Utagawa Kunisada, (1786-1865) has been called the most prolific of all the painters and printmakers of the ukiyo-e (pictures of the floating world) movement in 19th-century Japan.Born in Tokyo (then called Edo), Kunisada was the son of a moderately successful poet, who died very early in his life.The young artist began sketching very early and developed not only a passion but a clear skill in the craft which caught the eye of the master of the Utagawa school of ukiyo-e, Utagawa Toyokuni.Kunisada started his career as a pupil of Toyokuni I whose name he adopted in 1844, becoming Toyokuni III. While he changed his names several times, he is commonly referred to as Kunisada or Toyokuni III.Almost from the first day of his activity, and even at the time of his death in 1865, Kunisada was a trendsetter in the art of the Japanese woodblock print.
Always at the vanguard of his time, and in tune with the tastes of the public, he continuously developed his style, which was sometimes radically changed, and did not adhere to stylistic constraints set by any of his contemporaries.
Kunisada’s prints mostly consisted of kabuki actors, the popular trend of the period, but as he continued to perfect his craft there was a growth in the number, and the experimental nature, of shunga works which Kunisada produced.
In addition to actor prints (yakusha-e) and book illustrations (kuchi-e), he produced erotic prints (shunga), pictures of beautiful women (bijin-ga), landscapes and privately commissioned prints (surimono).
In his later years, Kunisada had truly perfected his craft. The depth, blends of color, and complex perspectives of his artwork truly set him apart.More of Utagawa Kunisada‘s prints can be found across the Internet, including http://www.kunisada.de/.
6 thoughts on “Sunday Evening Art Gallery (midweek) — Utagawa Kunisada”
I really appreciate your corrections. I imagine the sites I downloaded them images from had them wrong as well. I love his work — I love images from that time frame, from that mind set. Please let me know if I’ve messed up on anything else.
The print depicting Ichikawa Danjūrō IX as shirabyoshi Hanako (白拍子花子) is not by Kunisada I; maybe Kunisada III but it is unsigned and definitely from around 1880/1890.
Also the kabuki triptych depichting Nakamura Daikichi I, Bandō Mitsugorō III and Nakamura Utaemon III isn’t by Kunisada I but by Toyokuni I (date c. 1815).
Horst Graebner form the Kunisadas Project
Welcome and yes can agree with you. Such amazing and awesome artists for sure.
Thank you. I have a hard time imagining such precision so long ago.
Excellent and what an amazing story of these paintings too. Lovely.
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