ideas, my inability to put my thoughts onto the page in just the right way so that I can share them with you.
Like all of you creative muses out there know, you can’t put something out there until it feels right. Yes, there will always be something that needs to be tweaked; thank goodness there is no such thing as perfection. But it it doesn’t feel right *here* you shouldn’t put it out *there*. You need to take your time. You need to get it right.
So instead, I am going to offer some my own photographs on my Sunday Evening Art Gallery blog…photographs I took. I am in love with color, so that is what this gallery is called. Colors. I hope you enjoy them.