Nicole McLaughlin was born and raised in Massachusetts but spent much of her early childhood in Mexico.
As a first generation Mexican-American, she is heavily influenced by her multicultural upbringing and her childhood memories of visiting her mother’s home town of Cuernavaca, Mexico.
McLaughlin received her Bachelor of Fine Arts from the Kansas City Art Institute in Kansas City, MO. 
She draws upon the rich traditions of historically domestic crafts to reconsider their roles today, merging ceramics and textiles into elegant, cascading wall sculptures.
Her studio practice, a ritualization that celebrates and questions her cultural inheritance as a woman, depicts the dichotomies of her heritage through the combination of ceramics and fiber.
Streams of wool fiber flow from central openings in glazed ceramic spheres, referencing the life-giving flow of water as a parallel to fertility and maternal care.
The use of fiber in combination with ceramic speaks powerfully to how we view utilitarian objects and the experiences associated with them.
More of Nicole McLaughlin’s ceramic and fiber works can be found at https://www.nicoleamclaughlin.com/.
Humoring the Goddess 
some amazing art here!
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I wish I had a tenth of the talent…
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Beautiful aesthetic + storytelling.
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I love when artists combine the two ….
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I went to the artist’s website and was surprised by how young she is! I was looking for info on whether she creates the ceramics or uses existing pieces. I didn’t find ibfo and am assuming she reuses. This personal statement was a bit… much… for me (I feel/see no association to boobs, but it’s her work):
“The vessels, like breasts, reference maternal nourishment as the fibers flow from the central point of the ceramic component and billow out into space.”
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I never get comparing art to personal anatomy — but we all see different things. Ha!
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thank you for the bright sot in my day today!
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It’s always my pleasure!
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